"1100 Quotations from the Great French Writers of the 19th Century" is a wonderful collection of wit and wisdom from some of the greatest French writers ever. From Guy de Maupassant and Honoré de Balzac to Victor Hugo and Alexandre Dumas, this carefully crafted collection is guaranteed to inspire and entertain. Ideal for those needing a dose of encouragement. These French literary giants are responsible for some of the worlds most famous works, including "The Three Musketeers", "Les Misérables", "Madame Bovary" and "The Hunchback of Notre-Dame".

Self-made American millionaire Christopher Newman arrives in Paris brimming with hope and optimism, excited to experience the culture and, hopefully, find the perfect woman to become his wife. After a chance encounter with American expatriate friends, his attention is drawn to Madame de Cintré, 25-year-old widowed daughter of the late Marquis de Bellegarde. Having fallen on hard times, the centuries-old aristocratic family permits Newman's courtship to proceed; however, they later persuade the widow to break off her engagement to the nouveau-riche businessman.

The four long narratives in The Emigrants appear at first to be the straightforward biographies of four Germans in exile. Sebald reconstructs the lives of a painter, a doctor, an elementary-school teacher, and Great Uncle Ambrose. Following (literally) in their footsteps, the narrator retraces routes of exile which lead from Lithuania to London, from Munich to Manchester, from the South German provinces to Switzerland, France, New York, Constantinople, and Jerusalem.

In this fantastically macabre tale, the separate halves of a nobleman split in two by a cannonball go on to pursue their own independent adventures. In a battle against the Turks, Viscount Medardo of Terralba is bissected lengthwise by a cannonball. One half of him returns to his feudal estate and takes up a lavishly evil life. Soon the other, virtuous half appears. The two halves become rivals for the love of the same woman, fight a bloody duel, and achieve a miraculous resolution.

At the beginning of the story the heroine lives an unfulfilled life in rural France, her nature crushed by a domineering and miserly father. Gallant cousin Charles arrives and acts as a catalyst on Eugénie's personality and emotions. Will her love survive the strong self-opinion of the young man and the selfishness of her father or is Eugénie's reward destined to be in heaven?

Kurt Vonnegut presents in Fates Worse than Death a veritable cornucopia of his thoughts on what could perhaps best be summed up as "anti-theology", a manifesto for atheism that details Vonnegut's drift from conventional religion, even a tract evidencing belief in the divine held within each individual self--the deity within each individual person present in a universe that otherwise lacks any real order.

It was with Human, All Too Human, first published in 1878, that Nietzsche developed the aphoristic style that so suited his challenging views and uncompromising style. The text is divided into three main sections: 'Of the First and Last Things', 'History of the Moral Feelings' and 'The Religious Life'.

Impoverished young aristocrat Eugene de Rastignac is determined to climb the social ladder and impress himself on Parisian high society. While staying at the Maison Vauquer, a boarding house in Paris's rue Neuve-Sainte-Genevieve, he encounters Jean-Joachim Goriot, a retired vermicelli maker who has spent his entire fortune supporting his two daughters. The boarders strike up a friendship and Goriot learns of Rastignac's feelings for his daughter Delphine. He begins to see Rastignac as the ideal son-in-law, and the perfect substitute for Delphine's domineering husband. But Rastignac has other opportunities too....

The Arthurian Romances by Chrétien de Troyes form the wellspring of the legend of King Arthur and the Knights of the Round Table. Stories of knightly valour in the Welsh Marches had existed before the 12th century, but it was the magnificent poetry and imagination of Chrétien, the 12th century French poet and trouvère, which brought alive the great characters of Arthur, his wife Guinevere, Lancelot and others.

The four books of the Summa contra Gentiles were written by Thomas Aquinas between 1259-1265, before the considerably larger and more influential, Summa Theologica. The purpose of each work was different. Whereas the Summa Theologica addressed the faithful, especially theology students, the intention of the Summa Contra Gentiles (Systematic Exposition Against Non-Christians) was to speak to a non-aligned and even hostile audience. To that purpose, Aquinas presented arguments ‘refuting specific beliefs or heresies.'

Thomas Aquinas (c1225-1274) died before he could complete his ambitious plan for Summa Theologica, described as ‘a systematic compendium’ of Roman Catholic theology. Drawing on a wide range of Christian sources - and, controversially, on Greek and Latin philosophers as well as Arabian commentators - he sought to explicate matters of doctrine through a specific scheme of Question, Article, Objection, Answer and Reply.

Summa Theologica Part III (Tertia Pars) is Volume 4 in Ukemi Audiobooks’ complete recording of Thomas Aquinas’s momentous work on Christian theology and philosophy. The presentation of the discussions in Part III follow the pattern we have become so familiar with from earlier Parts with the statement of the question, then a series of objections, further considerations and finally Aquinas’s replies to each of the objections.

Here, gathered in one volume, are the stories that made Clarice a Brazilian legend. Originally a cloth edition of 86 stories, now we have 89 in all, covering her whole amazing career, from her teenage years to her deathbed. In these pages, we meet teenagers becoming aware of their sexual and artistic powers, humdrum housewives whose lives are shattered by unexpected epiphanies, old people who don't know what to do with themselves - and in their stories, Clarice takes us through their lives - and hers - and ours.

The inevitable is understood by each and every one of us who faces the final calling. So too are the effects on those left behind. The memories are there but the empty space, the void can never be refilled. It remains a dark, unreliable pit of loneliness. The sadness and often depression, the lack of will to continue may swamp us all. Unquenchable, undeniable. But loss can, after mourning, give the opportunity to reappraise the lost and how we can each move forward. In the literary world an accessible balance can be given.

This is Virginia Woolf’s first collection of essays, published in 1925. In them, she attempts to see literature from the point of view of the ‘common reader’ - someone whom she, with Dr Johnson, distinguished from the critic and the scholar. She read, and wrote, as an outsider: a woman set to school in her father’s library, denied the educational privileges of her male siblings - and with no fixed view of what constitutes ‘English literature’. What she produced is an eccentric and unofficial literary and social history from the 14th to the 20th centuries.