When Opus Posthumous first appeared in 1957, it was an appropriate capstone to the career of one of the most important writers of the 20th century. It included many poems missing from Stevens' Collected Poems, along with Stevens' characteristically inventive prose and pieces for the theater. Now Milton J. Bates, the author of the acclaimed Wallace Stevens: A Mythology of Self, has edited and revised Opus Posthumous to correct the previous edition's errors and to incorporate material that has come to light since original publication.

Harmonium was American poet Wallace Stevens's first book, published when he was 44 years old. It represents his complete poetic output up to that point in his life. It is now considered a masterpiece, one of the great contributions to literary Modernism. It is a mixture of pure, rational, philosophical thought, and imaginary nonsense-verse. It is striking in its diversity and includes some of Stevens' best known and most-loved poems.

Wallace James Stevens was born on October 2nd, 1879, in Reading, Pennsylvania. His father, a lawyer, sent Wallace to Harvard as a non-degree special student, after which he moved to New York City and worked briefly as a journalist. In 1923 ‘Harmonium’ was published. At last, at age 38, he was an overnight success. His career was not prodigious in quantity but its quality was exceptional and he won the Pulitzer Prize for Poetry for his Collected Poems in 1955.

The four long narratives in The Emigrants appear at first to be the straightforward biographies of four Germans in exile. Sebald reconstructs the lives of a painter, a doctor, an elementary-school teacher, and Great Uncle Ambrose. Following (literally) in their footsteps, the narrator retraces routes of exile which lead from Lithuania to London, from Munich to Manchester, from the South German provinces to Switzerland, France, New York, Constantinople, and Jerusalem.

The year is 1919. The horror of the First World War is fresh for the protagonists of Time of the Magicians, each of whom finds himself at a crucial juncture. Benjamin is trying to flee his overbearing father and floundering in his academic career, living hand to mouth as a critic. Wittgenstein, by contrast, has dramatically decided to divest himself of the monumental fortune he stands to inherit, in search of spiritual clarity.