When sensible, sophisticated Flora Poste is orphaned at 19, she decides her only choice is to descend upon relatives in deepest Sussex. At the aptly named Cold Comfort Farm, she meets the doomed Starkadders: cousin Judith, heaving with remorse for unspoken wickedness; Amos, preaching fire and damnation; their sons, lustful Seth and despairing Reuben; child of nature Elfine; and crazed old Aunt Ada Doom, who has kept to her bedroom for the last 20 years. But Flora loves nothing better than to organise other people.

Worn down by postwar London life, forty-something Lucy Cottrell finds herself accepting a surprise invitation to spend the summer at a Swiss chalet, accompanied by the very practical and undemonstrative Freda Blandish, whom she barely knows. The two are charged with inventorying the contents of the chalet, but distractions soon abound, first from Freda's slightly woebegone daughter Astra and her hoity-toity friend Kay, then from Lucy's godson Bertram and his friend Peter.

'Lady B. stays to tea. (Mem.: Bread-and-butter too thick. Speak to Ethel.) We talk some more about bulbs, the Dutch School of Painting, our Vicar's wife, sciatica, and All Quiet on the Western Front. (Query: is it possible to cultivate the art of conversation when living in the country all the year round?)' If the question suggests a qualified answer, there is no doubt that the art of diary writing is alive and well and very, very funny in Devonshire in the 1920s. At least in the hands of E. M. Delafield.

Weekly ballet classes are Harriet Morton's only escape from her intolerably dull life. So when she is chosen to join a corps de ballet which is setting off on a tour of the Amazon, she leaps at the chance to run away for good. Performing in the grand opera houses is everything Harriet dreamed of, and falling in love with an aristocratic exile makes her new life complete. Swept away by it all, she is unaware that her father and intended fiance have begun to track her down.

When their father dies, none of the three Harcourt girls are particularly upset. The loss of the family's income, however, is not something so easily overcome. When their mother Anna discovers that they have been left penniless, she decides to move them out of London and back to her hometown in Scotland.