Maggie Smith stars in this BBC radio adaptation of Alan Bennett's highly acclaimed autobiographical stage play. An eccentric old lady moves into a quiet street in Camden Town. There she remains, installed in her van in glorious self-sufficiency, until the council instructs her to move on. Then a kind homeowner invites her to move her van into his garden - where she stays for the next 15 years.

Probationary constable Peter Grant dreams of being a detective in London's Metropolitan Police. Too bad his superior plans to assign him to the Case Progression Unit, where the biggest threat he'll face is a paper cut. But Peter's prospects change in the aftermath of a puzzling murder, when he gains exclusive information from an eyewitness who happens to be a ghost. Peter's ability to speak with the lingering dead brings him to the attention of Detective Chief Inspector Thomas Nightingale....

Seventeen-year-old Lenni Pettersson lives on the Terminal Ward at the Glasgow Princess Royal Hospital. Though the teenager has been told she’s dying, she still has plenty of living to do. Joining the hospital’s arts and crafts class, she meets the magnificent Margot, an 83-year-old, purple-pajama-wearing, fruitcake-eating rebel, who transforms Lenni in ways she never imagined. As their friendship blooms, a world of stories opens for these unlikely companions who, between them, have been alive for one hundred years.

Before he became the nation's favourite Mammy, Brendan O'Carroll was known, simply as Brendan. He's the youngest of eleven children from a poor family in Dublin, he's a boy whose father died when he was just nine years old; he's someone whose hope and determination meant he never gave up. Throughout the tough moments, Brendan always had humour and a good story to tell alongside the ever-guiding inspiration of his own Mammy, a formidable figure who became Ireland's first female Labour MP, all whilst raising eleven children by herself.

In weekly phone calls to his daughter in Australia, widower Hubert Birdpaints a picture of the perfect retirement, packed with fun, friendship, and fulfillment. But it's a lie. In reality, Hubert's days are all the same, dragging on without him seeing a single soul. Until he receives some good news - good news that in one way turns out to be the worst news ever, news that will force him out again, into a world he has long since turned his back on.

When a home aide arrives to assist a rambunctious family at a crossroads, simmering tensions boil over in this “witty, exuberant debut” (People) that is an “absolute delight from start to finish” (Sarah Haywood, New York Times best-selling author) perfect for fans of Where’d You Go, Bernadette and Evvie Drake Starts Over.

Thrown Away Child is a memoir covering Louise Allen’s abusive childhood in a foster home, how she survived - using her love of art as a sanctuary - and how she hopes to right old wrongs now by fostering children herself and campaigning for the improvement of foster care services. It is a compelling and inspirational story. This book gives a voice to the many children who grew up unhappily in care.

Award-winning actor, creator of a myriad of memorable characters from Lady Whiteadder to Professor Sprout, Miriam Margolyes is a national treasure. Now, at last, at the age of 80, she has finally decided to tell her extraordinary life story. And it's far richer and stranger than any part she's played.

Faith Fox has led a life full of heartbreak and abandonment, lacking in simplicity and love - and she's not even one week old. She has suffered the unexpected and inexplicable loss of her mother in childbirth; her father, an overworked doctor grown callous with stress, has neither the ability nor the interest to take on the difficult task of raising his child alone; her grandmother, Thomasina, has decided to abscond to Egypt with a retired general rather than acknowledge and accept the loss of her daughter, whom she loved so distressingly well.

'Between the Stops is a sort of a memoir, my sort. It's about a bus trip really, because it's my view from the Number 12 bus (mostly top deck, the seat at the front on the right), a double-decker that plies its way from Dulwich, in South East London, where I was living, to where I sometimes work - at the BBC, in the heart of the capital. It's not a sensible way to write a memoir at all, probably, but it's the way things pop into your head as you travel, so it's my way'.

Strange things happen in the picture-postcard English village of Lindsay Carfax. When a young man falls into a quarry, it takes nine days to find the body. When rowdy hippies descend on the village, they're given nine days to leave. When an outspoken schoolmaster is kidnapped for nine days, he stays eerily quiet after his release. Now Albert Campion has come to town - and he means to investigate all this strangeness. But whoever is behind the unusual goings - on quickly makes it very clear that his nosing around is not welcome.

Mary MacLeod's mother died in childbirth when Mary was five, an event that marked for the child a "before time" - a lost joyful time - and after. She was shunted from one relative to another while her father coped with his grief. He married again only nine months later, perhaps to have a mother for his child, but her new mum, harsh and withholding of her love, quickly exerted complete control over her thoughts and deeds, with her father oblivious.

Martha Friel just turned forty. Once, she worked at Vogue and planned to write a novel. Now, she creates internet content. She used to live in a pied-à-terre in Paris. Now she lives in a gated community in Oxford, the only person she knows without a PhD, a baby or both, in a house she hates but cannot bear to leave. But she must leave, now that her husband Patrick—the kind who cooks, throws her birthday parties, who loves her and has only ever wanted her to be happy—has just moved out.

Violette Toussaint is the caretaker at a cemetery in a small town in Bourgogne. Casual mourners, regular visitors, and sundry colleagues - gravediggers, groundskeepers, and a priest - visit her to warm themselves in her lodge, where laughter, companionship, and occasional tears mix with the coffee she offers them. Her life is lived to the rhythms of their funny, moving confidences. But her routine is disrupted by the arrival of the local police chief, who insists on scattering the ashes of his recently deceased mother on the gravesite of a complete stranger.

1920. Poppy Denby, an aspiring journalist, arrives in London to look after her ailing Aunt. She encourages Poppy to apply for a job at The Daily Globe, but on her first day, a senior reporter is killed and Poppy is tasked with finishing his story. It involves the mysterious death of a suffragette seven years earlier - an event some powerful people would prefer forgotten....