Zuzu met her best friend Cash on the first day of college, and nothing was ever the same. Tall, witty, and popular, his friendship represented a kind of belonging for Zuzu, who had always felt like an outsider growing up mixed race in her rural hometown. Though their friendship was charged with longing, it never progressed to romance. Now approaching her forties, Zuzu has built a stable life with her wife Agnes, a steadfast and career-driven lawyer. Yet Zuzu is haunted by the choices that have shaped her.

Growing up in an isolated cabin in Montana in the mid-1990s, Jane knows only the world that she and her father live in: the woodstove that heats their home, the vegetable garden where they try to eke out a subsistence, the books of nineteenth-century philosophy that her father gives her to read in lieu of going to school. Her father is elusive about their pasts, giving Jane little beyond the facts that they once lived in the Bay Area and that her mother died in a car accident, the crash propelling him to move Jane off the grid to raise her in a Waldenesque utopia.

Ever since her dad left them twenty years ago, it’s just been Madeline Hill and her mom on their farm in Coalfield, Tennessee. While she sometimes admits it’s a bit lonely and a less exciting life than she imagined for herself, it’s mostly OK. Mostly. Then one day Reuben Hill pulls up in a PT Cruiser and informs Madeline that he believes she’s his half sister.

1982. Dawn is a young mother, still adjusting to life with her husband, when Hazel lights up her world like a torch in the dark. Theirs is the kind of connection that’s impossible to resist, and suddenly life is more complicated, and more joyful, than Dawn ever expected. But she has responsibilities and commitments. She has a daughter. 2022. Heron has just received news from his doctor that turns everything upside down. He’s an older man, stuck in the habits of a quiet existence. Telling Maggie, his only child—the person around whom his life has revolved—seems impossible.

From national bestselling author Meg Mitchell Moore comes a sparkling new novel following a young woman entwined in the opulent lives of her neighbors on Block Island, set against a backdrop of scandal, secrets, and a not-so-subtle love triangle, perfect for readers of The Wedding People and Pineapple Street.

Zuzu met her best friend Cash on the first day of college, and nothing was ever the same. Tall, witty, and popular, his friendship represented a kind of belonging for Zuzu, who had always felt like an outsider growing up mixed race in her rural hometown. Though their friendship was charged with longing, it never progressed to romance. Now approaching her forties, Zuzu has built a stable life with her wife Agnes, a steadfast and career-driven lawyer. Yet Zuzu is haunted by the choices that have shaped her.

Growing up in an isolated cabin in Montana in the mid-1990s, Jane knows only the world that she and her father live in: the woodstove that heats their home, the vegetable garden where they try to eke out a subsistence, the books of nineteenth-century philosophy that her father gives her to read in lieu of going to school. Her father is elusive about their pasts, giving Jane little beyond the facts that they once lived in the Bay Area and that her mother died in a car accident, the crash propelling him to move Jane off the grid to raise her in a Waldenesque utopia.

When Mrs. Blossom finds a winning ticket in a parking lot, everything changes...including Mrs. Blossom. She is determined to see the world that sometimes feels as if it’s passing her by. But when Mrs. Blossom booked her cruise through France on the MS Solitaire, she did not expect to meet Allan on her transatlantic flight. He is the first man who’s sparked something inside her since her beloved husband passed. She also didn’t expect Allan to be found, dead, twenty-four hours later in Paris, a city he wasn’t supposed to be in.

1982. Dawn is a young mother, still adjusting to life with her husband, when Hazel lights up her world like a torch in the dark. Theirs is the kind of connection that’s impossible to resist, and suddenly life is more complicated, and more joyful, than Dawn ever expected. But she has responsibilities and commitments. She has a daughter. 2022. Heron has just received news from his doctor that turns everything upside down. He’s an older man, stuck in the habits of a quiet existence. Telling Maggie, his only child—the person around whom his life has revolved—seems impossible.

Sunny Greene is thirty-five, recently divorced, facing the looming prospect of going solo to her little brother’s wedding, and currently trying to find anything plus-sized in the Bergdorf Goodman swimsuit department that doesn’t make her want to cry. It’s not going well. But isn’t rock bottom the perfect place to start a climb? She decides it’s now or never. Sunny has her PR empire, her gorgeous Chelsea apartment, her two dogs, and her loyal best friends. Maybe it's time to just love her body and accept herself for who she is.

When her first love and friend of more than a decade, Gabe, dies suddenly at twenty-nine, thirty-year-old Julia is launched onto an intercontinental quest to recover his lost possessions. Her journey takes her from Los Angeles to London and into the murky realm of the past, which seems to offer more questions than answers about who Gabe really was, and who they were to each other.

Immigrating alone from Paris to New York after the crucible of World War II, young Gazala becomes friends with two spirited sisters, Anne and Alma. When Gazala’s lost, beloved brother, Samir, joins her in Manhattan, this contentious, inseparable foursome makes their way into the twenty-first century, becoming the beating heart of a multigenerational found family.

Bobbing and weaving across the ever-shifting canvas of a changing country, The Slip is an audacious, daring look at sex and race in America that builds to an unforgettable collision in the center of the ring.

Sylvie is happy only when she’s in therapy. This is because Sylvie is in love with her therapist; she thinks about her every second they’re not together (roughly 167 hours and 10 minutes per week). In that room, Sylvie is able to talk about everything: the false hope promised by eighties music; what a dog’s inner life is really like and how sad, she, Sylvie is, outside that room. She’s aware she has an obsession, but whether it’s some flavor of erotic transference or a lost person’s need to connect, Sylvie isn’t sure.

Honor seems to have everything: she adores her bright and beautiful daughter, Chloe, and her charming, handsome husband, Tom, even if he works one hundred hours a week. Yet Honor’s longing for another baby threatens to eclipse all of it―until a shocking event changes their lives forever. Years later, Tom makes a decision that ripples through their families' lives in ways he could never have foreseen.

Suzi did a bad thing. She’s paying for it now, pregnant, scared, and living in an isolated cottage with her jealous husband, Nick. When Nora moves into the only house nearby, Suzi is delighted to have a friend. So much so that she’s almost tempted to tell Nora her terrible secret. But there’s more to Nora than meets the eye. It’s impossible - does she already know what Suzi did?

Divorced and childless by choice, Hana P. has built a cozy life in Lexington, Kentucky, teaching at the university, living with her boyfriend, a fellow academic, and helping raise his pre-teen daughter. Her sister’s sprawling family lives just across the street, and their long-divorced, deeply complicated parents have also recently moved to town. One day, Hana learns that an unflattering version of herself will appear prominently—and soon—in her ex-husband’s debut novel.

All I want is to be innocent again. But that's not how it works. Especially not after the Wheel. The three Bishop sisters grew up in privilege in the moneyed suburbs of Detroit. But as the auto industry declined, so did their fortunes. Harper, the youngest, is barely making ends meet when her beloved, charismatic sister Pam—currently in the middle of a contentious battle with her ex-husband—and her eldest sister, Debra, approach her about joining an exciting new club.

The Bradford-Shmulkin family is falling apart. A very modern blend of Russian, Jewish, Korean, and New England WASP, they love one another deeply but the pressures of life in an unstable America are fraying their bonds. Both biting and deeply moving, Vera, or Faith is a boldly imagined story of family and country told through the clear and tender eyes of a child.

Joan Liang’s life is a series of surprising developments: she never thought she would leave Taiwan for California, nor did she expect her first marriage to implode—especially as quickly and spectacularly as it did. She definitely did not expect to fall in love with an older, wealthy American and become his fourth wife and mother to his youngest children. Through all this she wrestles with one persistent question: Will she ever truly feel satisfied?