Robert Macfarlane brings his glittering style to a profound work of travel writing, reportage, and natural history. Is a River Alive? is a joyful, mind-expanding exploration of an ancient, urgent idea: that rivers are living beings who should be recognized as such in imagination and law. Macfarlane takes listeners on three unforgettable journeys teeming with extraordinary people, stories, and places: to the miraculous cloud-forests and mountain streams of Ecuador, to the wounded creeks and lagoons of India, and to the spectacular wild rivers of Canada.

As a boy, James Rebanks's grandfather taught him to work the land the old way. Their family farm in England's Lake District hills was part of an ancient agricultural landscape: a patchwork of crops and meadows, of pastures grazed with livestock, and hedgerows teeming with wildlife. And yet, by the time James inherited the farm, it was barely recognizable. The men and women had vanished from the fields; the old stone barns had crumbled; the skies had emptied of birds and their wind-blown song.

Some people's lives are entirely their own creations. James Rebanks' isn't. He's the first son of a shepherd who was the first son of a shepherd himself; his family have lived and worked in the Lake District of Northern England for generations, further back than recorded history. It's a part of the world known mainly for its romantic descriptions by Wordsworth and the much-loved illustrated children's books of Beatrix Potter. But James' world is quite different. His way of life is ordered by the seasons and the work they demand.

Emma Gray was just 23 when she moved to an isolated farm in Northumberland, becoming Britain's youngest solo shepherdess. In the seasons that followed, Emma fell in love with its rolling fields, sycamore trees and sturdy farmhouse, where she tended her sheep and trained her dogs - and even found romance along the way. But when Emma finds herself suddenly alone again, heartbroken, mourning the loss of loved ones and recovering from a serious accident, she can't help but wonder if her isolated existence is still such a sensible idea.

Wit’s End isn’t just a state of mind. It’s the name of a gravel road, the address of a rundown, off-the-grid cabin, 120 shabby square feet of fixer-upper Patrick Hutchison purchased on a whim in the mossy woods of the Cascade Mountains in Washington state. To say Hutchison didn’t know what he was getting into is no more an exaggeration than to say he’s a man with nearly zero carpentry skills. Well, used to be. You can learn a lot over six years of renovations. CABIN is the story of those renovations, but it's also a love story; of a place, of possibilities, and of the process of construction.

As a boy, James Rebanks's grandfather taught him to work the land the old way. Their family farm in England's Lake District hills was part of an ancient agricultural landscape: a patchwork of crops and meadows, of pastures grazed with livestock, and hedgerows teeming with wildlife. And yet, by the time James inherited the farm, it was barely recognizable. The men and women had vanished from the fields; the old stone barns had crumbled; the skies had emptied of birds and their wind-blown song.

In 1919, in Newfoundland, four teams of aviators came from Britain to compete in "the Big Hop": an audacious race to be the first to fly, nonstop, across the Atlantic Ocean. One pair of competitors was forced to abandon the journey halfway, and two pairs never made it into the air. Only one team, after a death-defying sixteen-hour flight, made it to Ireland.

Ivona divorced the love of her life, Vlaho, a decade ago. They met as students at the turn of the millennium, when newly democratic Croatia was alive with hope and promise. But the challenges of living in a burgeoning country extinguished Ivona’s dreams one after another—and a devastating secret forced her to set him free. Now Vlaho is remarried and a proud father of two, while Ivona’s life has taken a downward turn. In her thirties, she has returned to her childhood home to care for her ailing father.

Some people's lives are entirely their own creations. James Rebanks' isn't. He's the first son of a shepherd who was the first son of a shepherd himself; his family have lived and worked in the Lake District of Northern England for generations, further back than recorded history. It's a part of the world known mainly for its romantic descriptions by Wordsworth and the much-loved illustrated children's books of Beatrix Potter. But James' world is quite different. His way of life is ordered by the seasons and the work they demand.

1957. Isabella Giori is ten months into a standard seven-year studio contract when she auditions with Hitchcock. Just weeks later, she is sequestered by the studio’s “fixer” in a tiny Carmel cottage, waiting and dreading. Meanwhile, next door, Léon Chazan is annoyed as hell when Iz interrupts his work on yet another screenplay he won’t be able to sell, because he’s been blacklisted. Soon, they’re together in his roadster, speeding down the fog-shrouded Big Sur coast.

Nineteen-year-old Zippy can hardly believe it: she’s the newest and youngest salesgirl at I. Magnin, “San Francisco’s Finest Department Store.” Every week, she rotates her three spruced-up Salvation Army outfits and Vaseline-shined pumps; still, she’s thrilled to walk those pumps through the employee entrance five days a week as she saves to buy something new.

On August 25, 1944, Rose Valland, a woman of quiet daring, found herself in a desperate position. From the windows of her beloved Jeu de Paume museum, where she had worked and ultimately spied, she could see the battle to liberate Paris thundering around her. The Jeu de Paume, co-opted by Nazi leadership, was now the Germans’ final line of defense. Would the museum curator be killed before she could tell the truth—a story that would mean nothing less than saving humanity’s cultural inheritance?

Lisa Murkowski has repeatedly stood at the center of our nation’s most challenging issues, serving as a swing vote and a voice willing to challenge the president, regardless of who holds the office. In this candid memoir that offers hope for a functional Washington, she guides listeners through the defining events of her more than twenty-year career.

A military memoir by a biracial child of refugees and survivors, Roadside is about life and death, about family lost and gained, and about America, as a dream and a reality. It’s about the roads one takes to leave home and find it again.

The patriarch, C. F. Seabrook, was hailed as the "Henry Ford of Agriculture." His son Jack, a keen businessman, was poised to take over what Life called "the biggest vegetable factory on earth." But the carefully cultivated facade—glamorous outings by horse-drawn carriage, hidden wine cellars, and movie star girlfriends—hid dark secrets that led to the implosion of the family business. A compelling tale of class and privilege, betrayal and revenge three decades in the making, The Spinach King explores the author's complicated family legacy and the dark corners of the American Dream.

The revolutions that raged across Europe and the Americas over seven decades, from 1760 to 1825, created the modern world. Revolutionaries shattered empires, toppled social hierarchies, and birthed a world of republics. But old injustices lingered on and the powerful engines of revolutionary change created new and insidious forms of inequality. In The Age of Revolutions, historian Nathan Perl-Rosenthal offers the first narrative history of this entire era.

“Psycho Killer.” “Take Me to the River.” “Road to Nowhere.” Few artists have had the lasting impact and relevance of Talking Heads. One of the foundational bands of downtown New York’s 1970s music scene, Talking Heads have endured as a musical and cultural force for decades, their unique brand of transcendent, experimental rock a lingering influence on popular music—despite having disbanded over thirty years ago. Now on the 50th anniversary of the band’s formation, acclaimed music biographer and contributor to The New Yorker Jonathan Gould offers the definitive story of Talking Heads.

Prize-winning historian Helen Castor delivers a compelling, eye-opening examination of women and power in England, witnessed through the lives of six women who exercised power against all odds—and one who never got the chance.

In the bestselling tradition of Rinker Buck’s The Oregon Trail and Tony Horwitz’s Confederates in the Attic, The Road That Made America is a lively, epic account of one of the greatest untold stories in our nation’s history—the eight-hundred-mile long Great Wagon Road that 18th-century American settlers forged from Philadelphia to Georgia that expanded the country dramatically in the decades before we ventured west.

When Sally Samuelson was eight years old, her golden boy brother Ellis went missing the summer he graduated high school. Ellis finally turned up at the bucolic Bug Hollow, a last gasp of the beautiful Northern California counterculture in the seventies. He had found joy in the communal life there, but died in a freak accident weeks later. From that point, the world of the Samuelsons never spins on the same axis, especially after Julia, Ellis’s girlfriend from Bug Hollow, shows up pregnant on their doorstep.