The veil between the living and the dead is obscured, chaos becomes panacea, and characters take drastic measures into their own hands. Survivors of all kinds seek strategy and solace: a group of homeless people organize an occupation of vacant condos, a new resident to a disturbing neighbourhood tries to make sense of madness, a dog investigates the sudden disappearance of his owner. The five intertwined vignettes in the title story are set in a Caribbean country where the spectre of the sugar plantation haunts everyone.

Burned by napalm as an infant and adopted by the guardian spirit of a river, Numamushi spends the first years of his life catching frogs to eat and learning to shed his skin like his serpentine father. Then one day, a lonely man moves into the abandoned house next to the river, and curiosity for all things human awakens in Numamushi. This mysterious man shares Numamushi’s penchant for eating frogs but also carries the scars of war, a love of the written word, and knowledge of the secret history of the house and its river.

It's 1973 and Mona Glass is a 24-year-old amateur tennis star in a long-running affair with Saul Plotz, her former college professor. Her parents like Saul and desperately want the free-spirited Mona to marry. But 34-year-old Saul already has a wife and two children. One day, Saul happens on an idea: stage a fake wedding for the benefit of her old world parents, invite a few friends in on the joke, and go about their lives. The ruse works. Except Saul realizes he actually wants to marry Mona, who vows never to permanently tie herself to a man.

In the final days of the Việt Nam War, Hằng takes her little brother, Linh, to the airport, determined to find a way to safety in America. In a split second, Linh is ripped from her arms - and Hằng is left behind in the war-torn country. Six years later, Hằng has made the brutal journey from Việt Nam and is now in Texas as a refugee. She doesn’t know how she will find the little brother who was taken from her until she meets LeeRoy, a city boy with big rodeo dreams, who decides to help her.

The pieces in this collection, written between 1956 and 1961 and including short fiction, a radio play, and a stunning early novel, offer startling insights into Cohen's imagination and creative process. Cohen explores themes that would permeate his later work, from shame and unworthiness to sexual desire in all its sacred and profane dimensions to longing, whether for love, family, freedom, or transcendence.