Barnaby Gaitlin was never a bad kid, but he was certainly doing his best to impersonate one. As a teenager, he developed a habit of breaking into other people’s houses. But he wasn’t interested in the valuable loot - he just liked to read people’s mail, peruse their family albums, and maybe pocket a few personal mementos. Now almost 30 and divorced, he finds himself working for Rent-aBack, which helps the elderly and infirm move furniture or take down their Christmas trees. It’s the perfect career for Barnaby.

Morgan Gower is bored of the tedium of his ordinary life: of his job as manager of a run-down hardware store; of his wife; of his "industriously dull" daughters; of his mother; of his sister. But Morgan's secret escape lies in a box filled with costumes, filled with everything from a fake beard to Napoleon's tricorne to Daniel Boone, all of which provide an outlet away from his life and into the identity of someone who is assuredly not Morgan Gower.

In the small town of Larksville, the Pike family is hopelessly out of step with the daily rhythms of life. Mrs. Pike seldom speaks, while Mr. Pike maintains a forced stoicism. Only their 10-year-old, Simon, seems able to acknowledge that their world has changed. He just doesn't understand why. The Pikes may choose to stand still, to hide from an unnamable past, but the strange shroud over their home cannot be contained.

Through the syncopated rhythms of the ragtime era to the thumping, rocking beats of the 1970s, generations of Pecks have maintained a determined steadiness. Adamantly middle-class - Peck-proud, as the family slogan goes - they are quick to sweep under the rug those members who do not live up to their standards. Maybe that's why Caleb Peck took off with his violincello as a boy? Sixty years later, his brother, Daniel, is still wondering.

Thirty-eight-year-old Jeremy Pauling has never left home. He lives on the top floor of a Baltimore row house where he creates collages of little people snipped from wrapping paper. His elderly mother putters in the rooms below, until her death. And it is then that Jeremy is forced to take in Mary Tell and her child as boarders. Mary is unaware of how much courage it takes Jeremy to look her in the eye. For Jeremy, like one of his paper creations, is fragile and easily torn - especially when he's falling in love.

The Winter’s Tale is one of Shakespeare’s “late plays.” It tells the story of a king whose jealousy results in the banishment of his baby daughter and the death of his beautiful wife. His daughter is found and brought up by a shepherd on the Bohemian coast, but through a series of extraordinary events, father and daughter, and eventually mother too, are reunited.

Ian Bedloe is the ideal teenage son, leading a cheery, apple-pie life with his family in Baltimore. That is, until a careless and vicious rumor leads to a devastating tragedy. Imploding from guilt, Ian believes he is the one responsible for the tragedy. No longer a star athlete with a bright future, and desperately searching for salvation, he stumbles across a storefront with a neon sign that simply reads: Church of the Second Chance. Ian has always viewed his penance as a burden. But through the power of faith and the love of family, he begins to view it as a gift.

Travel writer Macon Leary hates travel, adventure, surprises, and anything outside of his routine. Immobilized by grief, Macon is becoming increasingly prickly and alone, anchored by his solitude and an unwillingness to compromise his creature comforts. Then he meets Muriel, an eccentric dog trainer too optimistic to let Macon disappear into himself. Despite Macon’s best efforts to remain insulated, Muriel upends his solitary, systemized life, catapulting him into the center of a messy, beautiful love story he never imagined.

They seemed like the perfect couple: young, good-looking, made for each other. The moment Pauline, a stranger to the Polish Eastern Avenue neighborhood of Baltimore (though she lived only twenty minutes away), walked into his mother's grocery store, Michael was smitten. And in the heat of World War II fervor, they are propelled into a hasty wedding. But they never should have married.

In the spring of 2020, Lara’s three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew.

From the legendary actor and best-selling author: a novel about the making of a star-studded, multimillion-dollar superhero action film...and the humble comic books that inspired it. Funny, touching, and wonderfully thought-provoking, while also capturing the changes in America and American culture since World War II.

When a gay Los Angeles magician named Parsifal dies suddenly, he leaves behind his heartbroken assistant, Sabine, and a secret past that leads her to Nebraska and a father she never knew he had.

Animal Dreams is a passionate and complex novel about love, forgiveness, and one woman's struggle to find her place in the world. At the end of her rope, Codi Noline returns to her Arizona home to face her ailing father, with whom she has a difficult, distant relationship. There she meets handsome Apache trainman Loyd Peregrina, who tells her, "If you want sweet dreams, you've got to live a sweet life."

The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful but slowly going under - maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.

At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.

Mrs. Emerson, widowed with seven adult children, lives alone in crumbling Victorian mansion outside Baltimore with only a collection of antique clocks to keep her company. Elizabeth Abbott - 23 years old, aimless, bohemian, and beautiful - leads a vagabond lifestyle until she happens upon Mrs. Emerson's home and convinces the older woman to hire her as a handyman. When three of the strange, idiosyncratic Emerson children return to their childhood home for a visit, they are irresistibly drawn to Elizabeth.

Ian Bedloe is the ideal teenage son, leading a cheery, apple-pie life with his family in Baltimore. That is, until a careless and vicious rumor leads to a devastating tragedy. Imploding from guilt, Ian believes he is the one responsible for the tragedy. No longer a star athlete with a bright future, and desperately searching for salvation, he stumbles across a storefront with a neon sign that simply reads: Church of the Second Chance. Ian has always viewed his penance as a burden. But through the power of faith and the love of family, he begins to view it as a gift.

Pearl Tull is nearing the end of her life but not of her memory. It was a Sunday night in 1944 when her husband left the little row house on Baltimore's Calvert Street, abandoning Pearl to raise their three children alone: Jenny, high-spirited and determined, nurturing to strangers but distant to those she loves; the older son, Cody, a wild and incorrigible youth possessed by the lure of power and money; and sweet, clumsy Ezra, Pearl's favorite, who never stops yearning for the perfect family that could never be his own. Now Pearl and her three grown children have gathered....

Maggie and Ira Moran are on a road trip from Baltimore, Maryland, to Deer Lick, Pennsylvania, to attend the funeral of a friend. Along the way, they reflect on the state of their marriage, its trials, and its triumphs - through their quarrels, their routines, and their ability to tolerate each other's faults with patience and affection.

Travel writer Macon Leary hates travel, adventure, surprises, and anything outside of his routine. Immobilized by grief, Macon is becoming increasingly prickly and alone, anchored by his solitude and an unwillingness to compromise his creature comforts. Then he meets Muriel, an eccentric dog trainer too optimistic to let Macon disappear into himself. Despite Macon’s best efforts to remain insulated, Muriel upends his solitary, systemized life, catapulting him into the center of a messy, beautiful love story he never imagined.

Anne Tyler gives us a wise, haunting, and deeply moving new novel in which she explores how a middle-aged man, torn apart by the death of his wife, is gradually restored by her frequent appearances: in their house, on the roadway, in the market. Gradually he discovers, as he works in the family's vanity-publishing business, turning out titles that presume to guide beginners through the trials of life, that maybe for this beginner there is a way of saying goodbye.

Thirty-eight-year-old Jeremy Pauling has never left home. He lives on the top floor of a Baltimore row house where he creates collages of little people snipped from wrapping paper. His elderly mother putters in the rooms below, until her death. And it is then that Jeremy is forced to take in Mary Tell and her child as boarders. Mary is unaware of how much courage it takes Jeremy to look her in the eye. For Jeremy, like one of his paper creations, is fragile and easily torn - especially when he's falling in love.

Morgan Gower is bored of the tedium of his ordinary life: of his job as manager of a run-down hardware store; of his wife; of his "industriously dull" daughters; of his mother; of his sister. But Morgan's secret escape lies in a box filled with costumes, filled with everything from a fake beard to Napoleon's tricorne to Daniel Boone, all of which provide an outlet away from his life and into the identity of someone who is assuredly not Morgan Gower.

They seemed like the perfect couple: young, good-looking, made for each other. The moment Pauline, a stranger to the Polish Eastern Avenue neighborhood of Baltimore (though she lived only twenty minutes away), walked into his mother's grocery store, Michael was smitten. And in the heat of World War II fervor, they are propelled into a hasty wedding. But they never should have married.

Back When We Were Grownups is about one woman's search for who she really is. Listen as a 53-year-old grandmother tries to recover her girlhood self and that dignified grownup she had once been.

In the small town of Larksville, the Pike family is hopelessly out of step with the daily rhythms of life. Mrs. Pike seldom speaks, while Mr. Pike maintains a forced stoicism. Only their 10-year-old, Simon, seems able to acknowledge that their world has changed. He just doesn't understand why. The Pikes may choose to stand still, to hide from an unnamable past, but the strange shroud over their home cannot be contained.

"Baltimore Woman Disappears During Family Vacation." The headlines are all the same: Beloved mother and wife Delia Grinstead was last seen strolling down the Delaware shore, wearing only a bathing suit and carrying a beach tote with $500 tucked inside. To the best of her family's knowledge, she has disappeared without a trace. But Delia didn't disappear. She ran.

"It was a beautiful, breezy, yellow-and-green afternoon..." This is how Abby Whitshank always begins the story of how she fell in love with Red that day in July 1959. The Whitshanks are one of those families that radiate togetherness: an indefinable, enviable kind of specialness. But they are also like all families, in that the stories they tell themselves reveal only part of the picture.

Evie Decker is a shy, slightly plump teenager with a distant father and hours and hours of silence to fill. Then one night she hears local rock singer Drumstrings Casey on the radio - and becomes instantly attracted to his cool, motionless voice. Evie learns that Drumstrings frequently plays at a dingy roadhouse called The Unicorn. So she goes there and, with an uncharacteristically bold gesture, bursts out of her lonely shell - and into the attentive gaze of an intangible man who becomes all too real....

Willa Drake can count on one hand the defining moments of her life. In 1967, she is a schoolgirl coping with her mother's sudden disappearance. In 1977, she is a college coed considering a marriage proposal. In 1997, she is a young widow trying to piece her life back together. And in 2017, she yearns to be a grandmother but isn't sure she ever will be. Then, one day, Willa receives a startling phone call from a stranger. Without fully understanding why, she flies across the country to Baltimore....