Stan Parker, with only a horse and a dog for companions, journeys to a remote scrubby patch of land that he has inherited in the Australian hills. When the land is cleared enough for a rudimentary house to be built, Stan brings his new wife, Amy, to the wilderness. Together they struggle to establish a home for themselves and their growing family.

Mrs Standish, ageing but still beautiful, is drawn into secret liaisons, while her daughter Eden experiments openly and impulsively with left-wing politics and love affairs. Only the son, Elyot, remains an aloof and scholarly observer –until dramatic events shock him into sudden self-knowledge.

Elizabeth Hunter, an ex-socialite in her 80s, has a mystical experience during a summer storm in Sydney which transforms all her relationships – her existence becomes charged with a meaning which communicates itself to those around her. From this simple scenario, Patrick White unfurls a monumental exploration of the tides of love and hate, comedy and tragedy, impotence and longing that fester within family relationships.

Eddie Twyborn is bisexual and beautiful, the son of a Judge and a drunken mother. With this androgynous hero – Eudoxia/Eddie/Eadith Twyborn – and through his search for identity, for self-affirmation and love in its many forms, Patrick White takes us on a journey into the ambiguous landscapes, sexual, psychological and spiritual, of the human condition.

Happy Valley is a place of dreams and secrets, of snow and ice and wind. In this remote little town, perched in its landscape of desolate beauty, everybody has a story to tell about loss and longing and loneliness, about their passion to escape. I must get away, thinks Dr Oliver Halliday, thinks Alys Browne, thinks Sidney Furlow. But Happy Valley is not a place that can be easily left, and White's vivid characters, with their distinctive voices, move bit by bit towards sorrow and acceptance.