Hugh of Singleton, fourth son of a minor knight, has been educated as a clerk, usually a prelude to taking holy orders. However, feeling no certain calling despite a lively faith, he turns to the profession of surgeon, training in Paris and then hanging out his sign in Oxford. A local lord asks him to track the killer of a young woman whose bones have been found in the castle cesspit. She is identified as the impetuous missing daughter of a local blacksmith, and her young man, whom she had provoked very publicly, is in due course arrested and sentenced at the Oxford assizes.

Crowner John is summoned to investigate the murder of a tin miner. The victim worked for Devon's most powerful and successful mine owner, Walter Knapman. There seems, to be only one motive - to sabotage Walter's business. But the tinners have their own laws, and they are none too pleased at Crowner John's interference. How on earth can Crowner John sort all this out when his own life is in turmoil?

It is a tale of ghosts, of madness, of revenge - of old alliances giving way to new intrigues. Denmark is changing, shaking off its medieval past. War with Norway is on the horizon. And Hamlet - son of the old king, nephew of the new - becomes increasingly entangled in a web of deception - and murder. Beautifully performed by actor Richard Armitage ("Thorin Oakenshield" in the Hobbit films), Hamlet, Prince of Denmark takes Shakespeare’s original into unexpected realms, reinventing a story we thought we knew.

Robyn lost everything: her home, her family, and her freedom. Branded as an outlaw by the Sheriff, she reinvents herself by joining Little John and his band in the guise of a boy, soon becoming their leader. But she misses the woman she loves, her best friend Marian.

It's a story you think you know: the age-old tale of "star-cross'd lovers"; two families at war; a romance, so pure and absolute, fated for a tragic end. It's a story so thoroughly embedded in our culture, and so frequently retold. Yet, nothing captures the spark, the possibility, and the surprise of Shakespeare's work quite like this....

The warden of St Serf's has been found dead in the almshouse garden. He appears to have been killed on the previous night but there are those who are convinced he was present at that morning's service, The elderly residents, the almshouse nurse and Humphrey, her deranged favourite, have all been set against one another by the dead man's scheming - and then there is the discarded mistress and almshouse ghost to consider.

“And you are telling me,” said Gil Cunningham, “that David Drummond vanished away forty years ago and is now returned, seemingly not a day older?” “That’s about the sum of it,” agreed Sir William Stewart. In Sir William’s remote part of Scotland it seems almost possible that a young boy could have been stolen away by the fairies and returned forty years later, no older – and if he isn’t Davie Drummond, who is he? And then he suffers a succession of near-fatal ‘accidents’.

Salisbury, 1226. A young pregnant woman is found tangled in reeds in the river Avon, her identity a mystery. Grieving widow Ela Longespée is determined to succeed her husband as sheriff of Salisbury, and quickly takes charge of the investigation. She soon finds herself in the thick of a neighborhood scandal and a struggle to maintain her authority. With multiple suspects, can she identify the true killer?

As unwanted and rebellious boys, they find refuge in Ironhall.... Years later, they emerge as the finest swordsmen in the realm - a magical ritual of a sword through the heart binds each to his ward - if not the king himself, then to whomever else the monarch designates - with absolute loyalty. And the greatest Blade of them all was - and is - Sir Durendal. But a lifelong dream of protecting his beloved liege from enemies, traitors, and monsters is dashed to bits when Durendal is bonded till death to an effete noble fop at his king's orders.

Oxford, Spring 1353. When young bookseller Nicholas Elyot discovers the body of student William Farringdon floating in the river Cherwell, it looks like a drowning. Soon, however, Nicholas finds evidence of murder. Who could have wanted to kill this promising student? As Nicholas and his scholar friend Jordain try to unravel what lies behind William's death, they learn that he was innocently caught up in a criminal plot.

December, 1380. When the corpse of Sir Robert Kilverby is discovered in a locked room, Brother Athelstan accompanies the King’s coronor to investigate. For the late Sir Robert had in his possession a sacred bloodstone which he was planning to donate to the Abbey of St Fulcher-on-Thames.

In the fair autumn of Our Lord's grace 1431, the nuns of England's St. Frideswide's prepare for the simply ceremonies in which the saintly novice Thomasine will take her holy vows. But their quiet lives of beauty and prayer are thrown into chaos by the merciless arrival of Lady Ermentrude Fenner and her retinue of lusty men, sinful women, and baying hounds. The hard-drinking dowager even keeps a pet monkey for her amusement. She demands wine, a feast.... And her niece, the angelic Thomasine.

When the peat-cutters came to report the dead man, Gil Cunningham was up in the roof-space of his mother's house, teaching his new young wife swordplay. They believe the corpse to be that of a local missing man. His wife and the widow who runs the local coalmine are sure the body belongs to someone else, but then they find themselves accused of having killed him by witchcraft. And if the corpse is not the missing man, who is it? Gil and Alys try to get to the heart of the matter.

Margaret of Ashbury wants to write her life story. However, like most women in 14th-century England, she is illiterate. Three clerics contemptuously decline to be Margaret’s scribe, and only the threat of starvation persuades Brother Gregory, a Carthusian friar with a mysterious past, to take on the task. As she narrates her life, we discover a woman of startling resourcefulness.

Glasgow, 1492: Gil Cunningham remarked later that if he had known he would find a corpse in the university coalhouse, he would never have gone to the Arts Faculty feast. In this mysterious adventure Gil Cunningham returns to his old university for the Nicholas Feast, where he and his colleagues are entertained by a play presented by some of the students. One of the actors, William Irvine, is later found murdered and Gil, assisted by Alys, begins to disentangle a complex web of espionage and blackmail involving William's tutors and fellow students.