Professor Godfrey St. Peter is a man in his fifties who has devoted his life to his work, his wife, his garden, and his daughters, and achieved success with all of them. But when St. Peter is called on to move to a new, more comfortable house, something in him rebels. And although at first that rebellion consists of nothing more than mild resistance to his family's wishes, it imperceptibly comes to encompass the entire order of his life.

Marian Forrester arrives in Sweet Water as the treasured bride of a retired builder. To her husband she embodies the idealism of this railroad town on the Western plains. And to Niel Herbert, a smitten young local boy, she’s so perfect as to belong to a different world. But as Niel comes of age, the fortunes of Sweet Water decline, and as the promise of the frontier fades, his perception of the fallible woman he has idolized since boyhood is shattered.

Through Jim Burden's endearing, smitten voice, we revisit the remarkable vicissitudes of immigrant life in the Nebraska heartland, with all its insistent bonds. Guiding the way are some of literature's most beguiling characters: the Russian brothers plagued by memories of a fateful sleigh ride, Antonia's desperately homesick father and self-indulgent mother, and the coy Lena Lingard. Holding the pastoral society's heart, of course, is the bewitching, free-spirited Antonia.

Sapphira Dodderidge, a Virginia lady of the 19th century, marries beneath her and becomes irrationally jealous of Nancy, a beautiful slave. One of Cather's later works.

In 1851, Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows—gently, all the while contending with an unforgiving landscape, derelict and sometimes openly rebellious priests, and his own loneliness. Out of these events, Cather gives us an indelible vision of life unfolding in a place where time itself seems suspended.

In 1697, Quebec is an island of French civilization perched on a bare gray rock amid a wilderness of trackless forests. For many of its settlers, Quebec is a place of exile, so remote that an entire winter passes without a word from home. But to 12-year-old Cécile Auclair, the rock is home, where even the formidable Governor Frontenac entertains children in his palace and beavers lie beside the lambs in a Christmas créche.

The Prairie Trilogy is a series of three novels centered around life in the Midwest during the late 19th/early 20th centuries by Pulitzer Prize-winning author Willa Cather. First, in "O Pioneers!," we meet Alexandra Bergson, who inherits the family farm after her father dies and leaves her to care for her three siblings. While many immigrant families are giving up their farms and moving back to the city (or to their home countries), Alexandra decides to try to tough it out on the prairie.

A poignant look at the disillusionment and angst of the post-World War I generation, The Sun Also Rises introduces two of Hemingway’s most unforgettable characters: Jake Barnes and Lady Brett Ashley. The story follows the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. In his first great literary masterpiece, Hemingway portrays an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions.

Young Jody lives with his ma and pa on a farm in backwoods Florida. Life is hard there: cutting wood, planting fields, hauling water from a distant sinkhole. It is dangerous: wolves and bears roam the night. It’s also lonely for a young boy. One spring day, Jody’s pa kills a deer for meat. When Jody sees her spotted fawn in the brush, he convinces his father they should bring the fawn home. Thus begins a year when deer and boy are never far from each other. But the day will come when Jody must make a terrible choice between his beloved pet and his family’s survival.

In September 1960, John Steinbeck and his poodle, Charley, embarked on a journey across America, from small towns to growing cities to glorious wilderness oases. Travels with Charley is animated by Steinbeck’s attention to the specific details of the natural world and his sense of how the lives of people are intimately connected to the rhythms of nature—to weather, geography, the cycles of the seasons. His keen ear for the transactions among people is evident, too, as he records the interests and obsessions that preoccupy the Americans he encounters along the way.

When published in 1868, the world fell in love with this semiautobiographical story of the March sisters, and to this day the classic story is beloved and frequently adapted for the stage and screen. Little Women tells the story of Meg, Jo, Beth, and Amy March, sisters who love each other and work hard building their earnest lives in Massachusetts during the Civil War.

Evelyn Waugh's most celebrated work is a memory drama about the intense entanglement of the narrator, Charles Ryder, with a great Anglo-Catholic family. Written during World War II, the story mourns the passing of the aristocratic world Waugh knew in his youth and vividly recalls the sensuous pleasures denied him by wartime austerities; in so doing it also provides a profound study of the conflict between the demands of religion and the desires of the flesh.

Orphaned at an early age, Philip Ashley is raised by his benevolent older cousin, Ambrose. Resolutely single, Ambrose delights in Philip as his heir, a man who will love his grand home as much as he does himself. But the cosy world the two construct is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries—and there he dies suddenly.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

gentle romance begins innocently enough in the stalls of a London theatre where Catherine is enjoying her ninth and Christopher his thirty-sixth visit to the same play. He is a magnificent young man with flame-coloured hair. She is the sweetest little thing in a hat. There is just one complication: Christopher is 25, while Catherine is just a little bit older. Flattered by the passionate attentions of youth, Catherine, with marriage and motherhood behind her, is at first circumspect, but finally succumbs to her lover's charms.