It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel

The Hours, brings the impressionistic prose of this classic to vibrant life.

In celebration of the 40th anniversary of its original publication, here is a new translation of the classic story of the life and loves of a poet/physician during the turmoil of the Russian Revolution. Taking his family from Moscow to what he hopes will be shelter in the Ural Mountains, Zhivago finds himself instead embroiled in the battle between the Whites and the Reds. Set against this backdrop of cruelty and strife is Zhivago’s love for the tender and beautiful Lara.

The year is 1928. On the outskirts of a large German city, three young men are earning a thin and precarious living. Fully armed young storm troopers swagger in the streets. Restlessness, poverty, and violence are everywhere. For these three, friendship is the only refuge from the chaos around them. Then the youngest of them falls in love and brings into the group a young woman who will become a comrade as well, as they are all tested in ways they can have never imagined.

Emma Bovary is not content to be the mere dutiful wife of a French country doctor. She yearns for excitement and a sense of romance that pulls at her so strongly she is powerless to resist, even though pursuing her dreams will exact a terrible price. Learn why Gustave Flaubert's compelling heroine has enchanted and puzzled readers for centuries.

The Waves traces the lives of six friends from childhood to old age. It was written when Virginia Woolf was at the height of her experimental powers, and she allows each character to tell their own story, through powerful, poetic monologues. By listening to these voices struggling to impose order and meaning on their lives, we are drawn into a literary journey that stunningly reproduces the complex, confusing and contradictory nature of human experience. It is read with affection and skill by Frances Jeater.

The principal theme of this ambitious book is time, threading together three generations of the Pargiter family. The story begins on a day in 1880 in the household of Colonel Abel Pargiter, his dying wife, and their seven children, and it ends in the 1930s with a brilliantly depicted party at which the Pargiters, young and old, pass in review. Important events - births, deaths, marriages, wars - occur in the wings; it is the commonplace moments that are captured here in a sequence of perfectly drawn scenes.

This novel is the story of Dreyer, a wealthy and boisterous proprietor of a men’s clothing emporium. Ruddy, self-satisfied, and thoroughly masculine, he is perfectly repugnant to his exquisite but cold middle-class wife, Martha. Attracted to his money but repelled by his oblivious passion, she longs for their nephew instead, the thin, awkward, myopic Franz. Newly arrived in Berlin, Franz soon repays his uncle’s condescension in his aunt’s bed.

The Gift is the last of the novels Nabokov wrote in his native language and the crowning achievement of that period in his literary career. It is also his ode to Russian literature, evoking the works of Pushkin, Gogol, and others in the course of its narrative: the story of Fyodor Godunov-Cherdyntsev, an impoverished émigré poet living in Berlin, who dreams of the book he will someday write - a book very much like The Gift itself.

One of the twentieth century’s master prose stylists, Vladimir Nabokov was born in St. Petersburg in 1899.

This collection by Robert W. Chambers was first published in 1895 and features stories loosely tied together with one theme, the supernatural. Many of the stories in The King in Yellow were not received well by the critics of the time due to their supernatural undertones. Some of the stories mention a play by the same name that had been outlawed in some regions of the world. It was thought that the play could induce madness in those who viewed it. Two of the stories in this book take place in a fictional world of the future 1920s and are macabre in tone.

The Master and Margarita is one of the most famous and best-selling Russian novels of the 20th century, despite its surreal environment of talking cats, Satan and mysterious happenings. Naxos AudioBooks presents this careful abridgement of a new translation in an imaginative reading by the charismatic Julian Rhind-Tutt. With War and Peace and Crime and Punishment among the Naxos AudioBooks best-sellers, this too promises to be a front title.

The four long narratives in The Emigrants appear at first to be the straightforward biographies of four Germans in exile. Sebald reconstructs the lives of a painter, a doctor, an elementary-school teacher, and Great Uncle Ambrose. Following (literally) in their footsteps, the narrator retraces routes of exile which lead from Lithuania to London, from Munich to Manchester, from the South German provinces to Switzerland, France, New York, Constantinople, and Jerusalem.

Albinus, a respectable, middle-aged man and aspiring filmmaker, abandons his wife for a lover half his age: Margot, who wants to become a movie star. When Albinus introduces her to Rex, an American movie producer, disaster ensues. What emerges is an elegantly sardonic and irresistibly ironic novel of desire, deceit, and deception, a curious romance set in the film world of Berlin in the 1930s.

Major Brendan Archer travels to Ireland - to the Majestic Hotel and to the fiancée he acquired on a rash afternoon's leave three years ago. Despite her many letters, the lady herself proves elusive, and the Major's engagement is short-lived. But he is unable to detach himself from the alluring discomforts of the crumbling hotel. Ensconced in the dim and shabby splendour of the Palm Court, surrounded by gently decaying old ladies and proliferating cats, the Major passes the summer.

Vlad, a stranger from Eastern Europe masquerading as a healer, settles in a small Irish village where the locals fall under his spell. One woman, Fidelma McBride, becomes so enamored that she begs him for a child. All that world is shattered when Vlad is arrested, and his identity as a war criminal is revealed.