When Del Lareaux leaves the St. Augustine orphanage, she is desperate to build a normal life for herself and Jimmy, the mentally handicapped boy she spent years protecting. But when a hellish spirit is raised from the dark swamps of Louisiana, abominations of unimaginable horror begin to prey on the lost souls of New Orleans, and Del’s soul is the most coveted.

Some art takes on a life of its own. A beautiful house. A loving family. Two kids, a dog, and a tenure-track professorship teaching art at the local university. Dan Rineheart is living the dream. But all dreams must end. When an anonymous painting arrives at the university, Dan is tasked with uncovering the artist. No title. No name. No signature or frame. It’s a disturbing work of grotesque perfection. A work of art...that changes with each viewing. So begins the nightmare. Where painted clocks tick-tock in the dark hours before dawn.

Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he's desperate for money—it's not easy to find steady, safe work when you can't provide references, you can't stay in one place for long, and you're paranoid that your past is creeping back up on you.

It’s the house of their dreams. Former marine Harry and his wife, Sasha, have packed up their life and their golden retriever, Dash, and fled the corporate rat race to live off the land in rural Idaho. Their breathtaking new home sits on more than forty acres of meadow, aspen trees, and pine forest in the Teton Valley. Even if their friends and family think it’s a strange choice for an up-and-coming pair of urban professionals, Harry and Sasha couldn’t be happier about the future they’re building, all by their lonesome.

It’s Halloween night, 1984, in Coventry, Massachusetts, and two families are unraveling. Up and down the street, horrifying secrets are being revealed, and all the while, mixed in with the trick-or-treaters of all ages, four children who do not belong are walking door to door, merging with the kids of Parmenter Road. Children in vintage costumes with faded, eerie makeup. They seem terrified, and beg the neighborhood kids to hide them away, to keep them safe from The Cunning Man.

It’s the day of his ex-wife’s wedding when Dan makes the winding mountain journey to a remote cabin for an escape from the life that another man has stepped into. Less than 48 hours into his reprieve, the forest tranquility is shattered when he looks through a telescope and witnesses the violent abduction of a young woman. Dan springs into action, but there’s no evidence of an abduction nor reports of a missing woman. That is, until Dan sees the missing person’s poster for Ivy Trent.

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.

Newly divorced Alison Kerby wants a second chance for herself and her nine-year-old daughter. She's returned to her hometown on the Jersey Shore to transform a Victorian fixer-upper into a charming-and profitable guest house. One small problem: the house is haunted, and the two ghosts insist Alison must find out who killed them.

St Philomena's military hospital has been abandoned for over three years. Now Lilian Chesterfield, who works for one of the most successful building companies in England, is in charge of developing it into a luxury housing complex. But as soon as she and her colleagues start work in the Jacobean-style mansion, their dream turns into a nightmare. They hear screaming from wards full of empty beds. They hear doors slamming and find cutlery scattered over the kitchen floor. Then they see faces peering at them from the mullioned windows.

Harry Keogh is the man who can talk to the dead, the man for whom every grave willingly gives up its secrets, the one man who knows how to travel effortlessly through time and space to destroy the vampires that threaten all of humanity.

The year is 1967. Malcolm Pomerantz is twelve, geeky and socially awkward, while his seriously bright sister, Amalia, is spirited and beautiful. Each is the other's best friend, united by a boundless interest in the world beyond their dysfunctional parents' unhappy home. But even the troubled Pomerantz household will seem to be a haven compared to the house next door, after an enigmatic and very secretive new neighbor takes up residence in the darkest hours of the night.

Just days before a massive exhibition opens at the popular New York Museum of Natural History, visitors are being savagely murdered in the museum's dark hallways and secret rooms. Autopsies indicate that the killer cannot be human.... But the museum's directors plan to go ahead with a big bash to celebrate the new exhibition, in spite of the murders.

When two teenagers go missing from the small, rural town of Sallow Bend, the residents come together to search for them. Little do they suspect that finding the wayward girls will be the start of their problems. An old evil is rising, and only one man seems to realize that everyone is in danger and this is not the first time it’s happened. With the carnival in town, people want to have a good time, but for many, this will be the worst time of their lives.

Hannah Miles navigates the etiquette of monster hunting through the parlours of a magical Regency England. This collection contains: Manners and Monsters, Galvanism and Ghouls, and Gossip and Gorgons.

Patrick and Clare wake up trapped in a basement, a thin wall separating their cells. Their captor is mysteriously absent, which at first seems like a blessing. As more time passes with no food or water, they begin to realize a clock is ticking for their survival. Combining their intelligence and determination, the two begin plotting an escape from their shared prison. Overcoming each obstacle only presents another obstacle standing in the way of their freedom. It will take all of their ingenuity and strength to find their way out of this mess.