No visitors. No nights spent away from the apartment. No disturbing the other residents, all of whom are rich or famous or both. These are the only rules for Jules Larsen’s new job as an apartment sitter at the Bartholomew, one of Manhattan's most high-profile and mysterious buildings. As she gets to know the residents and staff of the Bartholomew, Jules finds herself drawn to fellow apartment sitter Ingrid. When Ingrid confides that the Bartholomew is not what it seems, Jules brushes it off as a harmless ghost story...until the next day, when Ingrid disappears.

Lola Nox is the daughter of a celebrated horror filmmaker—she thinks nothing can scare her. But when her father is brutally attacked in their New York apartment, she's quickly packed off to live with a grandmother she's never met in Harrow Lake, the eerie town where her father's most iconic horror movie was shot. The locals are weirdly obsessed with the film that put their town on the map—and there are strange disappearances, which the police seem determined to explain away. And there's someone—or something—stalking her every move.

Josh Baxter, the man behind the wheel, is a virtual stranger to Charlie. They met at the campus ride board, each looking to share the long drive home to Ohio. Both have good reasons for wanting to get away. For Charlie, it’s guilt and grief over the shocking murder of her best friend, who became the third victim of the man known as the Campus Killer. For Josh, it’s to help care for his sick father - or so he says.

Pip is not in the mood for her friend’s murder mystery party. Especially one that involves 1920’s fancy dress and pretending that their town is an island called Joy. But when the game begins, Pip finds herself drawn into the make-believe world of intrigue, deception and murder. But as Pip plays detective, teasing out the identity of the killer clue-by-clue, the murder of the fictional Reginald Remy isn’t the only case on her mind …

Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred.

After the loss of her mother, Chloe Kennedy starts seeing the ghosts that haunted her as a young girl again. Spending time at her grandmother's country estate in the south of England is her chance to get away from her grief and the spirits that haunt her. Until she meets a mysterious stranger.... Alexander Reade is 157 years dead, with secrets darker than the lake surrounding Grange Hall and a lifelike presence that draws Chloe more strongly than any ghost before. But the bond between them awakens the vengeful spirit of Alexander's past love, Isobel.

Joanne knows how lucky she is—Richard is a wonderful husband, Evie is the most gorgeous baby girl, they live in a beautiful house—life couldn't be better. But then Richard's twenty-year-old daughter Chloe turns up. Chloe hasn’t spoken to her father since the day he married Joanne two years ago. But with the arrival of her baby sister Evie, Chloe wants to make peace. Richard is delighted, and since Joanne is struggling with the new baby, he suggests Chloe could move in and help.

Annabel, Esther, Tanya, and Chloe are best friends—or were, as children. Despite drifting apart in adulthood, shared secrets have kept them bonded for better or worse, even as their childhood dreams haven’t quite turned out as they’d hoped. Then one day they receive a wholly unexpected—but not entirely unwelcome—invitation from another old friend. Poppy Greer has invited them all to her extravagant bachelorette party: a first-class plane ticket to three days of white sand, cocktails, and relaxation on a luxe private island in the Bahamas.

There are three rules Brooke Sullivan must follow as a new nurse practitioner at a men’s maximum-security prison: 1) Treat all prisoners with respect. 2) Never reveal any personal information. 3) Never EVER become too friendly with the inmates. But none of the staff at the prison knows Brooke has already broken the rules. Nobody knows about her intimate connection to Shane Nelson, one of the penitentiary’s most notorious and dangerous inmates.

Twenty-five years ago, Maggie Holt and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. Three weeks later they fled in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His horror memoir of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity — and skepticism.

Working at the local processing plant, Marcos is in the business of slaughtering humans - though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the "Transition". Now, eating human meat - "special meat" - is legal. Marcos tries to stick to numbers, consignments, processing.

Astrid is newly sober and trying to turn her life around. Having reluctantly moved back in with her mother, in a quiet seaside town away from the temptations and darkness of her previous life, she is focusing on her recovery. She’s going to meetings. Confessing her misdeeds. Making amends to those she’s wronged. If she fills her days, maybe she can outrun the ghosts that haunt her. Maybe she can start anew. Someone knows exactly what Astrid is running from. And they won’t stop until she learns that some mistakes can’t be corrected. Some mistakes, you have to pay for....

When Mouse’s dad asks her to clean out her dead grandmother's house, she says yes. After all, how bad could it be? Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more - Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants...until Mouse encounters some of the terrifying things he described for herself.

Christopher and Hannah are a happily married surgeon and nurse with picture-perfect lives. All that’s missing is a child. When Janie, an abandoned six-year-old, turns up at their hospital, Christopher forms an instant connection with her, and he convinces Hannah they should take her home as their own.

When she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss - a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten - by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn’t know is that she’s stepping into a nightmare - one that will end with a child dead and herself in prison awaiting trial for murder.

No visitors. No nights spent away from the apartment. No disturbing the other residents, all of whom are rich or famous or both. These are the only rules for Jules Larsen’s new job as an apartment sitter at the Bartholomew, one of Manhattan's most high-profile and mysterious buildings. As she gets to know the residents and staff of the Bartholomew, Jules finds herself drawn to fellow apartment sitter Ingrid. When Ingrid confides that the Bartholomew is not what it seems, Jules brushes it off as a harmless ghost story...until the next day, when Ingrid disappears.

Josh Baxter, the man behind the wheel, is a virtual stranger to Charlie. They met at the campus ride board, each looking to share the long drive home to Ohio. Both have good reasons for wanting to get away. For Charlie, it’s guilt and grief over the shocking murder of her best friend, who became the third victim of the man known as the Campus Killer. For Josh, it’s to help care for his sick father - or so he says.

Casey Fletcher, a recently widowed actress trying to escape a streak of bad press, has retreated to the peace and quiet of her family’s lake house in Vermont. Armed with a pair of binoculars and several bottles of bourbon, she passes the time watching Tom and Katherine Royce, the glamorous couple living in the house across the lake. They make for good viewing—a tech innovator, Tom is powerful; and a former model, Katherine is gorgeous.

Working at the local processing plant, Marcos is in the business of slaughtering humans - though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the "Transition". Now, eating human meat - "special meat" - is legal. Marcos tries to stick to numbers, consignments, processing.

Pip is not in the mood for her friend’s murder mystery party. Especially one that involves 1920’s fancy dress and pretending that their town is an island called Joy. But when the game begins, Pip finds herself drawn into the make-believe world of intrigue, deception and murder. But as Pip plays detective, teasing out the identity of the killer clue-by-clue, the murder of the fictional Reginald Remy isn’t the only case on her mind …