In SPQR, world-renowned classicist Mary Beard narrates the unprecedented rise of a civilization that even 2,000 years later still shapes many of our most fundamental assumptions about power, citizenship, responsibility, political violence, empire, luxury, and beauty.

Best-selling author and legendary conspiracy researcher Jim Marrs, who has investigated the recent financial crisis, the JFK assassination, and the national socialist takeover of America, now takes on his biggest subject: the history of mankind. Offering mind-blowing information that will radically alter the way we think about the world and our place in it, Marrs goes beyond the revelations of his classic Alien Agenda, interweaving science and authentic archaeological finds with provocative speculation to show how human civilization may have originated with nonhumans who visited earth eons ago.

Jan van Eyck's Ghent Altarpiece is on any art historian's list of the 10 most important paintings ever made. Often referred to by the subject of its central panel, the Adoration of the Mystic Lamb, it represents the fulcrum between the Middle Ages and the Renaissance. It is also the most frequently stolen artwork of all time.

In 1793 William Smith, a canal digger, made a startling discovery that was to turn the fledgling science of the history of the earth - and a central plank of established Christian religion - on its head. He noticed that the rocks he was excavating were arranged in layers; more important, he could see quite clearly that the fossils found in one layer were very different from those found in another. And out of that realization came an epiphany.

Founded by Alexander the Great and built by self-styled Greek pharaohs, the city of Alexandria at its height dwarfed both Athens and Rome. It was the marvel of its age, legendary for its vast palaces, safe harbors, and magnificent lighthouse. But it was most famous for the astonishing intellectual efflorescence it fostered and the library it produced. If the European Renaissance was the "rebirth" of Western culture, then Alexandria, Egypt, was its birthplace.

"See for yourself!" was the clarion call of the 1600s. Natural philosophers threw off the yoke of ancient authority, peered at nature with microscopes and telescopes, and ignited the scientific revolution. Artists investigated nature with lenses and created paintings filled with realistic effects of light and shadow. The hub of this optical innovation was the small Dutch city of Delft.

When Hitler’s armies occupied Italy in 1943, they also seized control of mankind’s greatest cultural treasures. As they had done throughout Europe, the Nazis could now plunder the masterpieces of the Renaissance, the treasures of the Vatican, and the antiquities of the Roman Empire. On the eve of the Allied invasion, General Dwight Eisenhower empowered a new kind of soldier to protect these historic riches. In May 1944 two unlikely American heroes—artist Deane Keller and scholar Fred Hartt—embarked from Naples on the treasure hunt of a lifetime, tracking billions of dollars of missing art, including works by Michelangelo, Donatello, Titian, Caravaggio, and Botticelli.

The Inquisition conducted its last execution in 1826-the victim was a Spanish schoolmaster convicted of heresy. But as Cullen Murphy shows in this provocative new work, not only did its offices survive into the twentieth century, in the modern world its spirit is more influential than ever.

The Sumerians settled in the area known as Mesopotamia, between the Tigris and Euphrates Rivers, around 5,000 years ago. They produced many fundamental changes to the way in which human societies developed - these were the first city-builders, the first people to use wheeled vehicles, the first methodical astronomers, and the first people to develop a sophisticated written language. The Sumerians also produced art, music, and literature as well as created some of the first professional soldiers the world had ever seen.

Erich von Däniken again shows his flair for revealing truths that his contemporaries have missed. After closely analyzing hundreds of ancient and apparently unrelated texts, he is now ready to proclaim that human history is nothing like the world religions claim---and he has the proof! In History Is Wrong, von Däniken takes a closer look at the fascinating Voynich manuscript, which has defied all attempts at decription since its discovery, and makes some intriguing revelations about the equally incredible book of Enoch.

While the Civil War raged in America, another very different revolution was beginning to take shape across the Atlantic, in the studios of Paris. The artists who would make Impressionism the most popular art form in history were showing their first paintings amid scorn and derision from the French artistic establishment. Indeed, no artistic movement has ever been, at its inception, quite so controversial.

In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. During the four extraordinary years that Michelangelo spent laboring over the ceiling, power politics and personal rivalries swirled around him. He battled ill health, financial and family difficulties, inadequate knowledge of the art of fresco, and the Pope's impatience - a history that is more compelling than most novels.

J. M. W. Turner is one of the most important figures in Western art, and his visionary work paved the way for a revolution in landscape painting. Over the course of his lifetime, Turner strove to liberate painting from an antiquated system of patronage. Bringing a new level of expression and color to his canvases, he paved the way for the modern artist.

The Venetians' language and way of thinking set them aside from the rest of Italy. They are an island people, linked to the sea and to the tides rather than the land. This latest work from the incomparable Peter Ackroyd, like a magic gondola, transports its listeners to that sensual and surprising city. His account embraces facts and romance, conjuring up the atmosphere of the canals, bridges, and sunlit squares, the churches and the markets, the festivals and the flowers.

Since the Victorian period, it has been understood that the story of Noah, iconic in the Book of Genesis, and a central motif in Judaism, Christianity and Islam, derives from a much older story that existed centuries before in ancient Babylon. But the relationship between the Babylonian and biblical traditions was shrouded in mystery. Then, in 2009, Irving Finkel, a curator at the British Museum and a world authority on ancient Mesopotamia, found himself playing detective.