Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life?

Published 10 years after Collins’s most popular novel The Woman in White, Man and Wife centres on the confused and inequitable marriage laws of 19th-century Britain, reflecting the author’s own antipathy toward the institution. The plot follows the fortunes of a woman who, committed to marriage with one man, comes to believe that she may have inadvertently married his friend, according to the archaic laws of Scotland and Ireland.

Magdalen and Norah Vanstone have known only comfort and affluence for their entire lives. Orphaned suddenly following the unexpected deaths of their parents, the illegitimate sisters find themselves flung into the other extreme of living: their father had neglected to amend his will following their parents' recent marriage, leaving them with nothing, and their bitter, estranged uncle, the legal inheritor of the family fortune, mercilessly refuses them support.

This is heralded as the very first mystery novel. Collins, in his great work, created the guidelines for the genre as we know it today: a fabulous diamond stolen, everyone in the house is suspected, three mysterious Indians sworn to protect the jewel at all costs, the upstairs/downstairs tension from the servants, and a brilliant detective who is eccentrically fond of roses.

When Lord Montbarry dies suddenly in his Venice palace, and his courier goes missing, suspicion is instantly thrown on his new wife, the beautiful Countess Narona, who has collected his life insurance and fled to America. Montbarry's former fiance, Agnes, still harboring feelings for him, and Henry Westwick, Montbarry's younger brother, decide to investigate this tragedy and head for the palace, now a hotel. Not long after their arrival they experience strange and unsettling occurrences, and the circumstances of Montbarry's death begin to unravel.

Samuel Pickwick, founder and chairman of the Pickwick Club, engages three fellow members to accompany him on a journey. By coach they’ll travel to the outreaches of London to explore, observe, and report back on the quaint wonders of the English countryside. What transpires is a picaresque romp of misadventures, hair-raising challenges, and romantic follies entangling the fates of a riot of colorful characters - a passel of villains, spinsters, poets, and sportsmen - and the unworldly Pickwick himself, who has much to learn about life outside his gentleman’s club.

With her disarming, intimate, completely accessible voice, and dry sense of humor, Nora Ephron shares with us her ups and downs in I Feel Bad About My Neck, a candid, hilarious look at women who are getting older and dealing with the tribulations of maintenance, menopause, empty nests, and life itself.

Based in part on Dickens's own life, it is the story of a young man's journey from an unhappy and impoverished childhood to the discovery of his vocation as a successful novelist. Among its gloriously vivid cast of characters, he e.ncounters his tyrannical stepfather, Mr. Murdstone; his formidable aunt, Betsey Trotwood; the eternally humble yet treacherous Uriah Heep; the frivolous, enchanting Dora; and one of literature's great comic creations, the magnificently impecunious Mr. Micawber.

Probably the most shocking of the Brontës' novels, this novel had an instant and phenomenal success and is widely considered to be one of the first sustained feminist novels. A mysterious widow, Mrs. Helen Graham, arrives at Wildfell Hall, a nearby old mansion. A source of curiosity for the small community, the reticent Helen and her young son Arthur are slowly drawn into the social circles of the village.

Orphaned at an early age, Philip Ashley is raised by his benevolent older cousin, Ambrose. Resolutely single, Ambrose delights in Philip as his heir, a man who will love his grand home as much as he does himself. But the cosy world the two construct is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries—and there he dies suddenly.

Just days before a massive exhibition opens at the popular New York Museum of Natural History, visitors are being savagely murdered in the museum's dark hallways and secret rooms. Autopsies indicate that the killer cannot be human.... But the museum's directors plan to go ahead with a big bash to celebrate the new exhibition, in spite of the murders.

Napoleon has England on edge. For the cunning and conniving Becky Sharp, it’s an opportunity to take advantage of the chaos and improve her lowly station. Her friend Amelia Sedley, a blue-blood pawn, affords Becky entrée into the moneyed class. As the guileless Amelia pines for a rakish soldier, the ruthless Becky climbs upward, setting the stage for a domestic battlefield of greed, ambition, deception, and dizzying reversals of love and fortune.

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.

James Bennett, nephew of Sir Henry Merrivale (the cantankerous yet genius sleuth), has been invited to stay at White Priory for Christmas, among the retinue of the glamorous Hollywood actress Marcia Tait. Her producer, her lover, her playwright and her agent are all here along with the haughty master of the estate, Canifes and his daughter. So many suspects they become when Marcia Tait is found dead on Christmas morning in the lakeside pavilion, having been left there alone the night before and with a distinct lack of footprints in the snow to reveal any possible killer.

Mourning the death of his father and gravely injured at the hands of the English, Jamie Fraser finds himself running with a band of mercenaries in the French countryside, where he reconnects with his old friend, Ian Murray. Both are nursing wounds, both have good reason to stay out of Scotland, and both are still virgins despite several opportunities to remedy that deplorable situation with ladies of easy virtue.