In Montparnasse begins on the eve of the First World War and ends with the 1936 unveiling of Dalí’s Lobster Telephone. As those extraordinary years unfolded, the Surrealists found ever more innovative ways of exploring the interior life, and asking new questions about how to define art. In Montparnasse recounts how this artistic revolution came to be amidst the salons and cafés of that vibrant neighborhood.

A collection of essays by the Nobel Prize-winning author discusses Robert Frost, Walt Whitman, William Carlos Williams, Baudelaire, Jean Paul Sartre, Luis Bunuel, and Alexander Solzhenitsyn, among other fellow poets and writers.

A key figure in the Latin American literary renaissance, Octavio Paz focuses here on literature and art, drugs, the murder of God, and ethical and political problems.

In the first part of this acclaimed work, Octavio Paz sets forth his credo as an artist and a poet. Part two deals with themes more specific to the late '60s and '70s, such as the drug experience and modern atheism. In part three, Paz concerns himself with politics and ethics. In no way diminished by time, every chapter in this book is an adventure of the mind.

Jerry Saltz is one of our most-watched writers about art and artists and a passionate champion of the importance of art in our shared cultural life. Since the 1990s he has been an indispensable cultural voice: Witty and provocative, he has attracted contemporary listeners to fine art as few critics have.

Many famed music producers are known for a particular sound that has its day. Rick Rubin is known for something else: creating a space where artists of all different genres and traditions can home in on who they really are and what they really offer. He has made a practice of helping people transcend their self-imposed expectations in order to reconnect with a state of innocence from which the surprising becomes inevitable. Over the years, he has learned that being an artist isn’t about your specific output, it’s about your relationship to the world.