Cornwall, 1730: A young girl known only as Red travels with her father making a living predicting fortunes using the ancient Cornish method of the Square of Sevens. Shortly before he dies, her father entrusts Red’s care to a gentleman scholar, along with a document containing the secret of the Square of Sevens technique.

It's a story you think you know: the age-old tale of "star-cross'd lovers"; two families at war; a romance, so pure and absolute, fated for a tragic end. It's a story so thoroughly embedded in our culture, and so frequently retold. Yet, nothing captures the spark, the possibility, and the surprise of Shakespeare's work quite like this....

Even as a girl Morgan has always been wild, like the seas which batter the cliffs beneath her home, Tintagel Castle. But she has always been safe, too. Then one day her father is called away to a war from which he does not return. In his place comes the High King, Uther Pendragon, with the sorcerer Merlin lurking in his wake. Uther claims Morgan’s mother, the Lady Igraine as his queen.

Hannah Miles navigates the etiquette of monster hunting through the parlours of a magical Regency England. This collection contains: Manners and Monsters, Galvanism and Ghouls, and Gossip and Gorgons.

When the peat-cutters came to report the dead man, Gil Cunningham was up in the roof-space of his mother's house, teaching his new young wife swordplay. They believe the corpse to be that of a local missing man. His wife and the widow who runs the local coalmine are sure the body belongs to someone else, but then they find themselves accused of having killed him by witchcraft. And if the corpse is not the missing man, who is it? Gil and Alys try to get to the heart of the matter.

It is 1792, during the French Revolution's Reign of Terror. An English aristocrat regarded as an ineffectual fop is actually a master of disguises who—with a small band of dedicated friends—undertakes dangerous missions to save members of the French nobility from the guillotine. His friends and foes know him only as the Scarlet Pimpernel. But the ruthless French agent Chauvelin is sworn to hunt him down and uncover his identity.

Seraphina Winyard is something feared by many…a woman mage. When she comes of age, Sera is determined to seize control of her life, but she faces opposition from an unknown opponent.

London, June 1860: When an assassination attempt is made on Queen Victoria, and a petty thief is gruesomely murdered moments later - and only a block away - Chief Detective Inspector Charles Field quickly surmises that these crimes are connected to an even more sinister plot. Was Victoria really the assassin's target? Are those closest to the Crown hiding something? Soon, Field's investigation exposes a shocking conspiracy in which the publication of Charles Darwin's On the Origin of Species sets off a string of murders, arson, kidnapping, and the pursuit of a diabolical madman.

Born into riches and groomed in English luxury, Margot Armstrong didn't belong in a Scottish chieftain's devil-may-care world. Three years ago she fled their marriage of convenience and hasn't looked back - except to relive the moments spent in wild, rugged Arran McKenzie's passionate embrace. But as their respective countries' fragile unity threatens to unravel, Margot must return to her husband to uncover his role in the treachery before her family can be accused of it.

Ghost stories date back centuries, but those written in the Victorian era have a unique atmosphere and dark beauty. Michael Sims, whose previous Victorian collections Dracula’s Guest (vampires) and The Dead Witness (detectives) have been widely praised, has gathered twelve of the best stories about humanity’s oldest supernatural obsession. The Phantom Coach includes tales by a surprising and often legendary cast, including Charles Dickens, Margaret Oliphant, Henry James, Rudyard Kipling, and Arthur Conan Doyle, as well as lost gems by forgotten masters such as Mary E. Wilkins Freeman and W. F. Harvey. Amelia B. Edwards’s chilling story gives the collection its title, while Ambrose Bierce ("The Moonlit Road"), Elizabeth Gaskell ("The Old Nurse’s Story"), and W. W. Jacobs ("The Monkey’s Paw") will turn you white as a sheet. With a skillful introduction to the genre and notes on each story by Sims, The Phantom Coach is a spectacular collection of ghostly Victorian thrills.

In Edwardian Suffolk, a manor house stands alone in a lost corner of the Fens: a glinting wilderness of water whose whispering reeds guard ancient secrets. Maud is a lonely child growing up without a mother, ruled by her repressive father. When he finds a painted medieval devil in a graveyard, unhallowed forces are awakened. Maud's battle has begun. She must survive a world haunted by witchcraft, the age-old legends of her beloved fen - and the even more nightmarish demons of her father's past.

After receiving a distressing letter from a friend, Lady Anne Addison wastes no time in traveling to Yorkshire to offer whatever help she can. She has no idea what she'll find there, but she certainly wasn't expecting to be met by tales of a werewolf terrorizing the area - nor the dead body she discovers upon arriving. Driven by curiosity and a keen intelligence, Lady Anne dismisses the notion of such a beast, but she's nonetheless drawn into the mysteries by the secrecy surrounding her friend and the infuriating yet enticing Lord Darkefell.

Clambering into the branches of a tree, a young woman flees flaming arrows and massacre. She will need to struggle for survival, scour the wilderness for shelter, and strive for a new family and setting where she can belong. Her unmarked way is costly and hard.

Dorothea Truelove is young, wealthy, and beautiful. Ruth Butterham is young, poor, and awaiting trial for murder. When Dorothea's charitable work brings her to Oakgate Prison, she is delighted by the chance to explore her fascination with phrenology and test her hypothesis that the shape of a person's skull can cast a light on their darkest crimes. But when she meets one of the prisoners, the teenaged seamstress Ruth, she is faced with another strange idea.

With a modest inheritance and the three gowns that comprise her entire wardrobe, Theodora leaves Edinburgh—and a disappointed suitor—far behind. She is bound for Romania, where tales of vampires are still whispered, to visit an old friend and write the book that will bring her true independence. She arrives at a magnificent, decaying castle in the Carpathians, replete with eccentric inhabitants, including the castle’s master, Count Andrei Dragulescu.