Everyone who lives at 23 Beulah Grove has a secret. If they didn't, they wouldn't be renting rooms in a dodgy old building for cash - no credit check, no lease. It's the kind of place you end up when you you've run out of other options.The six residents mostly keep to themselves, but one unbearably hot summer night, a terrible accident pushes them into an uneasy alliance. What they don't know is that one of them is a killer. He's already chosen his next victim, and he'll do anything to protect his secret.

As the 20th century breathes its very last, with Britpop at its zenith, 27-year-old A&R (artist and repertoire) man Steven Stelfox is slashing and burning his way through London's music industry. Blithely crisscrossing the globe in search of the next megahit - fueled by greed and inhuman quantities of cocaine - Stelfox freely indulges in an unending orgy of self-gratification.

Darren has two big talents: cricket and trouble. It is no surprise, then, that he becomes an Australian sporting star of the bad-boy variety - one of those men who's always got away with things and just keeps going...until the day we meet him, middle aged and in the boot of a car, and everything pointing towards a shallow grave.

It all starts on New Year's Eve. A night that has to be a success, whatever the cost. For Joni and her friends, it'll be a party that promises all the high stakes and glamour of any other, but by sunrise, they'll be dealing with something darker than the usual post-party comedown. Not that they let this stand in their way. For this is their year to revel in all that the playground of London has to offer: sneaking into places they shouldn't, breaking every rule, falling in love with the wrong people. All the while avoiding one undeniable truth: it's not if the party ends, it's how.

Charles Ripley has a good job as an engineer, a pretty wife, and an expensive house in a fashionable San Diego suburb. But it isn't until Ruskin Marsh moves in next door that Ripley realizes how passionless his life really is. Marsh, a connoisseur of the arts, high-powered lawyer, model husband and father, and effortless seducer of women, is so supremely alive that Ripley finds himself irresistibly drawn to him. But after Marsh's arrival, local girls begin to vanish, marriages end violently, and horribly mutilated corpses are found.

An irresistible French sensation - Mr Penumbra's 24-hour Bookstore meets Amélie. The Reader on the 6.27 explores the power of books through the lives of the people they save. It is sure to capture the hearts of book lovers everywhere. Guylain Vignolles leads a dull and solitary life. He hates his job and his only company at home is a goldfish. Every morning he takes the 6.27 to his tedious job at a book pulping factory.

Set adrift by his wife's suicide and struggling to keep some sort of grasp on reality, Bunny Munro drives off in his yellow Fiat Punto, Bunny Jr. in tow. To his son, waiting patiently in the car while he peddles beauty wares and quickies to lonely housewives in the south of England, Bunny is a hero, larger than life. But Bunny himself seems to have only a dim awareness of his son's existence, viewing his needs as a distraction from the relentless pursuit of sex, alcohol, and drugs.

Lionel Asbo, a terrifying yet weirdly loyal thug (self-named after England's notorious "Anti-Social Behaviour Order"), has always looked out for his ward and nephew, the orphaned Desmond Pepperdine. He provides him with fatherly career advice (always carry a knife, for example) and is determined they should share the joys of pit bulls (fed with lots of Tabasco sauce), Internet porn, and all manner of more serious criminality. Des, on the other hand, desires nothing more than books to read and a girl to love .

A put-upon assistant at a prestigious London art house, Judith Rashleigh is well-educated, well-groomed, and impeccably behaved - keeping the darker desires she indulges on nights off as her own little secret. But when Judith uncovers a dangerous heist, her life is shattered and she’s forced to run. Armed with just her wits and a talent for self-invention, she makes her way from the French Riviera to Geneva, Rome, and the nightclubs of Paris, determined to take back what is rightfully hers.

This novel centres on the friendship of William Beckwith, a young gay aristocrat who leads a life of privilege and promiscuity, and the elderly Lord Nantwich, who is searching for someone to write his biography.

London, 1944. While the Luftwaffe makes its final assault on the already battered British capital, Londoners rush through the streets, seeking underground shelter in the midst of the city's blackout. When the panic subsides, other things begin to surface along with London's war-worn citizens. A severed arm is discovered by a group of children playing at an East End bomb site, and when Scotland Yard's Detective Sergeant Frederick Troy arrives at the scene, it becomes apparent that the dismembered body is not the work of a V-1 rocket.

Hatcher McCord is an evening news presenter who has found himself in Hell and is struggling to explain his bad fortune. He's not the only one to suffer this fate - in fact, hes surrounded by an outrageous cast of characters, including Humphrey Bogart, William Shakespeare, and almost all of the popes and most of the U.S. presidents. The question may be not who is in Hell but who isn't.

Covert agent Cyril DePaul thinks he's good at keeping secrets, especially from Aristide Makricosta. They suit each other: Aristide turns a blind eye to Cyril's clandestine affairs, and Cyril keeps his lover's moonlighting job as a smuggler under wraps. Cyril participates in a mission that leads to disastrous results, leaving smoke from various political fires smoldering throughout the city. Shielding Aristide from the expected fallout isn't easy, though.

Is there any difference between memory and invention? That is the question that fuels this stunning novel, written with the depth of character, the clarifying lyricism, and the heart-wrenching humor that have marked all of John Banville's extraordinary works. And it is the question that haunts Alexander Cleave as he plumbs the memories of his first - and perhaps only - love (he, just 15, the woman more than twice his age, the mother of his best friend; the situation impossible, thrilling, devouring, and finally devastating).

Moving from a Midwestern college to the Stonewall Tavern on the night of the first gay uprising - and populated by eloquent queens, butch poseurs, and a fearfully incompetent shrink - The Beautiful Room is Empty conflates the acts of coming out and coming of age.