Before H.P. Lovecraft, Shirley Jackson, Stephen King and Anne Rice, Henry James wrote hair-raising stories that made horror a popular, sometimes controversial, widely-read literary form, and set the bar for all who followed. Stephen King considers James’ The Turn of The Screw one of the best horror novels ever penned.

Self-made American millionaire Christopher Newman arrives in Paris brimming with hope and optimism, excited to experience the culture and, hopefully, find the perfect woman to become his wife. After a chance encounter with American expatriate friends, his attention is drawn to Madame de Cintré, 25-year-old widowed daughter of the late Marquis de Bellegarde. Having fallen on hard times, the centuries-old aristocratic family permits Newman's courtship to proceed; however, they later persuade the widow to break off her engagement to the nouveau-riche businessman.

Illusion and love - two of James' favourite things - grin thorough this collection of funny and wicked tales. The illusion of social class, a favourite stamping ground for James, is explored in the glittering social comedy "The Real Thing", first published in 1892, in which an artist attempts vainly to capture the nature of aristocracy via painting what he takes to be 'real' members of that social group.

Travelling in Europe with her family, Daisy Miller, an exquisitely beautiful young American woman, presents her fellow countryman Winterbourne with a dilemma he cannot resolve. Is she deliberately flouting social convention in the outspoken way she talks and acts, or is she simply ignorant of those conventions? When she strikes up an intimate friendship with an urbane young Italian, her flat refusal to observe the codes of respectable behaviour leave her perilously exposed.

Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of Black life and Black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era.