Five years ago, Olivia Sutherland was wrongfully convicted of plotting to murder. Now she's finally free, Olivia has three goals. Repair her relationship with her daughter. Clear her name. And bring down her husband—the man who framed her. Just how far is she willing to go to get what she wants? And how far will her husband go to stop her? Because his lies run deeper than Olivia could ever have imagined—and this time it’s not her freedom that’s in jeopardy, but her life.

Jane Hughes has a loving partner, a job in an animal sanctuary, and a tiny cottage in rural Wales. She's happier than she's ever been, but her life is a lie. Jane Hughes does not really exist. Five years earlier Jane and her then best friends went on holiday, but what should have been the trip of a lifetime rapidly descended into a nightmare that claimed the lives of two of the women.

She bursts into my life like a storm, and nothing is the same again. One by one, I watch as my friends fall under her spell. Only I see that her smiles don’t reach her cold, furious eyes. And when I’m accused of things I didn’t do, when my home is vandalized, I know she’s behind it. But she only lets her mask slip when no one is looking, so if I say anything, I’ll look crazy. So when the baby shower comes around, I’m sitting on a velvet sofa in a posh hotel room, surrounded by balloons. But that afternoon, I finally learn the unbelievable truth. There is no baby....

I haven’t lived here long. The house is small and a little run-down, but each piece of faded floral wallpaper I peel away feels like unwrapping the second chance I never thought I’d get. I’m finally free to wear what I want, and I don’t flinch when I accidently burn dinner. My new home is warm, and the kids are safe inside. Anywhere would feel idyllic after the nightmare marriage I’ve just escaped.

A leading British actress hoping to make a splash in America flies to Los Angeles for the grueling gauntlet known as pilot season, a time when every network and film studio looking to fill the rosters of their new shows entice a fresh batch of young hopefuls - anxious, desperate, and willing to do whatever it takes to make it.

It’s the holiday season and Harriet Reed, a novelist on the brink of literary stardom, is newly engaged to Edward Holbeck, the heir of an extremely powerful family. And even though Edward has long tried to sever ties with them, news of the couple’s upcoming marital bliss has the Holbecks inching back into their lives with one invite after another.

The doorbell rings, just days after my beloved husband’s sudden death. I don’t recognise the woman on our doorstep, with her blonde highlights, a diamond bracelet identical to my own and a bouncing baby boy in her arms. As I show her inside, I notice her eyes grow wide as she takes in our spacious hallway, and the big squashy sofas that we all used to pile on. She glances at the silver-framed family photos and my little daughter hiding behind my skirts. She looks at me, her blue eyes serious. ‘I’m sorry’ she says. ‘I am your husband’s girlfriend. And this is his son.'

When the call came it seemed like the answer to my prayers. My career as a voice actor had been over for months and me and my little girl Scarlet were living back at my mum’s place. I felt like a failure professionally—and with Scarlet having problems at school, as a parent as well. So, when I was asked to narrate a new book by disappeared novelist Philippa Roberts I jumped at the chance, even if it meant leaving Scarlet with my ex, Hugo, for a few weeks. Hugo, with his perfect new home and his perfect new girlfriend Saskia. But this isn’t a dream come true. It’s a nightmare.

Two days ago, the Wilson family checked into the imposing, glass-fronted Lodge, surrounded by snow and perched perilously on the edge of a cliff looking out to a gray sea. Not everyone was looking forward to the family get-together. But mother-in-law Angela insisted the winter trip would help heal their rifts....

In the wake of my darling husband’s death, I am so lucky to have my three beautiful, grown-up daughters by my side at our holiday home in Scotland. We need some time together to recover from the shock. But I also need to set some things straight about their beloved father....

Newly married Natasha has the perfect house, a loving husband, and a beautiful little girl called Emily. She’d have it all if it wasn’t for Jen, her husband’s ex-wife who just won’t leave them alone. Then Natasha returns home one day to find her husband and Emily gone without trace. Desperate to get her daughter back, Natasha will do anything even if it means accepting an offer of help from Jen.

Claudia Morgan-Brown finally has it all. Pregnant with a much-wanted first baby of her own, she has a happily established family of two small step-sons and a loving husband with a great career. But she is also committed to her full-time job as a social worker, and her husband travels often. So when Claudia hires Zoe to help her around the house in anticipation of the baby’s arrival, it seems like the answer to her prayers.

Zoe didn't meet her daughter the way most mothers do. She finds five-year-old Maddie alone and dirty on a countryside road. Frightened for Maddie's safety, she picks her up and takes her back to her father, not knowing what she's about to step into. Because Maddie wasn't just lost; she was there to lure her serial killer dad's new victim. After escaping from the clutches of Maddie's dangerous father, she bonds with the little girl. Only Maddie knows what it was like to be at that house. And when no family members come forward to claim Maddie, Zoe decides to adopt her.

Alex Dale is lost. Destructive habits have cost her a marriage and a journalism career. All she has left is her routine: a morning run until her body aches, then a few hours of forgettable work before the past grabs hold and drags her down. Every day is treading water, every night is drowning. Until Alex discovers Amy Stevenson. Amy Stevenson, who was just another girl from a nearby town until the day she was found unconscious after a merciless assault. Amy Stevenson, who has been in a coma for fifteen years, forgotten by the world.

I Let You Go follows Jenna Gray as she moves to a ramshackle cottage on the remote Welsh coast, trying to escape the memory of the car accident that plays again and again in her mind and desperate to heal from the loss of her child and the rest of her painful past. At the same time, the novel tracks the pair of Bristol police investigators trying to get to the bottom of this hit-and-run.