Appearing in 1852, Basil was Wilkie Collins’s second published novel. The eponymous narrator is emotionally torn between two women: Margaret Sherwin and his sister Clara. His marriage to Margaret, a draper’s sexually precocious daughter, is to remain secret and unconsummated for the first year, as agreed with her father.

Magdalen and Norah Vanstone have known only comfort and affluence for their entire lives. Orphaned suddenly following the unexpected deaths of their parents, the illegitimate sisters find themselves flung into the other extreme of living: their father had neglected to amend his will following their parents' recent marriage, leaving them with nothing, and their bitter, estranged uncle, the legal inheritor of the family fortune, mercilessly refuses them support.

Published 10 years after Collins’s most popular novel The Woman in White, Man and Wife centres on the confused and inequitable marriage laws of 19th-century Britain, reflecting the author’s own antipathy toward the institution. The plot follows the fortunes of a woman who, committed to marriage with one man, comes to believe that she may have inadvertently married his friend, according to the archaic laws of Scotland and Ireland.

A masterful blend of Gothic drama and romance, Wilkie Collins' mystery novel is an exploration of illegitimacy and inheritance. Set in Cornwall, the plot foreshadows The Woman in White with its themes of doubtful identity and deception and involves a broad array of characters. The "secret" of the book's title is the true parentage of the book's heroine, Rosamond Treverton, which has been written down and kept in an unused room at Porthgenna Tower. This is where, 20 years later, much of the novel's action is set.

Incorrectly signing her name in the marriage registry leads Valeria Woodville to discover further disturbing information about her husband, Eustace Macallan. Each revelation leads to further questions as Valeria’s journey prompts her to defy him, taking the law into her own hands as she endeavours to navigate her way through a series of false clues and obstructions.

Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life?

Madame Pratolungo is a close companion to Lucilla Finch, a young woman who has been blind since birth. Madame Pratolungo records the narrative of Lucilla's trials from falling in love with Oscar Duborg, her wealthy and shy neighbor, to ending up in a romantic entanglement between Oscar and his brother Nugent. When Lucilla temporarily regains her sight thanks to Herr Grosse, mistaken identities and manipulative schemes are there to greet her.

Skyboat Media presents, paired together for the first time, both the novel and the play of The Evil Genius by Wilkie Collins. Although both versions of the story were written at the same time, the play has never before been published and was only ever performed once on the stage. In fact, it is almost entirely unknown and is otherwise unavailable.

When Lord Montbarry dies suddenly in his Venice palace, and his courier goes missing, suspicion is instantly thrown on his new wife, the beautiful Countess Narona, who has collected his life insurance and fled to America. Montbarry's former fiance, Agnes, still harboring feelings for him, and Henry Westwick, Montbarry's younger brother, decide to investigate this tragedy and head for the palace, now a hotel. Not long after their arrival they experience strange and unsettling occurrences, and the circumstances of Montbarry's death begin to unravel.

Propelled into society by his ever-hopeful father, Frank is introduced to a variety of professions in order to make his fortune. Not industrious by nature, however, Frank finds working life a challenge, and by his 25th birthday, he has failed medicine, portrait-painting, caricaturing, and even forgery. Disenchanted with life, he despairs of ever finding something to commit to — until he meets Alicia Dulcifer and her inexplicably wealthy father.

No, the "Moonstone" isn't a celestial relic, it's a gigantic yellow diamond of unearthly beauty that was given to Rachel Verinder as a present on her 18th birthday - and stolen that very night! Betteredge, one of the most beloved butlers in English literature, is the focus of this seminal detective novel, which examines how one family's life is turned upside-down by the theft. And find out why the answers to all of life's problems can be found in the pages of Robinson Crusoe.

In this late romantic novel, the author explores the powers of telepathy while telling a skilful tale that interweaves suspense with the familiar ingredients of Victorian melodrama.

Praised by Chekhov as his favorite writer, Nikolai Leskov occupies a unique place in Russian literature. His original stories often seem like folk-tales, their larger-than-life characters including soldiers, Tsars, priests and gypsies. Leskov's storytelling, simple in its style, combines a deep religious spirit with comic absurdity. The Lady Macbeth of the Mtsensk District, Leskov's best-known work, is a realist account of a young woman who escapes from her loveless marriage through adultery, leading to violence and murder

Old Michael Snowdon returns to London with an inheritance that he determines should go towards helping the poor—but goodness and charity are not to play a part here. Everyone has an agenda, and scheming spreads through the story like a disease. Gissing’s own experience of London as an outsider in a vast city that both fascinated and appalled him gave him the tools and the drive to create a visceral sense of place. Life is unremittingly grim for just about everyone, from the weak and well-intentioned Jane to the coarse, cunning Clem Peckover and her feckless rival Pennyloaf Candy.

Bulgakov’s first full-length novel is set in the harsh and chaotic winter of 1918-19, as power struggles start to play out with brutal consequences. Echoing Tolstoy’s approach in War and Peace, Bulgakov contrasts the concerns of domestic life with the wide-ranging and destructive historical events; but where Tolstoy’s structure is clear, Bulgakov interweaves narrative, details of military action, snatches of songs, dreams, dialogue and fragments of thought to capture this swirl of confusion on every level.

A masterful blend of Gothic drama and romance, Wilkie Collins' mystery novel is an exploration of illegitimacy and inheritance. Set in Cornwall, the plot foreshadows The Woman in White with its themes of doubtful identity and deception and involves a broad array of characters. The "secret" of the book's title is the true parentage of the book's heroine, Rosamond Treverton, which has been written down and kept in an unused room at Porthgenna Tower. This is where, 20 years later, much of the novel's action is set.

Appearing in 1852, Basil was Wilkie Collins’s second published novel. The eponymous narrator is emotionally torn between two women: Margaret Sherwin and his sister Clara. His marriage to Margaret, a draper’s sexually precocious daughter, is to remain secret and unconsummated for the first year, as agreed with her father.

Appearing in 1854, Hide and Seek was Wilkie Collins’s third published novel. At the centre of the plot is the mystery surrounding a deaf and dumb girl known as Madonna, whom the painter Valentine Blyth rescues from her life as a circus performer. But it is only when Blyth’s friend Zack Thorpe rebels against his disciplinarian father and falls into bad company that the secret of Madonna is revealed.

Published 10 years after Collins’s most popular novel The Woman in White, Man and Wife centres on the confused and inequitable marriage laws of 19th-century Britain, reflecting the author’s own antipathy toward the institution. The plot follows the fortunes of a woman who, committed to marriage with one man, comes to believe that she may have inadvertently married his friend, according to the archaic laws of Scotland and Ireland.

Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life?