New York Times best-selling author Alexander McCall Smith, winner of the first-ever Saga Award for Wit, has entertained millions with his beloved No. 1 Ladies' Detective Agency mysteries. Now this phenomenally popular author introduces a fresh series, brimming with the charm and humor his stable of dedicated fans can't get enough of.

The brilliant Alexander McCall Smith became an international sensation with his New York Times best-selling No. 1 Ladies' Detective Agency novels. His award-winning wit, made famous through that series, is fully on display in 44 Scotland Street.

It is 1938 and the final days of the British Empire. In a bungalow high up in the green hills above the plains of Ceylon, under a vast blue sky, live the Ferguson family: Bella, a precocious eight-year-old; her father Henry—owner of Pitlochry, a tea plantation—and her mother Virginia. The story centres around the Pavilion in the Clouds, set in the idyllic grounds carved out of the wilderness. But all is not as serene as it seems. Bella is suspicious of her governess, Miss White’s intentions.

Mma "Precious" Ramotswe sets up a detective agency in Botswana on the edge of the Kalahari Desert, making her the only female detective in the country. At first, cases are hard to come by. But eventually, troubled people come to Precious with a variety of concerns. Potentially philandering husbands, seemingly schizophrenic doctors, and a missing boy who may have been killed by witch doctors all compel Precious to roam about in her tiny van, searching for clues.

Detective Ulf Varg from the Department of Sensitive Crimes is often called upon to investigate unusual matters. But rarely is he asked to conduct an inquiry on behalf of his own family. Is such a thing ethical? Adding to Ulf's moral discomfort is the fact that he does not exactly see eye to eye with his younger brother Bjorn - a leading player in one of Sweden's right-wing parties, the Moderate Extremists. Still, family is family, so Ulf finds himself working to uncover the mole leaking secrets to a rival party, the Extreme Moderates.

In London’s Pimlico neighborhood lies a tenement described in architectural guides as “a building of no interest whatsoever.” But the residents of Corduroy Mansions—including a literary agent, a wine merchant, a thoroughly unpleasant member of Parliament, and a vegetarian dog—are a rather fascinating lot.

In this dual collection of short stories, Alexander McCall Smith brings his trademark humor and warmth to inventive tales of spying and vengeance. In one story, a spy dropped deep into enemy territory manages to disguise himself—quite convincingly—as a nun. In another, an invitation to join the Vatican Secret Service sends a prospective operative down a rabbit hole of controversy and confusion. A third story finds an author, on the brink of public ruin, seeing the error of his ways after an act of kindness saves the day.

Val Eliot, a young woman working on an English farm during the war, meets Mike, a US Air Force pilot stationed nearby. When Val rescues a Border Collie named Peter Woodhouse, who is being mistreated by his owner, she realizes the dog would actually be safer with Mike. And so Peter Woodhouse finds a new home on the air force base, and Val finds herself falling in love.

In the words of Alexander McCall Smith: "You feel the rocking of the train, you hear the sound of its wheels on the rails; you are in the world rather than suspended somewhere above it. And sometimes there are conversations to be had, which is what the overarching story in this collection is all about. It is a simple device: people brought together entertain one another with tales of what happened to them on trains. It takes place on a journey I frequently make myself and know well, the journey between Edinburgh and London. It is best read on a train, preferably that one."

In 1939, Lavender flees London to escape the German bombs and her shattered marriage. Settling in a small town, she pulls together a makeshift orchestra to help cope with the times.

Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life. But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...

It's 1811, and the threat of revolution haunts the upper classes of King George III's England. Then a beautiful young woman is found savagely murdered on the altar steps of an ancient church near Westminster Abbey. A dueling pistol found at the scene and the damning testimony of a witness both point to one man - Sebastian St. Cyr, Viscount Devlin, a brilliant young nobleman shattered by his experience in the Napoleonic Wars.

Into Keldale's pastoral web of old houses and older secrets comes Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton. Along with the redoubtable Detective Sergeant Barbara Havers, Lynley has been sent to solve a savage murder that has stunned the peaceful countryside. For fat, unlovely Roberta Teys has been found in her best dress, an ax in her lap, seated in the old stone barn beside her father's headless corpse. Her first and last words were "I did it. And I'm not sorry".

This set includes the first two books in the Hamish Macbeth cozy mystery series set in the Scottish Highlands. Death of a Gossip: When society widow and gossip columnist Lady Jane Winters joined the fishing class, she wasted no time in ruffling the feathers—or was it the fins?—of those around her. Death of a Cad: When Priscilla Halburton-Smythe brings her London playwright fiancé home to Lochdubh, everybody in town is delighted…except for love-smitten Constable Hamish Macbeth. Yet his affairs of the heart will have to wait.

In "Murder at the Mousetrap," the first Bunburry book, fudge-making and quaffing real ale in the local pub are matched by an undercurrent of passion, jealousy, hatred and murder - laced with a welcome dose of humour. Alfie McAlister has retreated from London to the peace and quiet of the country to recover from a personal tragedy. But an accidental death - which may have been no accident - reveals that the heart of England is far from the tranquil backwater he imagined.

New York Times best-selling author Alexander McCall Smith, winner of the first-ever Saga Award for Wit, has entertained millions with his beloved No. 1 Ladies' Detective Agency mysteries. Now this phenomenally popular author introduces a fresh series, brimming with the charm and humor his stable of dedicated fans can't get enough of.

The brilliant Alexander McCall Smith became an international sensation with his New York Times best-selling No. 1 Ladies' Detective Agency novels. His award-winning wit, made famous through that series, is fully on display in 44 Scotland Street.

Detective Ulf Varg from the Department of Sensitive Crimes is often called upon to investigate unusual matters. But rarely is he asked to conduct an inquiry on behalf of his own family. Is such a thing ethical? Adding to Ulf's moral discomfort is the fact that he does not exactly see eye to eye with his younger brother Bjorn - a leading player in one of Sweden's right-wing parties, the Moderate Extremists. Still, family is family, so Ulf finds himself working to uncover the mole leaking secrets to a rival party, the Extreme Moderates.

Mma "Precious" Ramotswe sets up a detective agency in Botswana on the edge of the Kalahari Desert, making her the only female detective in the country. At first, cases are hard to come by. But eventually, troubled people come to Precious with a variety of concerns. Potentially philandering husbands, seemingly schizophrenic doctors, and a missing boy who may have been killed by witch doctors all compel Precious to roam about in her tiny van, searching for clues.

It is said that a picture may be worth a thousand words, but an old photograph can inspire many more. In this beguiling book, Alexander McCall Smith casts his eye over five chanced-upon photographs from the era of black-and-white photography and imagines the stories behind them. Who were those people, what were their stories, why are they smiling, what made them sad?