In the story of Russell and Corrine Calloway, set against the world of New York publishing, McInerney provides a stunningly accomplished portrayal of people contending with early success, then getting lost in the middle of their lives.

Even decades after their arrival, Corrine and Russell Calloway still feel as if they're living the dream that drew them to New York City in the first place: book parties or art openings one night and high-society events the next; jobs they care about (and in fact love); twin children whose birth was truly miraculous; a loft in TriBeCa and summers in the Hamptons. But all of this comes at a fiendish cost.

The tragicomedy of a young man in New York City, a writer, never named, who works as a fact-checker for a prestigious magazine. He struggles with the reality of his mother's death, alienation, and the seductive pull of drugs and a vibrant nightlife.

From his first novel – Less Than Zero – published when he was still a college student – to his most recent – the fierce American Psycho, Bret Easton Ellis has been a powerful and original presence in contemporary literature, whether giving voice to a previously inchoate generation or provoking a controversy that raged throughout the culture. Now he takes a quantum leap forward: an awesome reckoning of the American Century at endgame. In Glamorama, a young man in what is recognizably fashion and celebrity-obsessed Manhattan is gradually, imperceptibly drawn into a shadowy looking-glass of that society, there and in London and Paris, and then finds himself trapped on the other side, in a much darker place where fame and terrorism and family and politics are inextricably linked and sometimes indistinguishable. At once implicated and horror-stricken, his ways of escape blocked at every turn, he ultimately discovers – back on the other, familiar side – that there was no mirror, no escape, no world but this one in which hotels implode and planes fall from the sky.

Bret Easton Ellis’s masterful new novel is a story about the end of innocence, and the perilous passage from adolescence into adulthood, set in a vibrantly fictionalized Los Angeles in 1981 as a serial killer begins targeting teenagers throughout the city.

Clay, a successful screenwriter, has returned from New York to Los Angeles to help cast his new movie, and he’s soon drifting through a long-familiar circle. Blair, his former girlfriend, is married to Trent, an influential manager who’s still a bisexual philanderer, and their Beverly Hills parties attract various levels of fame, fortune and power. Then there’s Clay’s childhood friend Julian, a recovering addict, and their old dealer, Rip, face-lifted beyond recognition and seemingly even more sinister than in his notorious past.

White is Bret Easton Ellis's first work of nonfiction. Already the bad boy of American literature, from Less Than Zero to American Psycho, Ellis has also earned the wrath of right-thinking people everywhere with his provocations on social media, and here he escalates. Eschewing convention, he embraces views that will make many in literary and media communities cringe, as he takes aim at anti-Trump fixation, coastal elites, corporate censorship, Hollywood, identity politics, Generation Wuss, "woke" cultural watchdogs, and more.

Set at a small, affluent liberal-arts college in New England at the height of the Reagan '80s, The Rules of Attraction is a startlingly funny, kaleidoscopic novel about three students with no plans for the future - or even the present - who become entangled in a curious romantic triangle.

In David Sedaris' world, no one is safe and no cow is sacred. A manic cross between Mark Leyner, Fran Lebowitz, and the National Enquirer, Sedaris' collection of essays is a rollicking tour through the national Zeitgeist: a do-it-yourself suburban dad saves money by performing home surgery; a man who is loved too much flees the heavyweight champion of the world; a teenage suicide tries to incite a lynch mob at her funeral; a bitter Santa abuses the elves.

All of 31 inches tall, Cady is a true survivor in a town where, as she says, "you can die of encouragement". Her early starring role as a lovable elf in an immensely popular American film proved a major disappointment, since moviegoers never saw the face behind the stifling rubber suit she was required to wear. Now, after a decade of hollow promises from the Industry, she is reduced to performing at birthday parties and bat mitzvahs as she waits for the miracle that will finally make her a star.

When Harriet Mahoney first saw it, Isabel Krug's bed was covered in sheared sheep and littered with celebrity biographies. The unpublished, fortyish, and recently jilted Harriet had fled wintry Manhattan in response to a mysterious ad in The New York Review of Books: "Book in progress? Why not share my Cape Cod retreat? Roomy and peaceful, your life will be your own."

Rashid is a young Black man from Bed Stuy, Brooklyn, with a complicated life. Looking for an escape from a neighborhood few ever leave, he finds it in Rachel - married, twenty years his senior, and the daughter of a Holocaust survivor. It begins with a flirtation and a tryst. It becomes an intense romance, exhilarating and enriching, that defies the expectations of Rashid’s friends and family. What draws Rachel to Rashid is his curiosity, his need for intimacy, and his adoration - everything lacking in her crumbling marriage.

Clinton Kelly is probably best known for teaching women how to make their butts look smaller. But in I Hate Everyone, Except You, he reveals some heretofore unknown secrets about himself, like that he's a finicky connoisseur of 1980s pornography, a disillusioned critic of New Jersey's premier water parks, and perhaps the world's least enthused high school commencement speaker.

Life couldn’t be any better for celebrity screenwriter Danny Masters: He’s dating a movie-star bombshell and his latest screenplay screams Oscar. But still, he feels empty. Enter Sunny Smith. After turning the big 4-0 with few prospects on the horizon, Sunny creates 40 goals for herself - and sleeping with her writing idol, Danny Masters, makes the list. The two meet outside the theater hosting Danny’s premiere. He’s everything she’s imagined him to be. And she captivates him, reminding him of simpler times before the hollowness of Hollywood.

No political science degree could ever prepare Elizabeth Miller for her new job as a second assistant at The Agency, whose clients include everyone you’ve never met - but you know who they’re sleeping with. A former congressional intern in Washington, Lizzie made a bid for a life change that landed her a job a world away, where ethics and First Amendment debates take a backseat to pleading the Fifth for Ritalin-snorting boss Scott Wagner.