Manifestaciones de lo divino en Intentos de Marta Márquez Audiobook By Lucas Magnin cover art

Manifestaciones de lo divino en Intentos de Marta Márquez

Un diálogo entre poesía, política y religión

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Manifestaciones de lo divino en Intentos de Marta Márquez

By: Lucas Magnin
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 RESUMEN En el presente trabajo propongo una primera aproximación a "Intentos", poemario de la bonaerense Marta Márquez publicado en el año 2013. Nociones como la heterodoxia, la marginalidad, el descentramiento y la frontera son muy productivas para activar los sentidos y tensiones de un texto en el que las preocupaciones poéticas, políticas y teológicas conviven y dialogan de formas poco convencionales, difíciles de encasillar. La reflexión sobre lo divino se manifiesta en los poemas de Marta Márquez con una centralidad evidente pero siempre alternativa y disidente en relación con los dogmas más establecidos. El Dios de la tradición cristiana es una figura constante en la obra pero no es nunca una presencia cómoda, utilitaria, simplista, ritualista ni dogmática. Intentaré aquí ofrecer un mapeo general de estas manifestaciones de lo divino a partir de algunas de las búsquedas que aparecen una y otra vez en la obra; las claves sobre las que construiré mi análisis son lo ínfimo, la duda, la palabra, los otros y la lucha. La poeta descubre, en cada una de estas manifestaciones, la presencia de lo divino colándose en la realidad y alterando los statu quo y las definiciones fijas. ABSTRACT In the present work I propose a first approach to "Attempts" (in Spanish: "Intentos"), collection of poems of the Buenos Aires’ writer Marta Márquez, published in 2013. Notions such as heterodoxy, marginality and decentering are very productive to activate the meanings and tensions of a text in which the poetic, political and theological concerns coexist and dialogue in unconventional ways, difficult to typecast. The reflection on the divine is manifested in the poems of Marta Márquez with an evident centrality but are always alternative and dissident. The God of the Christian tradition is a constant figure in the work but is never a utilitarian, simplistic, ritualistic or dogmatic presence. I will try here to offer a general mapping of these manifestations of the divine through some of the searches that appear repeatedly in the book; the keyson which I will build my analysis are the tiny, the doubt, the word, the others and the struggle. The poet discovers, in each of these manifestations, the presence of the divine sneaking in reality and altering the status quo and the fixed definitions. Latino American Literary History & Criticism United States World Literature
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