
The House of the Dead
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Narrated by:
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Walter Covell
About this listen
The House of the Dead was published in 1862 by Russian author Fyodor Dostoevsky. It is very different from Dostoevsky's more famous and intricately plotted novels, like Crime and Punishment and The Brothers Karamazov.
The book is a loosely-knit collection of facts and events connected to life in a Siberian prison, organized by "theme" rather than as a continuous story. Dostoevsky himself spent four years as a political prisoner in such a camp. This experience allowed him to describe with great authenticity the conditions of prison life and the characters of the convicts. Thus, though presented as a work of fiction, The House of the Dead is actually a thinly veiled autobiography of one portion of the author's life.
Although not Dostoevsky's greatest work, The House of the Dead is still a fascinating portrait of life in a Siberian prison camp - a life of great hardship and deprivation, yet filled with simple moments of humanity showing mankind's ability to adapt and survive in the most extreme of circumstances.
Dostoevsky tells his story in a chronological order, from his character's arrival and his sense of alienation to his gradual adjustment to prison and the return of hope as he realizes that he can survive and will have a life after the completion of his term. The book is universally acknowledged as a classic and is a fascinating story, especially for those familiar with Dostoevsky and his other works.
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Overall
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Performance
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Story
Gogol's great Russian classic is the Pickwick Papers of Russian literature. It takes a sharp but humorous look at life in all its strata but especially the devious complexities in Russia, with its landowners and serfs. We are introduced to Chichikov, a businessman who, in order to trick the tax authorities, buys up dead 'souls', or serfs, whose names still appear on the government census. Despite being a dealer in phantom crimes and paper ghosts, he is the most beguiling of Gogol's characters.
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The Idiot [Blackstone]
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Overall
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Performance
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Story
Prince Myshkin, is thrust into the heart of a society more concerned with wealth, power, and sexual conquest than the ideals of Christianity. Myshkin soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections. Extortion, scandal, and murder follow, testing the wreckage left by human misery to find "man in man."
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Intense and painfully sad
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What listeners say about The House of the Dead
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- Anonymous User
- 10-26-18
The sound quality is not as bad as some reviews say.
I had concerns about the quality of the recording based on other reviews, but thought it was not as bad as they claimed and that it actually helped to illustrate the scenery described in a Siberian prison in the 19th century.
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1 person found this helpful
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- chetyarbrough.blog
- 03-25-15
LITERARY GENIUS
Fyodor Dostoevsky’s writing and psychological insight seduces admirers into reading or listening to his lesser known works. Seduction comes from wanting to know the source of Dostoevsky’s human insight and literary genius.
Dostoevsky spent time in a Siberian prison, was scheduled for execution by firing squad, received a last-minute reprieve, suffered from a gambling addiction, and lived to write two of the greatest masterpieces of all time, “Crime and Punishment” and “Brothers Karamazov”. Long before Freud’s theories of the unconscious mind, Dostoevsky understood and wrote about subconscious human motivation. (He also wrote a lesser known work, “The Idiot”, that rivals his masterpieces in character development.)
Prison is sometimes home to the innocent that are victimized by life because of their pacific nature. The innocents seek to please everyone. They are like Prince Myskin in “The Idiot”, or Alyosha in “The Brothers Karmazov”. These innocents are drawn to violent or dominant characters, either as supplicants or enablers. The Prince Myskins become servants to intellectuals in the prison. The Alyoshas are the intellectuals, the aristocrats, the educated, the wise men; in some respects the enablers, that are sought by the insecure for advice, guidance, knowledge, or forgiveness.
“The House of the Dead” is not a well written book but it is a useful primer on character development in literature. It shows that great writers develop over time and that their development is based on experience recollected, and disciplined observation in quietude; i.e. in prisons of their own making.
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- James Grove
- 08-28-23
Honor chapter breaks!
I enjoyed this early novel/chronicle by one of my favorite writers, and the narrator was fine, except for one thing. His hurrying through chapter breaks, sometimes as if he was trying not breathe during them, was, for me, irritating because a longer pause (in fact, there wasn't a pause most of the time) would have set off the different topics that Dostoevsky was approaching, approximating the space chapter breaks in the book itself.
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Overall
- Feng
- 05-24-19
A good book
It is a fun book when I was slightly depressed. but I recovered at last one third of this book, it is not too much fun anymore.
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Overall
- James C. Maddox
- 10-25-09
In the Prison House
Dostoyevsky imparts his experiences from a Siberian prison camp, and during this narrative, we find out again why this writer is regarded as the best in fiction. Through his techniques in presentation and methods of characterization, Dostoyevsky delivers another great read.
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11 people found this helpful
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- Andreea Marin
- 11-29-17
The House of the Dead Indeed
As it is famously known, Dostoyevsky spent a long time in exile, in Siberia. There he encountered many criminals on every point of the spectrum. This book is the first he wrote as he returned. Although he masks the main character as "not himself" they are all memories and an attempt to capture what life behind bars really was like. The book is overall depressing, perfect for a gray,cold day.
The audiobook is wonderful. I loved this narration most and it's a pleasure to listen to it. Because it's recorded in the '60s and sounds like an Orson Welles kind of podcast, the age to its recording somehow adds a layer of "time travel" when listening to this. It feels distant in a way that seems appropriate for a Dostoyevsky. I wish I knew who the translator was, as it is not indicated in the description.
I highly recommend this audiobook!
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3 people found this helpful
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- Sandra L. Etemad
- 09-20-15
The audio is absurdly bad
The audio is almost like it's TRYING to be lo-fi. The narrator's voice is great, but it's like listening to it through mud. Get a different version, even if it costs more.
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2 people found this helpful
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- Mahdi
- 01-26-23
Great performance
The narration is wonderful, great connotation and sound. The translation is excellent (Constantine Garnet!? Doesn’t say!).
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- Edward
- 03-22-09
challenging narration
i am a huge dostoevsky fan, but i doubt that i will be able to make it through this version of "house of the dead" thanks to the narrator.
it is not my favorite book, but is actually difficult to listen to because i find the narrator's voice so grating.
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6 people found this helpful
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- Deborah
- 01-04-12
Very low quality audio
The audio quality of this book was so bad, I could not listen to it. I gave the Story 3 stars only because I had to put something in there so I could write this review.
I've read Dostoevsky before and loved his writing. This book may be equally as good, but I would never know.
I'm going to see if I could find this book with a different narrator. I suggest you do the same!
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6 people found this helpful