
The Last Man in Tehran
A Novel
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Narrated by:
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George Newbern
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By:
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Mark Henshaw
About this listen
Decorated CIA analyst Mark Henshaw continues the "authentic, compelling, and revealing" (Jason Matthews) Red Cell series following agent Kyra Stryker, who must work with retired analyst Jonathan Burke to save the CIA from being torn apart by a conspiracy of moles.
New Red Cell chief Kyra Stryker has barely settled into the job when an attack on an Israeli port throws the Middle East into chaos. The Mossad - Israel's feared intelligence service - responds with a campaign of covert sabotage and assassination, determined to protect the homeland. But evidence quickly turns up suggesting that a group of moles inside Langley are helping Mossad wage its covert war.
Convinced that Mossad has heavily penetrated the CIA's leadership, the FBI launches a counterintelligence investigation that threatens to cripple the agency - and anyone who questions the official story is suspect. With few officials willing to help for fear of getting accused, Kyra turns to her former mentors - now-retired Red Cell chief Jonathan Burke and his wife, former CIA director Kathryn Cooke - to help uncover who is trying to tear the CIA apart from the inside out.
©2017 Mark Henshaw (P)2017 Simon & SchusterListeners also enjoyed...
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Perfection
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great story
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Awesomness on a page
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I would have loved to dig deeper into the character relationships, listened to further developed and detailed story line.
The book flew in just 9 1/2 hours, I would have loved 12 to 13 hours.
I recommend this book, just wish for more.
Good story, could be much better.
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Another notch in Henshaw's belt
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However narration by Me. Newbern was barely adequate. He is an excellent reader with a very good voice. But it was almost impossible to distinguish the voices of the different characters. This voice was the same for everyone even when narrating.
Typical spy novel.
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Fantastic!
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Intriguing
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Please choose a good narrator for this author
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Loved it!
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A word about the reader. Low key, matter of fact, unemotional, and ideal for this book.
Not your standard monolithic spy story
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