Set during the tumultuous years of the Napoleonic Wars, The Passion intertwines the destinies of two remarkable people: Henri, a simple French soldier, who follows Napoleon from glory to Russian ruin; and Villanelle, the red-haired, web-footed daughter of a Venetian boatman, whose husband has gambled away her heart. In Venice’s compound of carnival, chance, and darkness, the pair meets their singular destiny.

In the tradition of his best-selling debut novel The Lost Books of the Odyssey, Zachary Mason's Metamorphica transforms Ovid's epic poem of endless transformation. It reimagines the stories of Narcissus, Pygmalion and Galatea, Midas, and Atalanta and strings them together like the stars in constellations - even Ovid becomes a story. It's as though the ancient mythologies had been rewritten by Borges or Calvino.

Black and white no longer exist in a post-apocalyptic world swirling with shades of gray, and the Standings must find a way to survive the dark matter hurricane and stitch their frayed family back together. Or face complete annihilation at the hands of a maniacal madman who will do anything - and destroy anyone - in his quest to dominate. This thrilling post-apocalyptic box set includes all four novels in the Supernova EMP series.

You are born to a king, but marry a tyrant. You stand helplessly as he sacrifices your child to placate the gods. You watch him wage war on a foreign shore and you comfort yourself with violent thoughts of your own. You play the part, fooling enemies who deny you justice. And slowly, you plot. But when your husband returns in triumph, what then? Acceptance or vengeance—death follows both. So you bide your time and force the gods' hands in a wretched game of vengeance.

The 1850s are a time of discovery, and London is ablaze with the latest scientific theories and debates, especially when a spectacular new exhibition of dinosaur sculptures opens at the Crystal Palace. Mary is keen to make her name in this world of science alongside her geologist husband, Henry—but despite her sharp mind and sharper tongue, without wealth and connections their options are limited.

Edinburgh, 1911: When Maud McIntyre and her lady’s maid, Daisy, form a detective agency, they never dream their first case will take place at a glamorous house in the Scottish Highlands. But when the duchess of Duddingston, concerned that a notorious jewelry thief will target her lavish weekend party, employs Maud to go undercover as a guest to find the culprit, the agency has its first case to solve....

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

The only mortal in a family of gods, Medusa is the youngest of the Gorgon sisters. Unlike her siblings, Medusa grows older, experiences change, feels weakness. Her mortal lifespan gives her an urgency that her family will never know.

In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child—not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power—the power of witchcraft, which can transform rivals into monsters and menace the gods themselves.

Darrow is a Red, a member of the lowest caste in the color-coded society of the future. Like his fellow Reds, he works all day, believing that he and his people are making the surface of Mars livable for future generations. Yet he toils willingly, trusting that his blood and sweat will one day result in a better world for his children. But Darrow and his kind have been betrayed. Soon he discovers that humanity reached the surface generations ago. Vast cities and lush wilds spread across the planet. Darrow—and Reds like him—are nothing more than slaves to a decadent ruling class.

Inextricably linked with the fatwa called against its author in the wake of the novel’s publication, The Satanic Verses is, beyond that, a rich showcase for Salman Rushdie’s comic sensibilities, cultural observations, and unparalleled mastery of language. The book begins with two Indians plummeting from the sky after the explosion of their airliner, and proceeds through a series of metamorphoses, dreams and revelations.

High in his attic bedroom, 12-year-old David mourns the loss of his mother. He is angry and he is alone, with only the books on his shelf for company.But those books have begun to whisper to him in the darkness, and as he takes refuge in the myths and fairytales so beloved of his dead mother, he finds that the real world and the fantasy world have begun to meld. The Crooked Man has come, with his mocking smile and his enigmatic words: "Welcome, your majesty. All hail the new king."

Seventeen years ago, King Odysseus sailed to war with Troy, taking with him every man of fighting age from the island of Ithaca. None of them has returned, and the women of Ithaca have been left behind to run the kingdom. Penelope was barely into womanhood when she wed Odysseus. While he lived, her position was secure. But now, years on, speculation is mounting that her husband is dead, and suitors are beginning to knock at her door. No one man is strong enough to claim Odysseus' empty throne—not yet.

The great myths of Ancient Greece have inspired mankind for centuries. Each of the heroes has to undergo trials of strength and courage to prove his valor against a host of monsters - the Minotaur, half man, half bull; Hydra, the many-headed serpent; Medusa the Gorgon. Meanwhile, the gods, lead by Zeus the Thunderer from his seat on Mount Olympus, watch, encourage, help - and sometimes hinder.

Greek myths were full of powerful witches, unpredictable gods and sword-wielding slayers. They were also extreme: about families who turn murderously on each other; impossible tasks set by cruel kings; love that goes wrong; wars and journeys and terrible loss. There was magic, there was shape-shifting, there were monsters, there were descents to the land of the dead. Humans and immortals inhabited the same world, which was sometimes perilous, sometimes exciting.