This, the first title in the Port William series, introduces the rural section of Kentucky with which novelist Wendell Berry has had a lifelong fascination. When young Nathan loses his grandfather, Berry guides listeners through the process of Nathan's grief, endearing the listener to the simple humanity through which Nathan views the world.

The rhythms of this novel are the rhythms of the land. A Place on Earth resonates with variations played on themes of change; looping transitions from war into peace, winter into spring, browning flood destruction into greening fields, absence into presence, lost into found.

Bringing the earthiness of America's past to mind, The Memory of Old Jack conveys the truth and integrity of the land and the people who live it. Through the eyes of one man can be seen the values of Americans strive to recapture as we arrive at the next century.

Since its publication in 1977, The Unsettling of America has been recognized as a classic of American letters. In it, Wendell Berry argues that good farming is a cultural and spiritual discipline. Today’s agribusiness, however, takes farming out of its cultural context and away from families. As a result, we as a nation are more estranged from the land - from the intimate knowledge, love, and care of it.

Wendell Berry has never been afraid to speak up for the dispossessed. The Need to Be Whole continues the work he began in The Hidden Wound (1970) and The Unsettling of America (1977), demanding a careful exploration of this hard, shared truth: The wealth of the mighty few governing this nation has been built on the unpaid labor of others.

A celebration of beloved American author Wendell Berry, the five stories in Fidelity return listeners to Berry's fictional town of Port William, Kentucky, and the familiar characters who form a tight-knit community within.

This volume of six linked stories and the novella from which the book derives its title is set in Port William from 1908 to the Second World War. Here Wendell Berry introduces two of his more indelible and poignant characters, Ptolemy Proudfoot and his wife Miss Minnie, remarkable for the comic and affectionate range that—with the mastery of this consummate storyteller working at the height of his powers—here approaches the Shakespearean.

In this classic book, Madeleine L’Engle addresses the questions, What makes art Christian? What does it mean to be a Christian artist? What is the relationship between faith and art? Through L’Engle’s beautiful and insightful essay, listeners will find themselves called to what the author views as the prime tasks of an artist: to listen, to remain aware, and to respond to creation through one’s own art.

Although Christian believers agreed with one another that the Bible was authoritative and that it should be interpreted through commonsense principles, there was rampant disagreement about what Scripture taught about slavery. Furthermore, most Americans continued to believe that God ruled over the affairs of people and nations, but they were radically divided in their interpretations of what God was doing in and through the war.

Join us for an hour of wisdom from one of the most highly respected of modern American writers and poets. Using words like "affection", "satisfaction", "care", and "joy", Berry calls for a re-evaluation of the basic values and practices of our lives. He illustrates his ideas with glimpses of his own life and those of his Kentucky farm neighbors, and describes a future where we can learn to find love, wisdom and meaning in the people, the places and the work of our own daily lives.

Farmer, ecologist, and writer Berry provides some rich and fertile ground for recreating life and culture. He speaks of enduring values, the wholeness of life and the interdependence of all creatures, especially humankind. Berry's self-discipline, ethical sense and human compassion come through as he leads us from the microcosm of his Kentucky hill farm to the macrocosm of a sane and reasoned planetary vision based on personal integrity, faithfulness, and love.

Abbie Mackenzie dreamed of becoming a fine lady like her aristocratic grandmother, devoting herself to music and art. But at eighteen Abbie found a different dream, turning away from the promise of a comfortable life as a doctor’s wife to marry handsome, quiet Will Deal. Together, they eagerly accepted the challenge of homesteading in Nebraska territory, where the prairies stretched as far as the eye could see, and only the strongest survived for long.

Set in the pre-Christian world of Glome on the outskirts of Greek civilization, it is a tale of two princesses: the beautiful Psyche, who is loved by the god of love himself, and Orual, Psyche's unattractive and embittered older sister, who loves Psyche with a destructive possessiveness. Her frustration and jealousy over Psyche's fate sets Orual on the troubled path of self-discovery. Lewis's last work of fiction, this is often considered his best by critics.

This is the most distinguished novel that has come out of South Africa in the 20th century, and it is one of the most important novels of the modern era. Cry, the Beloved Country is in some ways a sad book; it is an indictment of a social system that drives native races into resentment and crime; it is a story of Fate, as inevitable, as relentless, as anything of Thomas Hardy's. Beautifully wrought with high poetic compassion, Cry, the Beloved Country is more than just a story, it is a profound experience of the human spirit.

"Death Comes for the Archbishop" is a masterful work of historical fiction by Willa Cather. Set in the American Southwest in the mid-19th century, the novel tells the story of a young French priest who is sent to establish a Catholic diocese in a rugged and unfamiliar land. Through his encounters with the indigenous people and his fellow settlers, the priest comes to understand the complexities and beauty of the human spirit.