
Sourland
Stories of Loss, Grief, and Forgetting
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Narrated by:
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Coleen Marlo
About this listen
A gripping and moving new collection of stories that reimagines the meaning of loss - through often unexpected and violent means.
Joyce Carol Oates is not only one of our most important novelists and literary critics, she is also an unparalleled master of the short story. Sourland - 16 previously uncollected stories that explore how the power of violence, loss, and grief shape both the psyche and the soul - shows us an author working at the height of her powers.
With lapidary precision and an unflinching eye, Oates maps the surprising contours of “ordinary” life. From a desperate man who dons a jack-o’-lantern head as a prelude to a most curious sort of courtship, to a “story of a stabbing” many times recounted in the life of a lonely girl; from a beguiling young woman librarian whose amputee state attracts a married man and father, to a girl hopelessly in love with her renegade, incarcerated cousin; from a professor’s wife who finds herself tragically isolated at a party in her own house, to the concluding title story of an unexpectedly redemptive love rooted in radical aloneness and isolation, each story in Sourland resonates beautifully with Oates’s trademark fascination for the unpredictable amid the prosaic—the co-mingling of sexual love and violence, the tumult of family life—and shines with her predilection for dark humor and her gift for voice.
©2010 Joyce Carol Oates (P)2010 HarperCollins PublishersListeners also enjoyed...
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NO! Just NO! INSULTING!
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Definitely Dark and Deep
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Extenuating Circumstances
- A Treasury of Crime & Suspense Fiction
- By: Joyce Carol Oates
- Narrated by: Hillary Huber
- Length: 16 hrs and 58 mins
- Unabridged
-
Overall
-
Performance
-
Story
Two hitmen in a depressed rust belt town struggle with a job gone wrong. A girl witnesses a horrifying accident and carries it with her for the rest of her life. Medical students bring a severed foot to a college party. Five-time Pulitzer Prize finalist Joyce Carol Oates has made a career of exploring the forbidden corners of human experience, and the stories collected here, spanning her first three decades as a writer, are among her most unsettling and unforgettable works to date.
-
-
Interesting stores
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-
Night, Neon
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- By: Joyce Carol Oates
- Narrated by: Joe Hempel, Chelsea Stephens
- Length: 9 hrs and 39 mins
- Unabridged
-
Overall
-
Performance
-
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- Length: 11 hrs and 20 mins
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Overall
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Performance
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Story
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-
-
All stories in collection
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- Four Novellas of Love Gone Wrong
- By: Joyce Carol Oates
- Narrated by: Donna Postel, Luci Christian, Chris Patton, and others
- Length: 6 hrs and 28 mins
- Unabridged
-
Overall
-
Performance
-
Story
Listeners know that few authors are able to create an atmosphere of unease and terror as well as Oates, a fact confirmed by the four novellas presented here. All the novellas in this collection revolve around the theme of love gone wrong - horribly, shockingly wrong.
-
-
Some of the stories are excellent!
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-
A Book of American Martyrs
- A Novel
- By: Joyce Carol Oates
- Narrated by: Neil Hellegers, Tavia Gilbert, Kirsten Potter
- Length: 24 hrs and 44 mins
- Unabridged
-
Overall
-
Performance
-
Story
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Overall
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Performance
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Story
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- Unabridged
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Overall
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Performance
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Story
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Didn't get past intro
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The Doctor's Wife
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- Unabridged
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Overall
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Performance
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Story
Michael is a rising OB/GYN at a prominent private practice in Albany, New York; he also moonlights at a local women’s health clinic. But Annie, his wife, has become tired of her workaholic husband’s absences, and the soccer-mom lifestyle has worn thin. She begins a passionate love affair with bad-boy, fading celebrity painter Simon Haas—an affair that quickly goes awry when Simon’s wife, Lydia, who is also the model upon whom he built his career, discovers the truth.
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Adulterous wife made a victim
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Editorial reviews
In these 16 stories, Coleen Marlo gives voice to Joyce Carol Oates’ gothic cast of abandoned women caught in limbo and fighting to break through. The tone is set from the first few sentences of the very first tale, “Pumpkin-Head”, where a recently widowed woman muses, “There is not one person to whom you matter now. This is the crossing over.” Marlo delivers these words in a voice dripping with self-accusation a sense of guilt and personal responsibility at being left behind pervades Sourland, and sexual violence and degradation at the hands of others is welcomed by the victims as a deserved punishment. It doesn’t take long for “Pumpkin-Head” to turn very ugly, and the climactic attack by a solicitous neighbor is described in Oates’ occasional purple prose as a kind of foregone conclusion.
Oates fixates on the physical, as her characters grasp for the corporeal as a panacea for their isolation. Here, love and affection are a form of torture, and the power of the female embrace is harmful: “Her arms came around Woody with iron-maiden swiftness.” This masochism reaches its zenith in “Donor Organs” where the narrator imagines a “ribcage opened up, pried open with giant jaws, you’d hear the cracking of the bones...the organs spooned out...nerves snipped and tied.” Those last words also illustrate one of Sourland’s weaknesses, the several instances of repetition that exist even within a story: a little later, “optic nerves and blood vessels (are) snipped, tied”. There is also an arbitrary cut-off point for several of the stories, as if Oates loses interest in developing a story as soon as we become interested in her slowly unfolding characters. But this is remedied by the depth and shade given to each characterisation by Marlo’s performance, and her wistful voice can be as comforting as a hushed lullaby or as cutting as a thorn bush. The peripheral characters are also made into vivid cameos, and she is adept at the male rage that buffers the women. In “Honor Code”, listen as she spits out “Don’t you turn your back on me!” and feel the tension intensify by several degrees. She also clearly differentiates between narrative voice and character dialog the tension between the two aspects of her performance tell their own story and add another level of drama to these urgent gothic parables that leaves the listener reeling. Dafydd Phillips
Critic reviews
The best stories are those about how a fixated human emotion, or thought pattern, can determine the course of a person's life.
Good Stories...Typical Oates
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