Kahlil Gibran's 'The Madman' was the first book he penned in English. Beautifully written, it is a short collection of parables on God, animals, human nature, and life's big questions. Not as well known as his classic: 'The Prophet', but some would say just as inspirational, or possibly more so. Read the first verse here and decide for yourself, or better still, listen to the sample of Arthur Browns' beautiful narration. You ask me how I became a madman.

This book is a collection of Gibran's words on how to live. Here are his thoughts on what it means to live in community and solitude and what gives life meaning, along with his often prescient views on government, organized religion, wealth, and commerce. Gibran's sensibility feels contemporary. He did not recognize any ultimate authority outside of the human soul: "It were wiser to speak less of God, whom we cannot understand and more of each other, whom we may understand."

Kahlil Gibran's aphorisms, stories, and poetry on a theme remain among some of those best known to Western readers. His views, however, extend beyond the most-quoted "greeting card" sayings to a wide realm of human emotions and relationships - passion, desire, idealized love, justice, friendship, and the challenges of dealing with strangers, neighbors, and enemies. This little book captures love and life in all of their complexities and nuances.

The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included on the recording are several shorter works. The Ainulindalë is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabêth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age, and Of the Rings of Power tells of the great events at the end of the Third Age.

According to the Greeks, there were many gods and goddesses in ancient Greece. These gods had control over many aspects of life on Earth. They were, in many respects, quite human. They could be friendly or nasty, enraged or happy, harsh or loving. They fell in love with one another, fought with one another, and even stole from one another.

Paradise Lost, along with its companion piece, Paradise Regained, remain the most successful attempts at Greco-Roman style epic poetry in the English language. Remarkably enough, they were written near the end of John Milton's amazing life, a bold testimonial to his mental powers in old age. And, since he had gone completely blind in 1652, 15 years prior to Paradise Lost, he dictated it and all his other works to his daughter.

Would you like to learn how Egyptian’s believe the world was created? Are you interested in learning about Egyptian gods and goddesses and the role they play in the universe? Egyptian mythology is made of stories and beliefs that come from ancient Egypt. It describes the actions of the gods and goddesses as a way to understand the world. The beliefs of these stories played an important role in ancient Egyptian religion. These myths can be frequently seen in Egyptian art and writing, especially in short stories and religious material.

The Prose Edda and the Poetic Edda are our oldest written sources for Norse mythology. When it comes to the norse myths, they are the closest thing we have to listening these stories as the vikings actually told them, around those ancient campfires so long ago. It is my hope that you will enjoy this collection, and that the two books will work in tandem to broaden and deepen your appreciation for these epic and mystical stories, and the enigmatic culture that spawned them.

Dante's Divine Comedy is considered to be not only the most important epic poem in Italian literature, but also one of the greatest poems ever written. It consists of 100 cantos, and (after an introductory canto) they are divided into three sections. Each section is 33 cantos in length, and they describe how Dante and a guide travel through Inferno, Purgatorio, and Paradiso.

Considered by Rumi to be "the master" of Sufi mystic poetry, Attar is best known for this epic poem, a magnificent allegorical tale about the soul's search for meaning. He recounts the perilous journey of the world's birds to the faraway peaks of Mount Qaf in search of the mysterious Simorgh, their king. Attar's beguiling anecdotes and humor intermingle the sublime with the mundane, the spiritual with the worldly, while his poem models the soul's escape from the mind's rational embrace.

The classic trilogy about murder, revenge and justice, as heard on BBC Radio 3 – plus a bonus documentary exploring Aeschylus's seminal Greek tragedy. A chilling tale of homecoming, violent death and bloody vengeance, The Oresteia dates back to the fifth century BC, but its themes still resonate today. At once a family saga, morality tale and courtroom drama, it recounts how two generations of the cursed House of Atreus become locked into a deadly cycle of atrocities....

This collection, narrated by distinguished Broadway actor Brian Murray, includes nine poems from Leaves of Grass - among them "I Hear America Singing", "O Captain! My Captain", and "When Lilacs Last in the Dooryard Bloom’d", plus four other selections.

The civilizations that grew up in the Tigris and Euphrates River Valleys many thousands of years ago have left important legacies: agriculture, mathematics, astronomy, the wheel, and writing. This present volume of Mesopotamian myths is divided into three sections.

Samson Agonistes, the 'dramatic poem' by John Milton, was published in 1671, three years before the poet's death. Written in the form of a Greek tragedy, with the Chorus commenting on the action, it follows the biblical story of the blind Samson as he wreaks his revenge on the Philistines who have imprisoned him. A powerful subject, with a personal resonance for the blind Milton, it is a perfect work for the medium of audiobook where poetry and drama can be balanced equally.

J.R.R. Tolkien famously described the Second Age of Middle-earth as a ‘dark age, and not very much of its history is (or need be) told’. And for many years readers would need to be content with the tantalizing glimpses of it found within the pages of The Lord of the Rings and its appendices, including the forging of the Rings of Power, the building of the Barad-dûr and the rise of Sauron.