Twelve billionaires rule the United States, while those called freemen are forced to serve the rich. But that was 60 years ago, before the Scarlet Plague. In this post-apocalyptic novella, a ragged and tattered old man tells his progeny of what life was like before The Scarlet Plague appeared - and wiped out civilization as they knew it.

Doremus Jessup, a newspaper editor, is dismayed to find that many of the people he knows support presidential candidate Berzelius Windrip. The suspiciously fascist Windrip is offering to save the nation from sex, crime, welfare cheats, and a liberal press. But after Windrip wins the election, dissent soon becomes dangerous for Jessup. Windrip forcibly gains control of Congress and the Supreme Court and, with the aid of his personal paramilitary storm troopers, turns the United States into a totalitarian state.

When Humphrey Van Weyden finds himself struggling in the freezing waters of San Francisco Bay, he thinks the worst that can happen to him is drowning. After he is rescued by the Ghost and its captain, Wolf Larson, Humphrey discovers that there are fates far worse than death. On Larsen's hell-ship, the dilettante hero is forced to slave as cabin boy and humble seaman. And over the seven months' voyage to the sealing grounds off Siberia, he engages in an epic duel with his ruthlessly Nietzschean skipper.

"The People of the Abyss" (1903) is a work by Jack London about life in the East End of London in 1902. He wrote this first-hand account after living in the East End (including the Whitechapel District) for several months, sometimes staying in workhouses or sleeping on the streets. The conditions he experienced and wrote about, were the same as those endured by an estimated 500,000 of the contemporary London poor.

Set in the 26th century A.D., Yevgeny Zamyatin's masterpiece describes life under the regimented totalitarian society of OneState, ruled over by the all-powerful "Benefactor." Recognized as the inspiration for George Orwell's 1984, We is the archetype of the modern dystopia, or anti-Utopia: a great prose poem detailing the fate that might befall us all if we surrender our individual selves to some collective dream of technology and fail in the vigilance that is the price of freedom.

"He travels fastest who travels alone...but not after the frost has dropped below zero 50 degrees or more." (Yukon Code) Jack London’s best short story.

Martin Eden, Jack London’s semiautobiographical novel, is about a struggling young writer. It is considered by many to be the author’s most mature work. Personifying London’s own dreams of education and literary fame as a young man in San Francisco, Martin Eden’s impassioned but ultimately ineffective battle to overcome his bleak circumstances makes him one of the most memorable and poignant characters Jack London ever created.

The stories in The Dying Earth introduce dozens of seekers of wisom and beauty, lovely lost women, wizards of every shade of eccentricity with their runic amulets and spells. We meet the melancholy deodands, who feed on human flesh and the twk-men, who ride dragonflies and trade information for salt. There are monsters and demons. Each being is morally ambiguous: The evil are charming, the good are dangerous. All are at home.

The Nobel Prize winner’s towering masterpiece of world literature, the searing record of four decades of terror and oppression, in one abridged volume (authorized by the author). Features a new foreword by Anne Applebaum.

Three remarkable journeys into the stars: Worlds of Exile and Illusion includes Rocannon's World, Planet of Exile, and City of Illusions. These three spacefaring adventures mark the beginning of grand master Ursula K. Le Guin’s remarkable career. Set in the same universe as Le Guin’s groundbreaking classics The Left Hand of Darkness and The Dispossessed, these first three books of the celebrated Hainish series follow travelers of many worlds and civilizations in the depths of space.

Three critically acclaimed recordings are joined together in this dazzling Agatha Christie Triple Bill, read by award-winning narrators Alison Larkin and James Warwick, star of the Partners in Crime TV series on Masterpiece Theater.

Winner of the 1961 Hugo Award for Best Novel and widely considered one of the most accomplished, powerful, and enduring classics of modern speculative fiction, Walter M. Miller’s A Canticle for Leibowitz is a true landmark of 20th-century literature—a chilling and still-provocative look at a postapocalyptic future.

A vicious 15-year-old droog is the central character of this 1963 classic, a frightening fable about good and evil, and the meaning of human freedom. In Anthony Burgess' nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology.

The Overlords appeared suddenly over every city - intellectually, technologically, and militarily superior to humankind. Benevolent, they made few demands: unify earth, eliminate poverty, and end war. With little rebellion, humankind agreed, and a golden age began.

With his trademark mirth and boundless charisma, actor Nick Offerman brought the loveable shenanigans of Twain's adolescent hero to life in The Adventures of Tom Sawyer. Now, in yet another virtuosic performance, the actor proves that despite being separated by a span of over a century, his connection to the author and his work is undeniable and that theirs is a timeless collaboration that should not be missed.

The Iron Heel is a science fiction novel novel by American writer Jack London, first published in 1908. It is considered to be "the earliest of the modern dystopian" fiction, it chronicles the rise of an oligarchic tyranny in the United States. In The Iron Heel, Jack London's socialist views are explicitly on display. A forerunner of soft science fiction novels and stories of the 1960s and 70s, the book stresses future changes in society and politics while paying much less attention to technological changes.

In a glass-enclosed city of perfectly straight lines, ruled over by an all-powerful “Benefactor”, the citizens of the totalitarian society of OneState are regulated by spies and secret police; wear identical clothing; and are distinguished only by a number assigned to them at birth. That is, until D-503, a mathematician who dreams in numbers, makes a discovery: he has an individual soul. He can feel things. He can fall in love. And, in doing so, he begins to dangerously veer from the norms of his society, becoming embroiled in a plot to destroy OneState and liberate the city.

Jack London, famed for his tales of adventure, was also a science fiction writer only rivaled in his time by the great H. G. Wells. The Iron Heel is a dystopia that would, in part, inspire George Orwell's masterwork, 1984. The Iron Heel tracks the rise of an oligarchic tyranny in the United States of America - and the doomed attempt to counter it. It is a novel more relevant today than it was in its day. Hear the "tale of capitalist oppression" that George Orwell couldn't stop thinking about.

Set in a not-so-distant future USA, a socialist mass movement is growing fast and strong enough to win the national elections, rise to power, and implement a radical socialist regime. Conservatives, feeling threatened and deeply alarmed, set out to seize power in order to avert it, establishing a brutal dictatorship.

The story proper begins with Avis Everhard, a daughter of a renowned physicist, John Cunningham, and future wife of socialist Ernest Everhard. At first, Avis Everhard does not agree with Ernest's assertion that the whole contemporary social system is based on exploitation of labour. She proceeds to investigate the conditions the workers live in and those terrible conditions make her change her mind and accept Ernest's worldview. Similarly, Bishop Morehouse does not initially believe in the horrors described by Ernest but then becomes convinced of their truth and is confined to a madhouse.

In an astonishing feat of empathy and narrative invention, our most ambitious novelist imagines an alternate version of American history. In 1940 Charles A. Lindbergh, heroic aviator and rabid isolationist, is elected president. Shortly thereafter, he negotiates a cordial "understanding" with Adolf Hitler while the new government embarks on a program of folksy anti-Semitism.

Doremus Jessup, a newspaper editor, is dismayed to find that many of the people he knows support presidential candidate Berzelius Windrip. The suspiciously fascist Windrip is offering to save the nation from sex, crime, welfare cheats, and a liberal press. But after Windrip wins the election, dissent soon becomes dangerous for Jessup. Windrip forcibly gains control of Congress and the Supreme Court and, with the aid of his personal paramilitary storm troopers, turns the United States into a totalitarian state.

With his immense talent for weaving together deep philosophical themes and profound reflections on 19th century society, Jack London was a literary titan who left a lasting impact on American literature. Now, this gripping collection shares some of his greatest works, compiling the sweeping narratives and compelling characters that earned London his place as a writer to be remembered.

When Humphrey Van Weyden finds himself struggling in the freezing waters of San Francisco Bay, he thinks the worst that can happen to him is drowning. After he is rescued by the Ghost and its captain, Wolf Larson, Humphrey discovers that there are fates far worse than death. On Larsen's hell-ship, the dilettante hero is forced to slave as cabin boy and humble seaman. And over the seven months' voyage to the sealing grounds off Siberia, he engages in an epic duel with his ruthlessly Nietzschean skipper.

When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity. Cloning, feel-good drugs, anti-aging programs, and total social control through politics, programming, and media: has Aldous Huxley accurately predicted our future? With a storyteller's genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 A.F. (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.