In "elegant, finely honed prose" (The Washington Post Book World), Lebowitz limns the vicissitudes of contemporary urban life—its fads, trends, crazes, morals, and fashions. By turns ironic, facetious, deadpan, sarcastic, wry, wisecracking, and waggish, Fran Lebowitz is always wickedly entertaining.

Dorothy Parker's quips and light verse have embedded themselves in the American literary landscape, but it was her prose that proved her star and demonstrated her talent as extending far beyond her time. In her fiction, she not only brought to life the urban milieu that was her bailiwick, but lay bare the uncertainties of ordinary people living ordinary lives, all told in her unflinching and deeply personal voice. In these selected stories, read for you by Elaine Stritch, we have the chance to draw upon her insight into the social and emotional realities of human nature.

Author, poet, screenwriter, and outstanding member of the legendary Algonquin Round Table, Dorothy Parker was known for her quick wit, keen observations, and remarkable insight into the human condition. Regarded as brilliant, but known to be an alcoholic and often depressed, Parker’s work pushes all buttons at once: humor, anger, love, pity, and everything in between...she pulled no punches, writing with pure, unadulterated passion; her work is timeless and as pertinent to today’s society as it was to that of the time she wrote.

She was known for her outrageous one-liners, her ruthless theater criticism, her clever verses and bittersweet stories. But there was another side to Dorothy Parker, a private life set on a course of destruction.

Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. As Morrison follows Milkman from his rustbelt city to the place of his family’s origins, she introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized Black world.

If it’s navel-gazing you’re after, you’ve come to the wrong place; ditto treacly self-examination. Rather, his observations turn outward: a fight between two men on a bus, a fight between two men on the street, pedestrians being whacked over the head or gathering to watch as a man considers leap­ing to his death. There’s a dirty joke shared at a book signing, then a dirtier one told at a dinner party - lots of jokes here. Plenty of laughs.

Beloved author Elizabeth Gilbert returns to fiction with a unique love story set in the New York City theater world during the 1940s. Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love. In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance.

If F. Scott Fitzgerald was the hero of the Jazz Age, Edna St. Vincent Millay, as flamboyant in her love affairs as she was in her art, was its heroine. A winner of the Pulitzer Prize, Millay was dazzling in the performance of herself. Her voice was likened to an instrument of seduction, and her impact on crowds and on men was legendary. Yet beneath her studied act, all was not well.

The collected memoirs of a 1913 San Francisco sex worker, their effect on society at the time, and where they fit in today’s world.

“What am I, bologna?” Mary Rodgers (1931-2014) often said. She was referring to being stuck in the middle of a talent sandwich: the daughter of one composer and the mother of another. And not just any composers. Her father was Richard Rodgers, perhaps the greatest American melodist; her son, Adam Guettel, a worthy successor. What that leaves out is Mary herself, also a composer, whose musical Once Upon a Mattress remains one of the rare revivable Broadway hits written by a woman. Shy is the story of how it all happened.

Yates movingly portrays a man and a woman from their courtship in the 1950s to their divorce in the '70s, chronicling their heartbreaking attempts to reach their highest ambitions. Michael Davenport dreams of being a poet after returning home from World War II, and at first he and his new wife, Lucy, enjoy their life together. But as the decades pass and the success of others creates a fear of failure in both Michael and Lucy, their once bright future gives way to a life of adultery and isolation.

An amateur production of The Tempest provides a colorful backdrop for a hilarious look at unrequited love. Mathematics teacher Hector Mackilwraith, stirred and troubled by Shakespeare's play, falls in love with the beautiful Griselda Webster. When Griselda shows she has plans of her own, Hector despairs on the play's opening night.

The Great War changed everything and everyone, and Larry Darrell is no exception. Though his physical wounds from the war heal, his spirit is changed almost beyond recognition. He leaves his betrothed, the beautiful and devoted Isabel; studies philosophy and religion in Paris; lives as a monk, and witnesses the exotic hardships of Spanish life. All of life that he can find - from an Indian Ashrama to labor in a coal mine - becomes Larry's spiritual experiment as he spurns the comfort and privilege of the Roaring 20s.

It's the last day of 1984, and 85-year-old Lillian Boxfish is about to take a walk. As she traverses a grittier Manhattan, a city anxious after an attack by a still-at-large subway vigilante, she encounters bartenders, bodega clerks, chauffeurs, security guards, bohemians, criminals, children, parents, and parents to be in surprising moments of generosity and grace. While she strolls Lillian recalls a long and eventful life that included a brief reign as the highest paid advertising woman in America - a career cut short by marriage, motherhood, divorce, and a breakdown.

Benjamin Button was literally born an old man. He lived a backwards life, for his body grew younger as the years passed him by. Come and listen to the original, unabridged story by F. Scott Fitzgerald which inspired the movie.