Originally published in 1936, this is Anaïs Nin's first work of fiction. But unlike her diaries and erotica, House of Incest does not detail the author's relationships with her famous lovers, nor does it contain graphic depiction of sex. Rather, it is a surrealistic look within the narrator's subconscious mind as she attempts to escape from a dream in which she is trapped, or in Nin's words, as she attempts to escape from "the woman's season in hell." Nin's usage of the word "incest" in this case is metaphorical, not literal.

From the bullfights of Spain to safaris in East Africa; from being a war correspondent in war zones around the world to surviving multiple airplane and car crashes, Hemingway’s life is a riveting story worth exploring in and of itself.

What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift?

Julia Fox is famous for many things: her captivating acting, such as her breakout role in the film Uncut Gems; her trendsetting style, including bleached eyebrows, exaggerated eyeshadow, and cutout dresses; her mastery of social media, where she entertains and educates her millions of followers. But all these share the trait for which she is most famous: unabashedly and unapologetically being herself. This commitment to authenticity has never been more on display than in Down the Drain. With writing that is both eloquent and accessible, Fox recounts her turbulent path to cultural supremacy.

Many famed music producers are known for a particular sound that has its day. Rick Rubin is known for something else: creating a space where artists of all different genres and traditions can home in on who they really are and what they really offer. He has made a practice of helping people transcend their self-imposed expectations in order to reconnect with a state of innocence from which the surprising becomes inevitable. Over the years, he has learned that being an artist isn’t about your specific output, it’s about your relationship to the world.

Henry Miller's Nexus was censored fifty years ago, while Miller and his publishers fought for freedom of speech. Nexus II was never published, and looks at his first trip to Paris and Europe in 1928, a world on the edge of the Great Depression. Paris 1928 collates these unpublished memoirs as Henry Miller wished, together with the censored pages from Nexus.

This classic, definitive account of totalitarianism traces the emergence of modern racism as an "ideological weapon for imperialism", beginning with the rise of anti-Semitism in Europe in the 19th century and continuing through the New Imperialism period from 1884 to World War I.

In his great triptych The Millennium, Bosch used oranges and other fruits to symbolize the delights of Paradise. Whence Henry Miller's title for this, one of his most appealing books; first published in 1957, it tells the story of Miller's life on the Big Sur, a section of the California coast where he lived for 15 years. Big Sur is the portrait of a place - one of the most colorful in the United States - and of the extraordinary people Miller knew there.

Each of us has a dual nature: we are light (conscious) and dark (unconscious). The dark side of our personality - the “other,” the shadow side - is made up of what we think is our primitive, primal, negative impulses - our “existential kink.” Our existential kink also drives the dark or negative repeating patterns in our life: always choosing the abusive partner or boss, settling for less, thinking that we’re undeserving, not worthy. But it also is the source of our greatest power.

Some of the most rewarding pages in Henry Miller's books concern his self-education as a writer. He tells, as few great writers ever have, how he set his goals, how he discovered the excitement of using words, how the books he read influenced him, and how he learned to draw on his own experience.

Published in their entirety, Sylvia Plath's journals provide an intimate portrait of the writer who was to produce in the last seven months of her life some of the most extraordinary poems of the 20th century. Faithfully transcribed from the 23 journals and journal fragments owned by Smith College, The Unabridged Journals of Sylvia Plath includes two journals that Plath's husband, Ted Hughes, unsealed just before his death in 1998.

Drawing from her work as a psychoanalyst and cantadora (keeper of old stories), Dr. Estes uses myths and folktales to illustrate how societies systematically strip away the feminine spirit. Through an exploration into the nature of the wild woman archetype, Dr. Estes helps listeners rediscover and free their own wild nature.

When Walt Whitman self-published "Leaves of Grass" in 1855, he rocked the literary world and forever changed the course of poetry. In subsequent editions, Whitman continued to revise and expand his poems - but none matched the raw power and immediacy of the first edition. This volume presents the 1855 "Leaves of Grass" in its entirety, unchanged, along with Ralph Waldo Emerson's famous letter to Whitman.

Said to be the world's longest poem, Mahabharata was originally composed in 100,000 Sanskrit verses by the ancient Indian sage Vyasa. Revered as a sacred text within Hinduism, it contains the great spiritual teaching Bhagavad-gita. Krishna Dharma has condensed the epic into a fast paced novel that fully retains the majestic mood of the original. A powerful and moving tale, it recounts the history of the five heroic Pandava brothers, sons of the Emperor Pandu.

Harry Haller is a sad and lonely figure, a reclusive intellectual for whom life holds no joy. He struggles to reconcile the wild primeval wolf and the rational man within himself without surrendering to the bourgeois values he despises. His life changes dramatically when he meets a woman who is his opposite, the carefree and elusive Hermine.

Drawing from the author's original, uncensored journals, Fire follows Anaïs Nin's journey as she attempts to liberate herself sexually, artistically, and emotionally. While referring to her relationships with psychoanalyst Otto Rank and author Henry Miller, as well as a new lover, the Peruvian Gonzalo More, she also reveals that her most passionate and enduring affair is with writing itself.

Originally published in 1936, this is Anaïs Nin's first work of fiction. But unlike her diaries and erotica, House of Incest does not detail the author's relationships with her famous lovers, nor does it contain graphic depiction of sex. Rather, it is a surrealistic look within the narrator's subconscious mind as she attempts to escape from a dream in which she is trapped, or in Nin's words, as she attempts to escape from "the woman's season in hell." Nin's usage of the word "incest" in this case is metaphorical, not literal.

Nin's importance as a feminist and visionary is finally revealed. Based on a new examination of long-buried letters, papers, and original manuscripts held at UCLA and found in Nin's Los Angeles home, Spy in the House of Anais Nin takes a penetrating look at Nin's incredible life and famous diary.

Henry Miller's Nexus was censored fifty years ago, while Miller and his publishers fought for freedom of speech. Nexus II was never published, and looks at his first trip to Paris and Europe in 1928, a world on the edge of the Great Depression. Paris 1928 collates these unpublished memoirs as Henry Miller wished, together with the censored pages from Nexus.

In his first novel, A Happy Death, written when he was in his early 20s and retrieved from his private papers following his death in 1960, Albert Camus laid the foundation for The Stranger, focusing in both works on an Algerian clerk who kills a man in cold blood. But he also revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man.