It's 1986, and "beautiful, radical ideas" are in the air. The narrator of Theory & Practice, a young woman originally from Sri Lanka, arrives in Melbourne for graduate school to research the novels of Virginia Woolf. In the bohemian neighborhood of St. Kilda she meets artists, activists, students—and Kit. He claims to be in a "deconstructed relationship." They become lovers, and the narrator's feminism comes up against her jealousy. Meanwhile, an entry in Woolf's diary upends what the narrator knows about her literary idol, and throws her own work into disarray.

Tara Selter, the heroine of On the Calculation of Volume, has involuntarily stepped off the train of time: in her world, November eighteenth repeats itself endlessly. We meet Tara on her 122nd November 18th: she no longer experiences the changes of days, weeks, months, or seasons. She finds herself in a lonely new reality without being able to explain why: how is it that she wakes every morning into the same day, knowing to the exact second when the blackbird will burst into song and when the rain will begin?

It started out like any other morning for the Fact Checker. The piece, “Mandeville/Green,” didn’t raise any red flags. There were more pressing stories that week—it being 2004 New York City and all. “Mandeville/Green” was a light, breezy look at a local farm called New Egypt, whose Ramapo tomatoes were quickly becoming the summer’s hottest produce. At first glance, the story seemed straightforward, but one line made the Fact Checker pause: a stray quote from a New Egypt volunteer named Sylvia making a cryptic reference to “nefarious business” at the farmer’s market.

In 1789 Wolfgang Amadeus Mozart visits the grave of Johann Sebastian Bach in Leipzig, looking for a sign, a signal, an answer to an enigma that has haunted him since childhood: Was Bach murdered by a famous oculist? And years later, was Handel a victim of the same doctor? Allegro follows his investigation, from the salons of London to the streets of Paris, recreating an enthralling and turbulent time, full of rogues and brilliant composers, charlatans and presumptuous nobles. Running parallel to this search is the rise of Mozart, his knowledge and fame, his trials and losses.

Clive Franklin, a Russian language expert in the Foreign Office, is summoned unexpectedly to Moscow to act as translator for the British Prime Minister. His life is upended when he discovers that his former lover, Marina Volina, is the interpreter to the Russian President. Together they will try to stop the attack that could paralyse communications and collapse the Western economy.

Florence, 1557. Le peintre Pontormo est retrouvé assassiné au pied des fresques auxquelles il travaillait depuis onze ans. Un tableau a été maquillé. Un crime de lèse-majesté a été commis. Vasari, l’homme à tout faire du duc de Florence, est chargé de l’enquête. Pour l’assister à distance, il se tourne vers le vieux Michel-Ange exilé à Rome.

Set in the tumultuous period of the Tudors' ascent, The Pretender brings to life the little-known story of Lambert Simnel. From humble beginnings as a peasant boy, Lambert's life takes an astonishing turn when, at just ten years old, he becomes a claimant to the English throne as one of the last of the Plantagenet line. As Lambert navigates the treacherous waters of royal intrigue and court life, complex themes of identity, power, and destiny unfold, weaving a tapestry of ambition and survival in a world where the stakes couldn't be higher.

Meet Agatha Dorn, cantankerous archivist, grammar pedant, gin afficionado and murder mystery addict. When she discovers a lost manuscript by Gladden Green, the Empress of Golden Age detective fiction, Agatha's life takes an unexpected twist. She becomes an overnight sensation, basking in the limelight of literary stardom. But Agatha's newfound fame takes a nosedive when the 'rediscovered' novel is exposed as a hoax. And when her ex-lover turns up dead, with a scrap of the manuscript by her side, Agatha suspects foul play.

By way of H. G. Wells and Rebecca West’s affair through 1930s nuclear physics to Flanagan's father working as a slave laborer near Hiroshima when the atom bomb is dropped, this daisy chain of events reaches fission when Flanagan as a young man finds himself trapped in a rapid on a wild river not knowing if he is to live or to die.

One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step.

Set in Peru in the summer of 1714, this novel tells the tale of a group of interrelated people who perish following the collapse of an Inca rope bridge. A Franciscan friar, Brother Juniper, witnesses the accident and sets out to find out more about each victim, seeking answers—cosmic or otherwise—as to why they had to die. In his quest, Brother Juniper spends six years trying to interview as many people that knew the victims as he can, seeking to prove that both their beginning and their end was part of God's plan for each victim.

"Jack's in charge," said his mother, as she disappeared up the road to get help. "I won't be long." So 11-year-old Jack and his two sisters wait on the hard shoulder in their stifling, broken-down car, bickering and whining and playing I-Spy until she comes back. But their mother doesn't come back. She never comes back. And after that long hot summer day, nothing will ever be the same again. Three years later, Jack's 15 and still in charge.

In imagining a Viking, a certain image springs to mind: a barbaric warrior, leaping ashore from a longboat, and ready to terrorize the hapless local population of a northern European town. Yet while such characters define our imagination of the Viking Age today, they were in the minority. Instead, in the time-stopping soils, water, and ice of the North, Eleanor Barraclough excavates a preserved lost world, one that reimagines a misunderstood society.

Here is a grotesque and carnivalesque collection of exuberant, fantastical stories that takes us from the ancient world through to the European Renaissance. At the heart of these tall tales are the giant Gargantua and his equally seismic son, Pantagruel. Containing magical adventures, maniacal punning, slapstick humor, erudite allusions, and just about any bodily function one can think of, here is quite possibly the zaniest, most risqué book ever written.

Set across Istanbul and Oxford, from the 1980s to the present day, Three Daughters of Eve is a sweeping tale of faith and friendship, tradition and modernity, love and an unexpected betrayal. Peri, a wealthy Turkish housewife and mother, is on her way to a dinner party at a seaside mansion in Istanbul when a beggar snatches her handbag. As she wrestles to get it back, a photograph falls to the ground - an old polaroid of three young women and their university professor.

Florence, 1557. Le peintre Pontormo est retrouvé assassiné au pied des fresques auxquelles il travaillait depuis onze ans. Un tableau a été maquillé. Un crime de lèse-majesté a été commis. Vasari, l’homme à tout faire du duc de Florence, est chargé de l’enquête. Pour l’assister à distance, il se tourne vers le vieux Michel-Ange exilé à Rome.

A man travels to Lisbon ahead of his wife to prepare their new home, while she stays in New York to oversee a research project on the neuroscience of memory and fear. Leaving behind a phase of their relationship indelibly marked by 9/11, the man revels in the Portuguese capital's temperate weather and the neighborhood's calmness, meticulously planning the details of their future.

Gorgeous, charismatic Paige White has always lived a picture-perfect life. Her meticulously curated social pages exude an old-fashioned, wholesome lifestyle set against a picturesque town in Australia. Images of breakfasts lakeside with her daughter, sunny afternoons in the family van, and romantic picnics with her husband are the envy of her thousands of followers. But when a dark, brooding image pops up on Paige’s page, where she appears waterlogged and disheveled–and shortly after she’s discovered drowned–alarm bells go off.

Two young Lakota boys, ages eleven and six, huddle in a boxcar hurtling through the prairie night as they run from a government agent sent to take them to an Indian boarding school. But what begins as a pursuit soon becomes a complex human drama of intersecting lives as the boys make their way across the vast Dakota plains to the pipestone quarries of western Minnesota to replace their great-grandfather’s channunpa, or sacred pipe, that was broken by the government agent.

It's 1986, and "beautiful, radical ideas" are in the air. The narrator of Theory & Practice, a young woman originally from Sri Lanka, arrives in Melbourne for graduate school to research the novels of Virginia Woolf. In the bohemian neighborhood of St. Kilda she meets artists, activists, students—and Kit. He claims to be in a "deconstructed relationship." They become lovers, and the narrator's feminism comes up against her jealousy. Meanwhile, an entry in Woolf's diary upends what the narrator knows about her literary idol, and throws her own work into disarray.

It started out like any other morning for the Fact Checker. The piece, “Mandeville/Green,” didn’t raise any red flags. There were more pressing stories that week—it being 2004 New York City and all. “Mandeville/Green” was a light, breezy look at a local farm called New Egypt, whose Ramapo tomatoes were quickly becoming the summer’s hottest produce. At first glance, the story seemed straightforward, but one line made the Fact Checker pause: a stray quote from a New Egypt volunteer named Sylvia making a cryptic reference to “nefarious business” at the farmer’s market.

Retired nurse, avid gardener, and renowned cake maker Miss Hortense has lived in Bigglesweigh, a quiet suburb of Birmingham, England, since she emigrated from Jamaica in 1960. She takes great pride in her home, starching her lace curtains bright white, and she can tell if she’s being shortchanged on turmeric before she’s taken her first bite of a beef patty. A career in nursing has also left her afraid of nobody, whether an interfering priest or a local drug dealer, and she’s an expert in deciphering other people’s secrets with just a glance.

Campbell Flynn, art historian, professor, and fêted fixture of the literati, always knew that when his life came crashing down, it would happen in public—yet he never imagined that a single year in London would expose so much. He’s never taken other people half as seriously as they take themselves, which is the first of his mistakes. The second is a new project: opportunistic and precisely calibrated to rake in a fortune.

Cardinal Thomas Wolsey enjoyed one of the most meteoric careers in history. His rise from humble beginnings coincided with young Henry VIII’s ascension to the throne in 1509. The two grew to be cherished friends, and by 1515 Wolsey, now a cardinal, had become the controlling figure in all matters of church and state.

Sam Monroe thought his steamy love affair with Manhattan socialite Laura Nielson was dead and buried, but when she didn’t show up after unexpectedly calling him late at night and asking to meet, he decides to investigate. He finds her naked on her penthouse balcony, strangled, his dog tags wrapped around her neck. With a bull’s-eye on his back as the prime suspect, Sam begins a search for the killer that reveals Laura’s involvement with several men, some with ties to a well-known crime family.

Bobbing and weaving across the ever-shifting canvas of a changing country, The Slip is an audacious, daring look at sex and race in America that builds to an unforgettable collision in the center of the ring.

Ever since her dad left them twenty years ago, it’s just been Madeline Hill and her mom on their farm in Coalfield, Tennessee. While she sometimes admits it’s a bit lonely and a less exciting life than she imagined for herself, it’s mostly OK. Mostly. Then one day Reuben Hill pulls up in a PT Cruiser and informs Madeline that he believes she’s his half sister.

A few weeks after the 2016 election, at Thanksgiving with his daughter’s family, Rhys Kinnick snapped. After an escalating fight about politics, he hauled off and punched his conspiracy theorist son-in-law. Horrified by what he'd done, by the state of the country and by his own spiraling mental health, Rhys chucked his smartphone out a car window and fled for a cabin in the woods, off the grid and with no one around—except a pack of hungry raccoons. Now, seven years later, Kinnick’s old life is about to land right back on his crumbling doorstep.

Maggie Webb has lived the last decade caring for elderly husband, Stanley, as memory loss gradually erases all the beautiful moments they created together. It's the loneliest she's ever felt in her life. When a mysterious stranger named Hassan appears at her door, he reveals a shocking truth: Stanley isn't losing his memories. Someone is actively removing them to hide a long-buried secret from coming to light. If Maggie does what she's told, she can reverse it. She can get her husband back.

Meet Agatha Dorn, cantankerous archivist, grammar pedant, gin afficionado and murder mystery addict. When she discovers a lost manuscript by Gladden Green, the Empress of Golden Age detective fiction, Agatha's life takes an unexpected twist. She becomes an overnight sensation, basking in the limelight of literary stardom. But Agatha's newfound fame takes a nosedive when the 'rediscovered' novel is exposed as a hoax. And when her ex-lover turns up dead, with a scrap of the manuscript by her side, Agatha suspects foul play.