From the best-selling author of Shout!, comes the definitive biography of Eric Clapton, a rock legend whose life story is as remarkable as his music, which transformed the sound of a generation.

Despite being hailed as one of the best guitarists of his era, George Harrison, particularly in his early decades, battled feelings of inferiority. He was often the butt of jokes from his bandmates owing to his lower-class background and, typically, was allowed to contribute only one or two songs per Beatles album out of the dozens he wrote.

With the Beatles, John Lennon surpasses his youthful dreams, achieving a level of superstardom that defies classification. “We were the best bloody band there was,” he says. “There was nobody to touch us.” Nobody except the original nowhere man, Mark David Chapman. Chapman once worshipped his idols from afar - but now harbors grudges against those, like Lennon, whom he feels betrayed him. He’s convinced Lennon has misled fans with his message of hope and peace. And Chapman’s not staying away any longer.

In John, Cynthia recalls those times with the loving honesty of an insider, offering new and fascinating insights into the life of John Lennon and the early days of the Beatles. And with the perspective only years can provide, she also tells the compelling story of her marriage to a man who was to become a music legend, a cultural hero, and a defining figure of the 20th century.

Since the age of 21, Paul McCartney has lived one of the ultimate rock 'n' roll lives, played out on the most public of stages. Now Paul's story is told by rock music's foremost biographer, with McCartney's consent and access to family members and close friends who have never spoken on the record before.

Philip Norman has long towered above other rock biographers with his definitive studies of the Beatles, the Rolling Stones, Elton John, Buddy Holly, and John Lennon - legends whom the world thought it knew, but who came to life as never before through the meticulousness of Norman's research, the sweep of his cultural knowledge, and the brilliance of his writing. Now Norman turns to a rock icon who is the most notorious yet enigmatic of them all.

Tune In is the first volume of All These Years - a highly-anticipated, groundbreaking biographical trilogy by the world's leading Beatles historian. Mark Lewisohn uses his unprecedented archival access and hundreds of new interviews to construct the full story of the lives and work of John Lennon, Paul McCartney, George Harrison, and Ringo Starr.

In interviews ranging from 1968 to 2009, Paul McCartney talks about touring the UK with Wings (which was then a new band), a mid-'70s offer to re-form the Beatles, the early days of the Beatles and their final break-up. He also discusses his solo albums, receiving the freedom of the City of Liverpool, Christmas with his family, his love of music and his career since the break-up of the Beatles up to 2009.

Joshua Greene, who studied meditation with the legendary Beatle George Harrison, draws on personal remembrances, recorded conversations, and firsthand accounts to create a moving portrait of Harrison's spiritual life, his profound contribution to the Beatles' music, and previously unpublished anecdotes about his time with music legends Bob Dylan, Elvis Presley, and others.

The year that changed everything for the Beatles was 1966 - the year of their last concert and of Revolver, their first album created to be listened to rather than performed. This was the year the Beatles risked their popularity by retiring from live performances, recording songs that explored alternative states of consciousness, experimenting with avant-garde ideas, and speaking their minds on issues of politics, war, and religion. Music journalist and Beatles expert Steve Turner investigates the enormous changes that took place in the Beatles' lives and work during 1966.

Mark Blake draws on his own interviews with band members as well as the group's friends, road crew, musical contemporaries, former housemates, and university colleagues to produce a riveting history of one of the biggest rock bands of all time. We follow Pink Floyd from the early psychedelic nights at UFO, to the stadium-rock and concept-album zenith of the '70s, to the acrimonious schisms of the late '80s and '90s.

Eric Clapton is far more than a rock star. Like Dylan and McCartney, he is an icon and a living legend. He has sold tens of millions of records, played sell-out concerts all over the world, and been central to the significant musical developments of his era. His guitar playing has seen him hailed as "God". Now, for the first time, Eric tells the story of his personal and professional journeys in this pungent, witty, and painfully honest autobiography.

What was it like to be John Lennon? What was it like to be the castoff child, the clown at school, the middle-class suburban boy who pretended to be a working-class hero? How did it feel to have one of the most recognizable singing voices in the world but to dislike it so much he always wanted to disguise it? Being John Lennon is not about the whitewashed Prince of Peace of “Imagine” legend - because that was only a small part of him. The John Lennon depicted in this book is a much more kaleidoscopic figure, sometimes almost a collision of different characters.

Nearly 20 years in the making, Can't Buy Me Love is a masterful work of group biography, cultural history, and musical criticism. That the Beatles were an unprecedented phenomenon is a given. Here Jonathan Gould seeks to explain why, placing the Fab Four in the broad and tumultuous panorama of their time and place, rooting their story in the social context that girded both their rise and their demise.

This lavish visual history—featuring over 180 all-new illustrations—is a stunning introduction to House Targaryen, the iconic family at the heart of HBO’s Game of Thrones prequel series, House of the Dragon.

Despite being hailed as one of the best guitarists of his era, George Harrison, particularly in his early decades, battled feelings of inferiority. He was often the butt of jokes from his bandmates owing to his lower-class background and, typically, was allowed to contribute only one or two songs per Beatles album out of the dozens he wrote.

Since the age of 21, Paul McCartney has lived one of the ultimate rock 'n' roll lives, played out on the most public of stages. Now Paul's story is told by rock music's foremost biographer, with McCartney's consent and access to family members and close friends who have never spoken on the record before.

In John, Cynthia recalls those times with the loving honesty of an insider, offering new and fascinating insights into the life of John Lennon and the early days of the Beatles. And with the perspective only years can provide, she also tells the compelling story of her marriage to a man who was to become a music legend, a cultural hero, and a defining figure of the 20th century.

Even before the Beatles hit the big time, a myth was created. This version of the Beatles legend smoothed the rough edges and filled in the fault lines, and for more than forty years this manicured version of the Beatles story has sustained as truth, until now.

With the Beatles, John Lennon surpasses his youthful dreams, achieving a level of superstardom that defies classification. “We were the best bloody band there was,” he says. “There was nobody to touch us.” Nobody except the original nowhere man, Mark David Chapman. Chapman once worshipped his idols from afar - but now harbors grudges against those, like Lennon, whom he feels betrayed him. He’s convinced Lennon has misled fans with his message of hope and peace. And Chapman’s not staying away any longer.

Philip Norman has long towered above other rock biographers with his definitive studies of the Beatles, the Rolling Stones, Elton John, Buddy Holly, and John Lennon - legends whom the world thought it knew, but who came to life as never before through the meticulousness of Norman's research, the sweep of his cultural knowledge, and the brilliance of his writing. Now Norman turns to a rock icon who is the most notorious yet enigmatic of them all.

No one other than Warren Zanes, rocker and writer and friend, could author a book about Tom Petty that is as honest and evocative of Petty's music and the remarkable rock and roll history he and his band helped to write. Born in Gainesville, Florida, with more than a little hillbilly in his blood, Tom Petty was a Southern shit kicker, a kid without a whole lot of promise. Rock and roll made it otherwise.

Malcolm Evans, the Beatles’ long-time roadie, personal assistant, and devoted friend, was an invaluable member of the band’s inner circle. A towering figure in horn-rimmed glasses, Evans loomed large in the Beatles’ story, contributing at times as a performer and sometime lyricist, while struggling mightily to protect his beloved “boys.” He was there for the whole of the group’s remarkable, unparalleled story: from the Shea Stadium triumph through the creation of the timeless cover art for Sgt. Pepper’s Lonely Hearts Club Band and the famous Let It Be rooftop concert.

Ken McNab's in-depth look at the Beatles' acrimonious final year is a detailed account of the breakup featuring the perspectives of all four band members and their roles. A must to add to the collection of Beatles fans, And in the End is full of fascinating information available for the first time. McNab reconstructs for the first time the seismic events of 1969, when the Beatles reached new highs of creativity and new lows of the internal strife that would destroy them.

In 1972, Elliot Mintz installed a red light in his bedroom in Laurel Canyon. When it started flashing, it meant that either John Lennon or Yoko Ono—or sometimes both—were calling him. Which they did almost every day for nearly ten years, engaging Mintz in hours-long late-night phone conversations that all but consumed him for the better part of a decade. In We All Shine On, Mintz—a former radio and television host in Los Angeles—recounts the story of how their unlikely friendship began and where it led him over the years.

In this first of a groundbreaking multivolume set, THE MCCARTNEY LEGACY, VOL 1: 1969-73 captures the life of Paul McCartney in the years immediately following the dissolution of the Beatles, a period in which McCartney recreated himself as both a man and a musician. Informed by hundreds of interviews, extensive ground up research, and thousands of never-before-seen documents THE MCCARTNEY LEGACY, VOL 1 is an in depth, revealing exploration of McCartney’s creative and personal lives beyond the Beatles.

The year that changed everything for the Beatles was 1966 - the year of their last concert and of Revolver, their first album created to be listened to rather than performed. This was the year the Beatles risked their popularity by retiring from live performances, recording songs that explored alternative states of consciousness, experimenting with avant-garde ideas, and speaking their minds on issues of politics, war, and religion. Music journalist and Beatles expert Steve Turner investigates the enormous changes that took place in the Beatles' lives and work during 1966.

Tune In is the first volume of All These Years - a highly-anticipated, groundbreaking biographical trilogy by the world's leading Beatles historian. Mark Lewisohn uses his unprecedented archival access and hundreds of new interviews to construct the full story of the lives and work of John Lennon, Paul McCartney, George Harrison, and Ringo Starr.

John Lennon 1980 traces the powerful, life-affirming story of the former Beatle’s remarkable comeback after five years of self-imposed retirement. Lennon’s final pivotal year would climax in several moments of creative triumph as he rediscovered his artistic self in dramatic fashion. With the bravura release of the Double Fantasy album with wife, Yoko Ono, he was poised and ready for an even brighter future only to be wrenched from the world by an assassin’s bullets.

From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Tom Beaujour and Richard Bienstock's Nothin' But a Good Time captures the energy and excess of the hair metal years in the words of the musicians and industry insiders who lived it.