Libidinous, licentious, salacious and very, very funny, The Satyricon is one of the most remarkable documents from ancient Rome. It tells the ribald story of Encolpius, a man of active and varied appetites (powered notably by his passion for his favourite lover, the handsome Giton), who plunges without inhibition into the life of Roman pleasures: orgies of food, feasting, abundant sex and escapades. The kind of hedonism found occasionally in Roman mosaics is here brought to life.

In this ancient picaresque adventure, Lucius, an insatiably curious young man, finds himself transformed into a donkey after his fascination with black magic and witchcraft goes awry. While trapped in his new body, he becomes the property of thieves, farmers, cooks, soldiers and priests, and observes the hypocrisy and ineptitude of Imperial Roman society.

From the perspective of an unbeliever, Fear and Trembling explores the paradox of faith, the nature of Christianity, and the complexity of human emotion. Kierkegaard examines the biblical story of Abraham, who was instructed to sacrifice his son Isaac, and forces us to consider Abraham's state of mind. What drove Abraham, and what made him carry out such an absurd and extreme request from God? Kierkegaard argues that Abraham's agreement to sacrifice Isaac, and his suspension of reason, elevated him to the highest level of faith.

Though it is for the sparkling epic, Aeneid, that the Roman poet Virgil is best known, it was these two poems, The Eclogues and Georgics, which first established his reputation.

Homer’s Iliad and Odyssey are unquestionably two of the greatest epic masterpieces in Western literature. Though more than 2,700 years old, their stories of brave heroics, capricious gods, and towering human emotions are vividly timeless. The Iliad can justly be called the world’s greatest war epic. The terrible and long-drawn-out siege of Troy remains one of the classic campaigns. The Odyssey chronicles the many trials and adventures Odysseus must pass through on his long journey home from the Trojan wars to his beloved wife.

Listening to The Satires by Juvenal is to come face to face with the corruption, the debauchery, the waste, the sloth, and the mean-spirited greed of ancient Rome...or is it more like modern times? Indeed, these masterpieces of biting social commentary could easily have been written today about any number of metropolitan areas we are all familiar with.

Translated by W. E. D. Rouse, The March of the Ten Thousand is one of the most admired and widely read pieces of ancient literature to come down to us. Xenophon employs a very simple, straightforward style to describe what is probably the most exciting military adventure ever undertaken. It is an epic of courage, faith and democratic principle.

Throughout history philosophers have sought to define, understand, and delineate concepts important to human well-being. One such concept is "knowledge." Many philosophers believed that absolute, certain knowledge, is possible—that the physical world and ideas formulated about it could be given solid foundation unaffected by the varieties of mere opinion.

Jason and the Golden Fleece is one of the finest tales of Ancient Greece, an epic journey of adventure and trial standing beside similar stories of Perseus, Theseus and the Labours of Heracles. The finest classic account comes from Apollonius of Rhodes, the Greek poet of the 3rd century BCE and librarian at Alexandria. Though less well-known than Homer's Iliad and Odyssey, and much shorter, it is an epic poem which is both exciting and moving, with remarkably vivid portraits of the main characters, Jason and Medea.

The Hellenica is Xenophon’s continuation of Thucydides’ history of the Peloponnesian War, literally resuming from where the previous author’s history was abruptly left unfinished and narrating the events of the final seven years of the conflict and the war’s aftermath. Some historians consider the Hellenica to be a personal work, written by Xenophon in retirement on his Spartan estate, and intended primarily for circulation among his friends, who would have known the main protagonists and events, having most likely participated in them.

Proclus - or Proclus of Athens, as he is sometimes known - is widely and rightly considered to be one of the most significant later Neoplatonist philosophers. At age 40 (c.437 CE) or so, Proclus became head of the revived Plato’s Academy in Athens. In his role for the next 50 years, the unmarried Proclus worked hard, combining effectively the roles of administrator, teacher and writer. Astronomy, ethics, mathematics, physics, theology - Proclus tackled all of those topics that together fell under the umbrella of philosophy in his time.

In Three Dialogues (set in a ‘Platonic’ garden), Hylas begins by challenging Philonous that he denied the existence of material substance. ‘What!’ says Hylas. ‘Can anything be more fantastical, more repugnant to Common Sense, or a more manifest piece of Scepticism, than to believe there is no such thing as matter?’ And Berkeley, in the guise of Philonous, replies, ‘Softly, good Hylas. What if it should prove that you, who hold there is, are, by virtue of that opinion, a greater sceptic, and maintain more paradoxes and repugnances to common sense, than I who believe no such thing.’

Among the finest poets of ancient Greece was Hesiod, a contemporary of Homer, who lived in the eighth century B.C. It is still a matter of dispute whether Homer or Hesiod was the earlier poet, and sometimes whether they were one and the same person! At any rate, Hesiod's incredible poetry serves as a major source for our understanding of Greek mythology, farming practices, time keeping and astronomy. In and of itself, the "Works and Days" is unparalleled in its richness and beauty, easily rivaling Homer.

Francis Bacon (1561-1626), 1st Viscount St Albans, Attorney General and then Lord Chancellor of England, was an immensely learned, clever and ambitious man, with considerable political influence. However, he was also a philosopher with a wide interest in science, medicine and the classification of knowledge. Throughout his life he wrote a series of essays - following the manner set particularly by Montaigne, though extending back to Aristotle and others - the first 10 of which appeared in 1597.

Man and His Symbols owes its existence to one of Jung's own dreams. The great psychologist dreamed that his work was understood by a wide public, rather than just by psychiatrists, and therefore he agreed to write and edit this fascinating book. Here, Jung examines the full world of the unconscious, whose language he believed to be the symbols constantly revealed in dreams.

In this ancient picaresque adventure, Lucius, an insatiably curious young man, finds himself transformed into a donkey after his fascination with black magic and witchcraft goes awry. While trapped in his new body, he becomes the property of thieves, farmers, cooks, soldiers and priests, and observes the hypocrisy and ineptitude of Imperial Roman society.

Libidinous, licentious, salacious and very, very funny, The Satyricon is one of the most remarkable documents from ancient Rome. It tells the ribald story of Encolpius, a man of active and varied appetites (powered notably by his passion for his favourite lover, the handsome Giton), who plunges without inhibition into the life of Roman pleasures: orgies of food, feasting, abundant sex and escapades. The kind of hedonism found occasionally in Roman mosaics is here brought to life.

Jason and the Golden Fleece is one of the finest tales of Ancient Greece, an epic journey of adventure and trial standing beside similar stories of Perseus, Theseus and the Labours of Heracles. The finest classic account comes from Apollonius of Rhodes, the Greek poet of the 3rd century BCE and librarian at Alexandria. Though less well-known than Homer's Iliad and Odyssey, and much shorter, it is an epic poem which is both exciting and moving, with remarkably vivid portraits of the main characters, Jason and Medea.

The rivalry between two of the dominant city states of Ancient Greece, Athens and Sparta, erupted into a war lasting nearly 30 years and was to have a dramatic effect on the balance of power in the area. Between 431 and 404 BCE, the two cities battled it out on land and sea, aided by their alliances with neighbouring states: Athens’ Delian League vigorously opposed Sparta’s Peloponnesian League in a conflict which effectively involved the whole region.

Towards the end of his life, Seneca the Younger (c4 BCE-65 CE) began a correspondence with a friend in Sicily, later collected under the title The Moral Epistles. In these 124 letters, Seneca expresses, in a wise, steady and calm manner, the philosophy by which he lived - derived essentially from the Stoics. The letters deal with a variety of specific topics - often eminently practical - such as 'On Saving Time', 'On the Terrors of Death', 'On True and False Friendships', 'On Brawn and Brains' and 'On Old Age and Death'.

Critique of Judgement was published in 1790 and is divided into two parts, the Critique of Aesthetic Judgement and the Critique of Teleological Judgement. Our ‘judgements of taste’, as Kant describes our aesthetic judgements, have both a personal and a universal function: personal, because we have a subjective aesthetic response to the ‘agreeable’, the ‘beautiful’, the ‘sublime’ and the ‘good’; but also there is a ‘universal’ aspect because our aesthetic response has a ’disinterested’ element. This brings under Kant’s spotlight, for example, the concept of beauty and the perception of beauty.

Towards the end of his life and his career as one of the leading politicians and orators in Rome, Marcus Tullius Cicero (106 BCE-43 BCE) was exiled to his country house. It was a time of political turmoil in the capital of the empire, caused by the power-grab of Julius Caesar. In the quiet of the countryside, Cicero began to write on philosophy. In On the Ends of Good and Evil, he set out to consider three major traditions of Greek philosophy - Epicureanism, Stoicism and a branch of Platonism.

The works of the English political economist David Ricardo (1772-1823), and particularly his most important work, The Principles of Political Economy and Taxation, lie at the heart of the laissez faire school of economics, preceded by Adam Smith and followed by John Stuart Mill. Economic growth, economic freedom - free trade rather than mercantilism, or controlled trade - was the fundamental attitude. Having been disowned by his Sephardic Jewish family for marrying outside the faith at the age of 21, Ricardo went on to make his own fortune.

Here are the Socratic Dialogues presented as Plato designed them to be - living discussions between friends and protagonists, with the personality of Socrates himself coming alive as he deals with a host of subjects, from justice and inspiration to courage, poetry and the gods. Plato's Socratic Dialogues provide a bedrock for classical Western philosophy. For centuries they have been read, studied and discussed via the flat pages of books, but the ideal medium for them is the spoken word.

These five very different Socratic Dialogues date from Plato's later period, when he was revisiting his early thoughts and conclusions and showing a willingness for revision. In Timaeus (mainly a monologue read by David Timson in the title role), Plato considers cosmology in terms of the nature and structure of the universe, the ever-changing physical world and the unchanging eternal world. And he proposes a demiurge as a benevolent creator God.

These three vibrant texts show different sides of the Roman historian Tacitus. Agricola was a successful general and Governor of Britain (77-83CE), a task which he carried out with firmness and probity. Tacitus' account of Germania shows a very different land with its many tribes, their habits and qualities in a strongly rural and resistant environment. A Dialogue Concerning Oratory, by contrast, is placed decidedly at the heart of Roman culture, a survey of rhetoric and the art of eloquence.

Though best known now for his collection of lively and vivid Parallel Lives from ancient Greece and Rome, Plutarch (c46 CD-120 CE) was, for centuries, more respected for his Moralia, a remarkable and wide-ranging collection of essays and speeches. No fewer than 78 in total, they range over a broad list of topics in which Plutarch observes, dispenses wisdom, admonishes, entertains and informs: covering social issues and politics, manners and religion - in short, life in general.

Demosthenes (384-322 BCE) is regarded as one of the greatest orators of Classical times. This view has persisted through the centuries even though his rousing speeches warning of the dangers of Macedonian expansion failed to stem the course of continued military success. Each of the orations in this collection is preceded with an introduction setting the scene, and outlining the context in which they were delivered. This also gives a concise picture of Athens at this difficult point in its history. All the speeches are prefaced by the historical setting.

Chrétien de Troyes' Perceval is the single most important Arthurian romance. It contains the very first mention of the mysterious grail, later to become the Holy Grail and the focal point of the spiritual quest of the knights of Arthur's court. Chrétien left the poem unfinished, but the extraordinary and intriguing theme of the Grail was too good to leave, and other poets continued and eventually completed it.

The Economic Consequences of the Peace (1919) was one of the most important documents to come out of World War I – specifically the period of the Armistice and the subsequent settlement negotiations. And, a century on, it remains of particular relevance to our times – an uncompromising and forthright analysis of how international diplomacy can be suffused by personalities, prejudices, personal ambition and outright, uncontrolled feelings of revenge.