An urgent, accessible, and important history, Red Scare reveals an all-too-familiar pattern of illiberal conspiracy-mongering and political and cultural backlash that speaks directly to the antagonism and divisiveness of our contemporary moment. Drawing upon newly declassified documents, journalist Clay Risen recounts how politicians like Joseph McCarthy, with the help of an extended network of other government officials and organizations, systematically ruined thousands of lives in their deluded pursuit of alleged Communist conspiracies.

Why have so many Americans turned against democracy? In this deeply reported book, Katherine Stewart takes us to conferences of conspiracy-mongers, backroom strategy gatherings, and services at extremist churches, and profiles the people who want to tear it all down.

Fight is the backstage story of bloodsport politics in its rawest form—the clawing, backstabbing, and rabble-rousing that drove Donald Trump into the White House and Democrats into the wilderness. At every turn, the combatants went for the jugular, whether they were facing down rivals in the other party or their own.

When Graydon Carter was offered the editorship of Vanity Fair in 1992, he knew he faced an uphill battle—how to make the esteemed and long-established magazine his own. Not only was he confronted with a staff that he perceived to be loyal to the previous regime, but he arrived only a few years after launching Spy magazine, which gloried in skewering the celebrated and powerful—the very people Vanity Fair venerated.

Over the fifty years that Lorne Michaels has been at the helm of Saturday Night Live, he has become a revered and inimitable presence in the entertainment world. He’s a tastemaker, a mogul, a withholding father figure, a genius spotter of talent, a shrewd businessman, a name-dropper, a raconteur, the inspiration for Dr. Evil, the winner of more than a hundred Emmys—and, essentially, a mystery. Generations of writers and performers have spent their lives trying to figure him out, by turns demonizing and lionizing him.

Bruce Vilanch is known as a go-to comedy writer for award shows, sitcoms, and top-heavy variety specials, but he has also been responsible for quite a few of the worst shows ever put on television—legendarily bad productions. It Seemed Like a Bad Idea at the Time is a lifetime reflection of what Vilanch has experienced, learned, forgotten, dismissed, and embraced in decades of working in show business

The mob that stormed the Capitol on January 6, 2021, represented an extreme form of the central danger facing American democracy today: a blatant disregard for the will of the majority. Through voter suppression, election subversion, gerrymandering, dark money, the takeover of the courts, and the whitewashing of history, reactionary white conservatives have strategically entrenched power in the face of a massive demographic and political shift.

It used to be that ravaging another country’s economy required blockading its ports and laying siege to its cities. Now all it takes is a statement posted online by the U.S. government. In Chokepoints, Edward Fishman, a former top State Department sanctions official, takes us deep into the back rooms of power to reveal the untold history of the last two decades of U.S. foreign policy, in which America renounced the gospel of globalization and waged a new kind of economic war.

The United States Congress has always been messy and far-from-august, but as Annie Karni and Luke Broadwater show here, in scorching, shocking detail, it has reached some kind of chaotic bottom. The anarchy that reigned over Congress’s lower chamber in the wake of the January 6th attack on the Capitol Building—the election of serial liar and con-man George Santos, revenge porn being shown on the floor of the house, and the theatrical high jinks of Lauren Boebert—all were a sign of decay and dysfunction of the highest order.

As part of the legendary comedy team known as Nichols and May, May revolutionized sketch comedy before striking out on her own to make history as the third woman to be admitted into the Directors Guild of America when she wrote, directed, and starred in 1971’s A New Leaf. Throughout the 1970s and ‘80s, May was one of Hollywood’s top screenwriters and script doctors and one of the only women directing within the studio system. After a box-office bomb, May never directed a feature again, though she continued to write films.

From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999 - arguably the most groundbreaking year in American cinematic history.

There is a common belief that we live in unprecedented times, that people are too sensitive today, that nobody objected to the actions of actors, comedians, and filmmakers in the past. Modern pundits would have us believe that Americans of a previous generation had tougher skin and seldom complained. But does this argument hold up to scrutiny? In Outrageous, celebrated cultural historian Kliph Nesteroff demonstrates that Americans have been objecting to entertainment for nearly two hundred years, sometimes rationally, often irrationally.

Power, privilege, and blood—this is the definitive and thrilling true story of Alex Murdaugh’s violent downfall, from a veteran Wall Street Journal reporter who has become an authority on the case. Through masterful research and cinematic writing, The Devil at His Elbow is a transporting journey through Alex’s life, the night of the murders, and the investigation that culminated in a trial that held tens of millions spellbound. With her stunning insights and fearless instinct for the truth, Bauerlein uncovers layers of the Murdaugh murder case that have not been told.

Paul Brightman is a man on the run, living under an assumed name in a small New England town with a million-dollar bounty on his head. When his security is breached, Paul is forced to flee into the New Hampshire wilderness to evade Russian operatives who can seemingly predict his every move. Six years ago, Paul was a rising star on Wall Street who fell in love with a beautiful photographer named Tatyana—unaware that her father was a Russian oligarch and the object of considerable interest from several U.S. intelligence agencies.

In Oscar Wars, Michael Schulman chronicles the remarkable, sprawling history of the Academy Awards and the personal dramas—some iconic, others never-before-revealed—that have played out on the stage and off camera. Unlike other books on the subject, each chapter takes a deep dive into a particular year, conflict, or even category that tells a larger story of cultural change, from Louis B. Mayer to Moonlight. Schulman examines how the red carpet runs through contested turf, and the victors aren't always as clear as the names drawn from envelopes.