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भारतीय संस्कृति में महाभारत को एक विशेष स्थान प्राप्त है। रामायण की भांति इसे घर-घर में पढ़ा जाता है। हमारे धर्म-चिंतन का सर्वोपरि ग्रन्थ ‘श्रीमद्भगवद्गीता’ इसी का अंग है।

Bhaarteey jeevan-dhaara mein jin granthon ka mahattvapoorn sthaan hai unmein puraan bhakti granthon ke roop mein bahut mahattvapoorn maane jaate hain. Puraan-saahitya bhaarateey jeevan aur saahitya kee akshunn nidhi hain. Inmein maanav jeevan ke utkarsh aur apkarsh kee anek gaathayen miltee hain. Karmkaand se gyaan kee or aate hue bhaarateey maanas chintan ke baad bhakti kee aviral dhaara pravaahit huee.

The Bhagwat Gita is the main sourcebook on yoga and is a concise summary of India’s Vedic wisdom. Yet, remarkably, the setting for this classic spiritual text is an ancient Indian battlefield. In this interpretation of the Gita, the author explains that the essence of the Gita is the equanimity of mind, which is attained by transcending it because mind consciousness is myopic and only spiritual consciousness abounds in universal love and absolute knowledge.

Puraan saahitya bhaarateey saahitya aur jeevan kee akshunn nidhi hai. Inmein maanav jeevan ke utkarsh aur apkarsh kee anek gaathaen miltee hain. Atthaarah puraanon mein alag-alag devi- devataon ko kendr mein rakhkar paap aur punya, dharm aur adharm, karm aur akarm kee gaathaen kahee gaee hain. Is roop mein puraanon ka pathan aur aadhunik jeevan kee seema mein moolyon kee sthaapna aaj ke manushy ko ek nishchit disha de sakta hai.

Shiva, ‘the destroyer’ among the Hindu trinity (of gods), is depicted in many contradictory manners. He is an ascetic who wears animal skin, his body smeared with ashes. Contradictory to his wild nature, he is also depicted as having a family, with a beautiful wife and two children. There are many more such varied representations of Shiva, the most prominent of these being the Linga and the Nataraja. The author, Devdutt Pattanaik, introduces listeners to these varied aspects and representations and then sets about interpreting them.

Svayam apna bhaagya gadhne vaale Dhirubhai Ambani munh mein chaandee ka chammach lekar nahin janmen the. Lekin aaj ve hamaare desh ke sabse bade udyamee maane jaate hain. Aaj bhartiya audyogik itihaas ko ek naye disha dene ka shrey Dhirubhai Ambani ko jaata hai. Jinhone audyogik saamraajya ko vaastav mein vaishavik roop diya. Bhartiya sheyar baajaar mein samsanyojak sanskriti ko ek naya roop dene vaale Dhirubhai ne karodon logon ko khudra nivesh baajaar kee or najar daudaane ke liye majboor kiya.

३4०० ईसापूर्व, भारत. अलगावों से अयोध्या कमज़ोर हो चुकी थी. एक भयंकर युद्ध अपना कर वसूल रहा था. नुक्सान बहुत गहरा था. नुक्सान बहुत गहरा था. लंका का राक्षस राजा, रावण पराजित राज्यों पर अपना शासन लागू नहीं करता था.

Siddhon ka ek mahaan sandesh, 'Jaago', Osho ki vaani dwara in pravachanon mein aur bhi adhik mukharit hua hai. Osho kehte hain: 'Jaago, man jaagran ki bela! Aur jaagran ki bela hamesha hai. Aisa koi khsan nahi jab tum jaag na sako. Aisa koi pal nahi jab tum palak na khol sako. Aankh band kiye ho yah tumhaara nirnay hai. Aankh kholna chaho to isi khsan kraanti ghat sakti hai.

One of the three Gods of Trinity in Hinduism is Lord Vishnu, also called the Lord of the world. In mythological texts, Vishnu is considered as the 10 incarnations of Dashavtar. Shri Ram and Shri Krishna are his most important incarnations. Vishnu's residence is in two different places: in the world, in Baikunth, and second, in the Kshir-Sagar, where he is seated on the eternal balance. In Bhagavad Gita, Vishnu has been considered as Vishwaroop or Virat Purusha. This book attempts to unlock the seven secrets of Vishnu that are relevant even in modern times.

Buddha ke ye sutra hame jagne ke liye prerit karte hai. Ve kahte hai jo bhi soye-soye ji raha hai vah maut me ja raha hai aur jo jagkar ji raha hai vah amrit path par chalne laga. Bhitar jagte hi uska pata chalta hai jo mit hi nahi sakta.

Meri Priya Kahaniyaan contains the favourite stories by the fierce and celebrated poet Amrita Pritam, selected by her. Amrita Pritam, the first female Punjabi poet, novelist, and essayist, and the leading voice of 20th-century Indian literature, was awarded Jnanpith in the year 1982. She authored more than a hundred compositions and has left a special mark in the stories, just like her poems, which are about female sexuality, self-realisation and the pain of loss at a time when women mostly wrote on conservative themes.

Kautilya, also known as Chanakya and Vishnugupta, wrote the Arthashastra not later than AD 150, though the date has not been conclusively established. Legend has it that he was either a Brahmin from Kerala or from north India; however, it is certain that Kautilya was the man who destroyed the Nanda dynasty and installed Chandragupta Maurya as the King of Magadha. A master strategist who was well-versed in the Vedas and adept at creating intrigues and devising political stratagems, Kautilya's genius is reflected in his Arthashastra.

In Meri Gita, acclaimed mythologist Devdutt Pattanaik demystifies The Bhagavad Gita for the contemporary listener. His unique approach - thematic rather than verse-by-verse - makes the ancient treatise eminently accessible.In a world that seems spellbound by argument over dialogue, vi-vaad over sam-vaad, Devdutt highlights how Krishna nudges Arjuna to understand rather than judge his relationships. This becomes relevant today when we are increasingly indulging and isolating the self.

A living picture of the entire life of the Indian farmer - his aspiration and despair, his sincerity and religious piety, his helplessness and innocence.