In this course we'll explore how Walt Whitman broke with the tyranny of European literary forms to establish a broad, new voice for American poetry. By throwing aside the stolid conventions and clichéd meters of old Europe, Walt Whitman produced a vital, compelling form of verse, one expressive of the nature of his new world and its undiscovered countries, both physical and spiritual, intimate and gloriously public.

Few writers are more often read, and better loved, than Charles Dickens and Samuel Langhorne Clemens - Mark Twain. Many of the characters populating their novels have become household words, cultural landmarks in their own right - Tom Sawyer and Huckleberry Finn, David Copperfield and Oliver Twist. It is as if we have known them life-long. In this course we take a look at the lives and works of both authors.

In this series of lectures, Professor Katherine Elkins details the lives and works of the premier French writers of the last two centuries. With keen insight into her subject material, Professor Elkins discusses the attributes that made classics of such works as Balzac's Human Comedy, Flaubert's Madame Bovary, Proust's In Search of Lost Time, and Camus' The Stranger.

Born in 1795, tragically dead of consumption by age 26, John Keats was one of the greatest English Romantic poets. During his brief life, he composed many poems and odes that are considered among the finest and most passionate ever written. Lush, sensuous, rhythmic, and surprising, they captivate the senses and fascinate the mind.

Shakespeare's seven great tragedies contain unmistakable elements that set them apart from any other plays ever written. In Romeo and Juliet, Shakespeare embodied in the character of Juliet the world's most impressive representation ever of a woman in love. With Julius Caesar, the great playwright produced a drama of astonishing and perpetual relevance.

"My goal in this series, in addition to illuminating the patterns of women's and men's uses of language, is to enhance understanding of how language works in everyday life. I am told by students who have taken my courses that this understanding helps them in their everyday lives, as every aspect of our lives involves talking to people of the other sex - in our personal relationships, our families, at work, and in trying to get just about anything done."

Italo Calvino was not only a prolific master of fiction, he was also an uncanny reader of literature, a keen critic of astonishing range. Why Read the Classics? is the most comprehensive collection of Calvino's literary criticism available in English, accounting for the enduring importance to our lives of crucial writers of the Western canon. Here - spanning more than two millennia, from antiquity to postmodernism - are 36 immediately relevant, accessible ruminations on the writers, poets, and scientists who meant most to Calvino at different stages of his life.

Professor Shutt begins by exploring exactly what a novel is - and what it isn't - and what defines this unique literary expression. He explores both its antecedents and precursors and where exactly its place in the literary landscape can be found. He then moves on to Defoe's great work Robinson Crusoe which arguably marks the birth of the novel. Subsequent lectures explore works by powerful literary forces such as Samuel Richardson, Henry Fielding, Laurence Sterne, and Sir Walter Scott.

One of the Modern Scholar’s most popular professors, Timothy B. Shutt, brings his literary acumen and trademark enthusiasm to the study of the epic poems that sit at the very wellspring of Western culture. The earliest surviving works of Greek literature, Homer’s Iliad and Odyssey exert a continuing influence on modern culture, even today shaping people’s values and conduct. In the tales of Achilles and Hector, of Odysseus and Penelope, Homer explored the notion of arête, which translates as "excellence" or "virtue".

American writers have long sought to compose "the great American novel", or "America's epic", Mark Twain's Huckleberry Finn and F. Scott Fitzgerald's The Great Gatsby have been advanced as plausible contenders for the title, but no work can mount a more substantial claim than Herman Melville's Moby Dick, or The Whale.