No one skewers the popular movements of American culture like Tom Wolfe. In 1975, he turned his satirical pen to the pretensions of the contemporary art world - a world of social climbing, elitist posturing, and ingeniously absurd self-justifying theorizing. From the fuliginous flatness of the 50s to the pop op minimal 60s, right on through the now-you-see-it-now-you-don’t 70s, Tom Wolfe debunks the great American myth of modern art in an incandescent, hilarious, and devastating blast.

"An excellent book by a genius”, said Kurt Vonnegut, Jr., of this now-classic exploration of the 1960s from the founder of New Journalism and author of such influential works as The Electric Kool-Aid Acid Test and The Bonfire of the Vanities. Tom Wolfe explores the style and culture of the 1960s in this dynamic collection of essays - originally stand-alone pieces, many of which were published in Esquire magazine - written in his unique, free-flowing style.

Millions of words have poured forth about man's trip to the moon, but until now few people have had a sense of the most engrossing side of the adventure: namely, what went on in the minds of the astronauts themselves - in space, on the moon, and even during certain odysseys on earth. It is this, the inner life of the astronauts, that Tom Wolfe describes with his almost uncanny empathetic powers that made The Right Stuff a classic.

Tom Wolfe's best-selling modern classic tells the story of Sherman McCoy, an elite Wall Street bond trader who has it all: wealth, power, prestige, a Park Avenue apartment, a beautiful wife, and an even more beautiful mistress - until one wrong turn sends Sherman spiraling downward into a humiliating fall from grace. A car accident in the Bronx involving Sherman, his girlfriend, and two young lower-class Black men sets a match to the incendiary racial and social tensions of 1980s New York City.

A collection of non-fiction essays about the counter-culture of the 1960s that dives deep into the issues that marked the era: female empowerment, increasing freedom around sexuality, vibrant subcultures, and the rise of psychedelic drugs. In this sprawling work, Wolfe profiles Playboy founder Hugh Hefner and compares him to Jay Gatsby, interviews one of the first women to get breast implants, and hangs out with freewheeling surfers (aka The Pump House Gang).

One of the most remarkable historical works of the 19th century came from the pen of French historian Numa Denis Fustel de Coulanges, a native of Paris. This amazing analysis of family and religious life among the ancient Greeks and Romans is the key to understanding ancient Mediterranean civilizations. The story begins in the misty period of the Bronze Age as the Indo-Europeans began to filter down into the Italian and Greek peninsulas. They brought with them a patriarchy that was based on ancestor worship and the veneration of hearth gods.

In The War on the West, Douglas Murray shows how many well-meaning people have been fooled by hypocritical and inconsistent anti-West rhetoric. After all, if we must discard the ideas of Kant, Hume, and Mill for their opinions on race, shouldn’t we discard Marx, whose work is peppered with racial slurs and anti-Semitism? Embers of racism remain to be stamped out in America, but what about the raging racist inferno in the Middle East and Asia?

America's maestro reporter/novelist gives America an MRI at the dawn of a new age. Tom Wolfe scrutinizes everything from the sexual manners and mores of teenagers to the reasons why no one is celebrating the second American Century. Hooking Up is a chronicle of the here and now. Browse more Wolfe.

“New York is a city of things unnoticed,” a young reporter named Gay Talese wrote sixty years ago. He would spend the rest of his legendary career defying that statement by celebrating the people most reporters overlooked, understanding that it was through these minor characters that the epic story of New York and America unfolded. Inspired by Herman Melville’s great short story “Bartleby, the Scrivener,” Talese now revisits the unforgettable “nobodies” he has profiled in his celebrated career—from the New York Times’s anonymous obituary writer to Frank Sinatra’s entourage.

Some say that this work, found in a safe-box in the port area of Kowloon, was dictated because Bronze Age Pervert refuses to learn what he calls "the low and plebeian art of writing". It isn't known how this work was transcribed. The contents are pure dynamite. He explains that you live in ant farm. That you are observed by the lords of lies, ritually probed. Ancient man had something you have lost: confidence in his instincts and strength, knowledge in his blood. BAP shows how the Bronze Age mind-set can set you free from this iron prison and help you embark on the path of power.

In Feminism Against Progress, Mary Harrington argues that the industrial-era faith in progress is turning against all but a tiny elite of women. Women's liberation was less the result of human moral progress than an effect of the material consequences of the Industrial Revolution.

In this challenging work, Christopher Lasch makes an accessible critique of what is wrong with the values and beliefs of America's professional and managerial elites. The distinguished historian argues that democracy today is threatened not by the masses, as Jose Ortega y Gasset ( The Revolt of the Masses) had said, but by the elites. These elites - mobile and increasingly global in outlook - refuse to accept limits or ties to nation and place.

Richard Hanania has come out of nowhere to become one of the best-known writers in the nation in the last few years. In this book, he directs his attention to the culture war that has driven society apart and presents a stunning new theory about what is going on. In a nation nearly evenly split between conservatives and liberals, the left dominates nearly all major institutions, including universities, the government, and corporate America. Hanania argues that this is as much a legal requirement as it is an issue of one side triumphing in the marketplace of ideas.

Since its publication in 1960, William L. Shirer’s monumental study of Hitler’s German empire has been widely acclaimed as the definitive record of the 20th century’s blackest hours. The Rise and Fall of the Third Reich offers an unparalleled and thrillingly told examination of how Adolf Hitler nearly succeeded in conquering the world. With millions of copies in print around the globe, it has attained the status of a vital and enduring classic.

Jesus of Nazareth has been dead for some 65 years. The eyewitnesses to this extraordinary life have died, often as martyrs, and only a scattered handful remain. Might anyone have resolved to interview those last few before it was too late, it being a matter of mind-boggling importance? What if someone had? Mysterium I: Rome presents the story of a young Roman scholar who determines to do precisely that.

Tom Wolfe - one of the 20th century’s foremost voices in cultural criticism - went from local news reporter to international icon in 1968, with the publication of The Electric Kool-Aid Acid Test. Now voiced with vivacity and vigor by Audible Hall of Fame narrator Luke Daniels, the non-fiction swan-dive delves into the world of hippies, hedonism, and everything in between.

Before he became a best-selling novelist (The Bonfire of the Vanities), Tom Wolfe was an essayist and keen observer of 1960s and 1970s culture for Esquire and Rolling Stone. (This is the man who coined the phrase "Me Decade", after all.) This ear-candy collection of 20 essays and articles narrated by Edoardo Ballerini was handpicked by Wolfe and includes some of his best-known nonfiction work.

Millions of words have poured forth about man's trip to the moon, but until now few people have had a sense of the most engrossing side of the adventure: namely, what went on in the minds of the astronauts themselves - in space, on the moon, and even during certain odysseys on earth. It is this, the inner life of the astronauts, that Tom Wolfe describes with his almost uncanny empathetic powers that made The Right Stuff a classic.

No one skewers the popular movements of American culture like Tom Wolfe. In 1975, he turned his satirical pen to the pretensions of the contemporary art world - a world of social climbing, elitist posturing, and ingeniously absurd self-justifying theorizing. From the fuliginous flatness of the 50s to the pop op minimal 60s, right on through the now-you-see-it-now-you-don’t 70s, Tom Wolfe debunks the great American myth of modern art in an incandescent, hilarious, and devastating blast.

"An excellent book by a genius”, said Kurt Vonnegut, Jr., of this now-classic exploration of the 1960s from the founder of New Journalism and author of such influential works as The Electric Kool-Aid Acid Test and The Bonfire of the Vanities. Tom Wolfe explores the style and culture of the 1960s in this dynamic collection of essays - originally stand-alone pieces, many of which were published in Esquire magazine - written in his unique, free-flowing style.

A collection of non-fiction essays about the counter-culture of the 1960s that dives deep into the issues that marked the era: female empowerment, increasing freedom around sexuality, vibrant subcultures, and the rise of psychedelic drugs. In this sprawling work, Wolfe profiles Playboy founder Hugh Hefner and compares him to Jay Gatsby, interviews one of the first women to get breast implants, and hangs out with freewheeling surfers (aka The Pump House Gang).

The setting is Atlanta, Georgia - a racially mixed, late-century boomtown full of fresh wealth and wily politicians. The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta conglomerate king whose outsize ego has at last hit up against reality. Charlie has a 29,000-acre quail-shooting plantation, a young and demanding second wife, and a half-empty office complex with a staggering load of debt. Meanwhile, Conrad Hensley, idealistic young father of two, is laid off from his job at the Croker Global Foods warehouse near Oakland.

In this 1976 collection of essays, Americana icon Tom Wolfe explores the social status strife of the 1970s, eviscerating trends of faux-sympathy and self-absorption, going as far as to coin the term "The 'Me' Decade" to describe the period’s narcissism. And when paired with the clear, confident delivery of storied narrator and stage-and-screen veteran Peter Berkrot, Wolfe’s incisive wit and cynical bite is more blistering than ever.

Frank Sinatra. Dean Martin. Sammy Davis, Jr. Peter Lawford. Joey Bishop. They call themselves The Clan. But to an awed world, they are known as The Rat Pack. They had it all. Fame. Gorgeous women. A fabulous playground of a city and all the money in the world. The backing of fearsome crime lords and the blessing of the President of the United States. But the dark side - over the thin line between pleasure and debauchery, between swinging self-confidence and brutal arrogance - took its toll. In four years, their great ride was over, and showbiz was never the same.

Tom Wolfe, whose legend began in journalism, takes us on an eye-opening journey that is sure to arouse widespread debate. The Kingdom of Speech is a captivating, paradigm-shifting argument that speech - not evolution - is responsible for humanity's complex societies and achievements.