Elizabeth aches for one more precious hour with her son who died in a senseless accident. Andy is desperate to find his first love who vanished after a whirlwind romance. Logan craves the rush of surfing and mountain climbing, yearning to reclaim the freedom he lost after a misstep landed him in a wheelchair. Brooke is looking for an hour of relief from the guilt of an unforgivable mistake.

Nell McDaragh never knew her grandfather, the celebrated Irish poet Phil McDaragh. But his love poems seem to speak directly to her. Restless and wryly self-assured, at twenty-two Nell leaves her mother Carmel’s orderly home to find her own voice as a writer (mostly online, ghost-blogging for an influencer) and to live a poetical life. As she chases obsessive love, damage, and transcendence, in Dublin and beyond, her grandfather’s poetry seems to guide her home.

Birdie’s keeping it together; of course she is. So she’s a little hungover, sometimes, and she has to bring her daughter, Emaleen, to her job waiting tables at an Alaskan roadside lodge, but she’s getting by as a single mother in a tough town. Still, Birdie can remember happier times from her youth, when she was free in the wilds of nature. Arthur Neilsen, a soft-spoken and scarred recluse who appears in town only at the change of seasons, brings Emaleen back to safety when she gets lost in the woods. Most people avoid him, but to Birdie, he represents everything she’s ever longed for.

Monica Tsai spends most days on her computer, journaling the details of her ordinary life and coding for a program that seeks to connect strangers online. A self-proclaimed recluse, she's always struggled to make friends and, as a college freshman, finds herself escaping into a digital world, counting the days until she can return home to her beloved grandparents. They are now in their nineties, and Monica worries about them constantly—especially her grandmother, Yun, who survived two wars in China before coming to the States, and whose memory has begun to fade.

One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step.

1917. On a battlefield near the River Escaut, John lies in the aftermath of a blast, unable to move or feel his legs. Struggling to focus his thoughts, he is lost to memory as the snow falls—a chance encounter in a pub by a railway, a hot bath with his lover on a winter night. 1920. John has returned from war to North Yorkshire, near a different river. He is alive but still not whole. Reunited with Helena, an artist, he reopens his photography business and tries to keep on living. But the past erupts insistently into the present, as ghosts begin to surface in his pictures

After years away from her family's homeland, and healing from an affair with an established director, stage actress Sonia Nasir returns to Palestine to visit her older sister Haneen. Though the siblings grew up spending summers at their family home in Haifa, Sonia hasn't been back since the second intifada and the deaths of her grandparents. While Haneen stayed and made a life commuting to Tel Aviv to teach at the university, Sonia remained in London to focus on her burgeoning acting career and now dissolute marriage.

Claire Kilroy takes listeners deep inside the early days of motherhood. Exploring the clash of fierce love with a seismic shift in identity, Kilroy conjures the raw, tumultuous emotions of a new mother, as her marriage strains and she struggles with questions of equality, autonomy, and creativity.

Maggie Webb has lived the last decade caring for elderly husband, Stanley, as memory loss gradually erases all the beautiful moments they created together. It's the loneliest she's ever felt in her life. When a mysterious stranger named Hassan appears at her door, he reveals a shocking truth: Stanley isn't losing his memories. Someone is actively removing them to hide a long-buried secret from coming to light. If Maggie does what she's told, she can reverse it. She can get her husband back.

When Nadia Amin, a witty and bighearted PhD, publishes an article on deradicalization, everything changes. The United Nations comes calling with an opportunity to put her theory into practice and lead a rehabilitation program for women caught in the crosshairs of harmful ideology. And why not? Abandoned by her mother and devastated by unrequited love, she leaps at the chance.

Gail Baines is having a bad day. To start, she loses her job—or quits, depending on whom you ask. Tomorrow her daughter, Debbie, is getting married, and she hasn’t even been invited to the spa day organized by the mother of the groom. Then, Gail’s ex-husband, Max, arrives unannounced on her doorstep, carrying a cat, without a place to stay, and without even a suit. But the true crisis lands when Debbie shares with her parents a secret she has just learned about her husband to be. It will not only throw the wedding into question but also stir up Gail and Max’s past.

Meet the Valiat family. In Iran, they were somebodies. In America, they’re nobodies. First there is Elizabeth, the regal matriarch with the famously large nose, who remained in Tehran despite the revolution. She lives alone but is sometimes visited by Niaz, her Islamic-law-breaking granddaughter, who takes her partying with a side of purpose and yet manages to survive. Elizabeth’s daughters wound up in America: Shirin, a charismatic and flamboyantly high-flying event planner in Houston, who considers herself the family’s future, and Seema, a dreamy idealist turned housewife.

One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old. In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past.

Jane has high hopes her life is about to turn around. After years of living precariously, she, her painter husband, Lenny, and their two kids have landed a stint as house sitters in a friend’s luxurious home high in the hills above Los Angeles, a gig that coincides magically with Jane’s sabbatical. If she can just finish her latest novel, Nusu Nusu, the centuries-spanning epic Lenny refers to as her “mulatto War and Peace,” she’ll have tenure and some semblance of stability and success within her grasp. But things don’t work out quite as hoped.

An unexpected tragedy at a community pool. A family’s unrelenting expectation of victory. The desire to gain or lose control; to make time speed up or stop; to be frighteningly, undeniably good at something. Each of the eight teenage girl boxers in this blistering debut novel has her own reasons for the sacrifices she has made to come to Reno, Nevada, to compete to be named the best in the country.

As the summer of 1993 begins, Sam and Swami Brecht roll into town with a twenty-six-foot Winnebago camper van, their three young kids, and the deed to Woodchuck Rafting Company. Sam and Swami met as young adventurous river guides but, a decade later, find themselves weighed down by money worries and the demands of adulthood. The town of Thunderwater, in Wisconsin’s Northwoods, could be the fresh start their marriage needs. But Woodchuck, once the property of Sam’s eccentric uncle, has seen better days and will need a serious overhaul if it is going to stand a chance at survival.

Claire Kilroy takes listeners deep inside the early days of motherhood. Exploring the clash of fierce love with a seismic shift in identity, Kilroy conjures the raw, tumultuous emotions of a new mother, as her marriage strains and she struggles with questions of equality, autonomy, and creativity.

In the aftermath of World War II, Goh Junja is a girl just coming into her own. She is the latest successful deep-sea diver in her family. She urges her mother to allow her to make their annual trip to Mt. Halla, where they trade sea delicacies for pork. A sea-village girl, Junja has never been to the mountains, where it smells like mushrooms and earth, and it is there she falls in love with mountain-boy Yang Suwol. But when Junja returns one day later, it is just in time to see her mother take her last breath, beaten by the waves during a dive she was taking in Junja's place.

After years away from her family's homeland, and healing from an affair with an established director, stage actress Sonia Nasir returns to Palestine to visit her older sister Haneen. Though the siblings grew up spending summers at their family home in Haifa, Sonia hasn't been back since the second intifada and the deaths of her grandparents. While Haneen stayed and made a life commuting to Tel Aviv to teach at the university, Sonia remained in London to focus on her burgeoning acting career and now dissolute marriage.

September 29, 1923. Once the Palestine Mandate officially takes effect, the British Empire—now covering a quarter of the world’s land and boasting a population of 460 million—is the largest the world has ever seen. But it is also an empire in rapid transition. Nationalist and Pan-African movements are gaining momentum throughout West Africa, thanks as much to Marcus Garvey as to the sustained efforts of local activists and politicians. Moving from London to Kuala Lumpur, Australia to the West Indies, One Fine Day is a breathtaking and unflinching tour of the British Empire at its pinnacle.

The middle daughter of struggling California fruit farmers, Alice Bush is accustomed to feeling inferior and destitute. But when her elder sister’s husband strikes a vein of gold in the Yukon Territory, Alice finally seizes control of her destiny by joining a wave of white settlers making the dangerous trek to the Klondike. What follows is an awakening of ambition for the quietly opportunistic Alice.

As a child, Meryl Frank was the chosen inheritor of family remembrance. Her aunt Mollie, a formidable and cultured woman, insisted that Meryl never forget who they were, where they came from, and the hate that nearly destroyed them. Over long afternoons, Mollie told her about the city, the theater, and, above all else, Meryl’s cousin, the radiant Franya Winter. Franya was the leading light of Vilna’s Yiddish theater, a remarkable and precocious woman who cast off the restrictions of her Hasidic famiy. Yet there was one thing her aunt Mollie would never tell Meryl: how Franya died.

The Russell women have always lived in a house that is as special as they are—a century-old Victorian with a radio that tunes itself to the listener’s mood and a pantry that rearranges to provide just the right ingredients for any baking need. Lilith Russell was the exception. She left the family home in Ivy Ridge, Georgia, and has been flitting like a hummingbird from place to place with her daughter, Mattie, in the decades since, only returning each summer to drop Mattie off with Lilith’s sister, Penelope.

Phoebe is a factory girl who has come to Shanghai with the promise of a job-but when she arrives she discovers that the job doesn't exist. Gary is a country boy turned pop star who is spinning out of control. Justin is in Shanghai to expand his family's real estate empire, only to find that he might not be up to the task. He has long harbored a crush on Yinghui, a poetry-loving, left-wing activist who has reinvented herself as a successful Shanghai businesswoman.

Jane Start is thirty-three, broke, and recently single. Ten years prior, she had a hit song—written by world-famous superstar Jonesy—but Jane hasn’t had a breakout since. Now she's living out of four garbage bags at her parents’ house, reduced to performing to Karaoke tracks in Las Vegas. Rock bottom. But when her longtime manager Pippa sends Jane to London to regroup, she’s seated next to an intriguing stranger on the flight—the other Tom Hardy, an elegantly handsome Oxford professor of literature. Jane is instantly smitten by Tom, and soon, truly inspired.

Young Wang has received plenty of wisdom from his beloved uncle: don’t take life too seriously, get out on the road when you can, and everyone gets just seven great loves in their life—so don’t blow it. This last one sticks with Young as he is an obsessive cataloger of his life: movies watched, favorite albums . . . all filtered through Chinese numerology and superstition. He finds meaning in almost everything, for which his two best friends endlessly tease him. But then, at the end of 1995, when Young is at New York University, he meets Erena.

Dok-go lives in Seoul Station. He can’t remember his past, and the only thing he knows for certain is that he could really use a drink. When he finds a lost wallet filled with documents, his life is drastically changed.

When it comes to love and art, Rooney Gao believes in signs. Most of all, she believes in the Chinese legend that everyone is tied to their one true love by the red string of fate. And that belief has inspired her career as an artist, as well as the large art installations she makes with (obviously) red string. That is until artist’s block strikes and Rooney begins to question everything. But then fate leads her to the perfect guy.

At a lavish party in the hills outside of San Francisco, Jin Han meets Lidija Jung and nothing will ever be the same for either woman. A brilliant young photographer, Jin is at a crossroads in her work, in her marriage to her college love Philip, and in who she is and who she wants to be. Lidija is an alluring, injured world-class ballerina on hiatus from her ballet company under mysterious circumstances. Drawn to each other by their intense artistic drives, the two women talk all night.

Carrie wants a normal life. Carrie Lawrence doesn’t need a happily ever after. She’ll just settle for “after.” After a decade of helping her sister hide her victims. After a lifetime of lies. She just wants to be safe, boring, and not trekking through the woods at night with a dead body wrapped in a carpet. Becca wants to get away with murder. Becca Lawrence doesn’t believe in happily ever after because she’s already happy. She’s gotten away with murder for a decade and has blackmailed her sister into helping her hide the evidence - what more could a girl want?