Since its original publication by Little, Brown and Company, in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the world and established itself as a perennial best-seller in its various available formats. Mythology succeeds like no other audiobook in bringing to life for the modern listener the Greek, Roman, and Norse myths and legends that are the keystone of Western culture - the stories of gods and heroes that have inspired human creativity from antiquity to the present.

The year is A.D. 922. A refined Arab courtier, representative of the powerful Caliph of Baghdad, encounters a party of Viking warriors who are journeying to the barbaric North. He is appalled by their Viking customs - the wanton sexuality of their pale, angular women, their disregard for cleanliness...their cold-blooded human sacrifices. But it is not until they reach the depths of the Northland that the courtier learns the horrifying and inescapable truth.

Most people have heard of the Celts - the elusive, ancient tribal people who resided in present-day England, Ireland, Scotland and France. Paradoxically characterized as both barbaric and innocent, the Celts appeal to the modern world as a symbol of a bygone era, a world destroyed by the ambition of empire and the spread of Christianity throughout Western Europe. Despite the pervasive cultural and literary influence of the Celts, shockingly little is known of their way of life and beliefs, because very few records of their stories exist.

The high points in the story of Alaska since the American acquisition are brought vividly to life through more than 100 characters, real and fictional.

The saga of a land from the time when the volcanic islands rose out of the sea to the decade in which they become the 50th state. Michener uses individuals' experiences to symbolize the struggle of the various races to establish themselves in the islands.

The poems of the Poetic Edda have waited a long time for a modern English translation that would do them justice. Here it is at last (Odin be praised!) and well worth the wait. These amazing texts from a 13th-century Icelandic manuscript are of huge historical, mythological, and literary importance, containing the lion's share of information that survives today about the gods and heroes of pre-Christian Scandinavians, their unique vision of the beginning and end of the world, etc.

Bengtsson's hero, Red Orm-canny - courageous and above all lucky - is only a boy when he is abducted from his Danish home by the Vikings and made to take his place at the oars of their dragon-prowed ships. Orm is then captured by the Moors in Spain, where he fights for the Caliph of Cordova. Escaping from captivity, Orm washes up in Ireland, where he marvels at those epicene creatures, the Christian monks, and from which he then moves on to play an ever more important part in the intrigues of the various Scandinavian kings and clans and dependencies.

Wily, charming Kuni Garu, a bandit, and stern, fearless Mata Zyndu, the son of a deposed duke, seem like polar opposites. Yet in the uprising against the emperor, the two quickly become the best of friends after a series of adventures fighting against vast conscripted armies, silk-draped airships, and shapeshifting gods.

They live in shadows - deep in the forest, late in the night, in the dark recesses of our minds. They're spoken of in stories and superstitions, relics of an unenlightened age, old wives' tales, passed down through generations. Yet no matter how wary and jaded we have become, as individuals or as a society, a part of us remains vulnerable to them: werewolves and wendigos, poltergeists and vampires, angry elves and vengeful spirits.

Native American princess or British celebrity? Pocahontas played a pivotal role in the New World, but the powerful pull between her tribe and the new settlement on Virginia's shores took its toll.

Born a slave on the island of Saint-Domingue, Zarit - known as Tt - is the daughter of an African mother she never knew and one of the white sailors who brought her into bondage. Though her childhood is one of brutality and fear, Tt finds solace in the traditional rhythms of African drums and in the voodoo loas she discovers through her fellow slaves.

The ancient Greeks were explorers in many ways. They traveled to new places, creating colonies in strange lands far from their original homes. They were survivors. They were honorable thieves. They used their cunning to explore the frontiers of philosophy and they wrested from the chaos of the surrounding wilderness the building blocks of civilization.

Caribbean packs 700 dramatic years into a tale teeming with revolution and romance, authentic characters and thunderous destinies. Through absorbing, magnificent prose, Michener captures the essence of the islands in all of their awe-inspiring scope and wonder.

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

James A. Michener's masterly chronicle of South Africa is an epic tale of adventurers, scoundrels, and ministers, the best and worst of two continents, who carve an empire out of a vast wilderness. From the Java-born Van Doorn family tree springs two great branches: one nurtures lush vineyards, the other settles the interior to become the first Trekboers and Afrikaners.