Against a backdrop of modernisation, extravagant luxury, political intrigue and sexual immorality, Saccard treats close relationships as money-making opportunities and loved ones as mere commodities. As one character puts it: ‘You see, everything is fine, as long as you make money from it.’

In the brutal Prussian winter of 1807, Emperor Napoléon Bonaparte’s Grande Armée suffered massive losses to the Russians in the Battle of Eylau. Many thousands died. Young Colonel Chabert falls heroically, his actions having turned the tide of the battle, but he is buried anonymously on the battlefield in a mass grave. Incredibly, he is alive, but severely injured, and digs himself out. On his eventual return to Paris, he finds his wife, the beautiful and ambitious Rosine, now remarried, and his fortune gone.

Young nobleman d’Artagnan has arrived in Paris intent on joining the guardians of King Louis XIII. He befriends the regiment’s most formidable musketeers, Athos, Porthos, and Aramis, and together they unite in their commitment to uphold justice. Soon, a royal indiscretion thrusts them into an audacious escapade of courtly intrigue, thwarted romance, and daring rescue. But it’s the Machiavellian schemes of a powerful enemy and the wicked seductions of an ingenious female spy that will be their greatest challenges.

The first of Kafka’s three great novels, The Man Who Disappeared (America) follows the picaresque adventures of Karl Rossman, who is banished to America following a family scandal. Upon his arrival, Karl immediately happens upon his uncle, and from there follows a pattern of wandering, adoption and expulsion as Karl marches inexorably on towards the interior of the continent. With its blitheness and comical moments, The Man Who Disappeared is perhaps the most charming of Kafka’s works.

C. S. Lewis offers a magisterial take on the literature and poetry of one of the most consequential periods in world history, providing deep insight into some of the greatest writers of the age, including Edmund Spenser, William Shakespeare, William Tyndale, John Knox, Dr. Johnson, Richard Hooker, Hugh Latimer, Christopher Marlowe, John Donne, and Thomas Cranmer.