Tilly Farriday isn’t feeling very jolly this season. Recently divorced and broke, she’s squatting in one of her rental agency’s properties until her new home is ready. The sprinkles on top of the burnt Christmas cookie that is her life? The new owner shows up early, forcing Tilly to hide in the attic to save her job…and what remains of her dignity.

After a string of bad dates and no prospects, Sophia Othonos has finally hit the jackpot: an actual nice guy. When he suggests a romantic getaway, she’s sure they’re about to take the next step toward their future. A rustic cruise to the Galápagos Islands isn’t exactly her idea of a vacation, but Sophia is ready for anything…until her boyfriend has to cancel. Now she’s all alone on a trip that was meant for two. Sophia finds herself at a crossroads about who she is, what she wants, and whether her relationship is really everything she thought.

While reflecting on the past, Abby accepts the shape of her present. No more driving, no more dancing, mostly sitting in a comfortable chair in a sunny corner with three dogs for company—as well as the birds and other critters that she watches out her window. Only this beloved writer could generate so much enthusiasm over what might seem so little. Vivid memories fall like confetti, as time contracts, shoots forward, loops and suddenly she is back in her twenties in New York City, drinking, sleeping with strangers, falling in and out of love, believing in a better world.

Keru and Nate are college sweethearts who marry despite their family differences: Keru’s strict, Chinese, immigrant parents demand perfection (“To use a dishwasher is to admit defeat,” says her father), while Nate’s rural, white, working-class family distrusts his intellectual ambitions and his “foreign” wife. Some years into their marriage, the couple invites their families on vacation.

It is 1486 and Venice is a wealthy, opulent center for trade. Orsola Rosso is the eldest daughter in a family of glassblowers on Murano, the island revered for the craft. As a woman, she is not meant to work with glass—but she has the hands for it, the heart, and a vision. When her father dies, she teaches herself to make glass beads in secret, and her work supports the Rosso family fortunes.

In present day Chicago, broken from her divorce, Natalie Taylor runs away to Paris. In a book stall by the Seine, Natalie finds a collection of the Widow Clicquot’s published letters and uses them as inspiration to step out of her comfort zone and create a new, empowered life for herself. But when her Parisian escape takes a shocking and unexpected turn, she’s forced to make a choice. Should she accept her losses and return home, or fight for the future she’s only dreamed about? What would the widow do?

Haiwen is buying bananas at a 99 Ranch Market in Los Angeles when he looks up and sees Suchi, his Suchi, for the first time in sixty years. To recently widowed Haiwen it feels like a second chance, but Suchi has only survived by refusing to look back. Suchi was seven when she first met Haiwen in their Shanghai neighborhood, drawn by the sound of his violin. Their childhood friendship blossomed into soul-deep love, but when Haiwen secretly enlisted in the Nationalist army in 1947 to save his brother from the draft, she was left with just his violin and a note: Forgive me.

Keru and Nate are college sweethearts who marry despite their family differences: Keru’s strict, Chinese, immigrant parents demand perfection (“To use a dishwasher is to admit defeat,” says her father), while Nate’s rural, white, working-class family distrusts his intellectual ambitions and his “foreign” wife. Some years into their marriage, the couple invites their families on vacation.

Dr. Richmond Dougherty is a renowned pediatric surgeon, an infamous tragedy survivor, and a national hero. He’s also very dead—thanks to a fall down the stairs. His neighbors angrily point a finger at the newest Ms. Dougherty, Addison. The sudden marriage to the mysterious young woman only lasted ninety-seven days, and he’d had two suspicious “accidents” during that time. Now Addison is a very rich widow.

Nora Noone’s father was many things to many people. To the public he was a self-made titan of industry, whose luxury boutique hotels were among the most coveted destinations in the world. To his three ex-wives, he was a loving yet distant family man who managed to keep his finances—and his families—separate. But, to Nora, he was always a mystery—especially after his suspicious death at his cliffside home.