Melding the entirely true and the wildly fictional, Dead End in Norvelt is a novel about an incredible two months for a kid named Jack Gantos, whose plans for vacation excitement are shot down when he is "grounded for life" by his feuding parents, and whose nose spews bad blood at every little shock he gets. But plenty of excitement (and shocks) are coming Jack's way once his mom loans him out to help a fiesty old neighbor with a most unusual chore—typewriting obituaries filled with stories about the people who founded his utopian town.

Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking. But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers - especially after she catches feelings for a boy in her bio class named Aman, whom her family can never know about.

Joey Pigza can't sit still. He can't pay attention, he can't follow the rules, and he can't help it - especially when his meds aren't working. Joey's had problems ever since he was born, problems just like his dad and grandma have. And whether he's wreaking havoc on a class trip or swallowing his house key, Joey's problems are getting worse. In fact, his behavior is so off the wall that his teachers are threatening to send him to the special-ed center downtown. Joey knows he's really a good kid, but no matter how hard he tries to do the right thing, something always seems to go wrong.

A cannon. A strap. Or, you can call it a gun. That's what 15-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That's where Will's now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother's gun. He gets on the elevator, seventh floor, stoked. He knows who he's after. Or does he?

The drought - or the Tap-Out, as everyone calls it - has been going on for a while now. Everyone’s lives have become an endless list of don’ts: don’t water the lawn, don’t fill up your pool, don’t take long showers. Until the taps run dry. Suddenly, Alyssa’s quiet suburban street spirals into a warzone of desperation; neighbors and families turned against each other on the hunt for water. And when her parents don’t return and her life - and the life of her brother - is threatened, Alyssa has to make impossible choices if she’s going to survive.

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

Ponyboy can count on his brothers. And on his friends. But not on much else besides trouble with the Socs, a vicious gang of rich kids whose idea of a good time is beating up "greasers" like Ponyboy. At least he knows what to expect, until the night someone takes things too far.

With the depression bearing down on her family, there isn't much that Cassie Logan can count on anymore. But there is one thing that hasn't changed - the whispering trees outside her window. Cassie's trees, which have stood for centuries, are a great source of comfort to her. But they are also worth a lot of money. With Cassie's daddy gone to lay tracks for the railroad, it seems like no one can stop Mr. Andersen from forcing Big Ma to sell their valuable trees. How can Cassie sit by and watch them disappear?

From her first moment at Merryweather High, Melinda Sordino knows she's an outcast. She busted an end-of-summer party by calling the cops, a major infraction in high-school society, so her old friends won't talk to her, and people she doesn't know glare at her. She retreats into her head, where the lies and hypocrisies of high school stand in stark relief to her own silence, making her all the more mute.

Born to survivalists in the mountains of Idaho, Tara Westover was seventeen the first time she set foot in a classroom. Her family was so isolated from mainstream society that there was no one to ensure the children received an education, and no one to intervene when one of Tara’s older brothers became violent. When another brother got himself into college, Tara decided to try a new kind of life. Her quest for knowledge transformed her, taking her over oceans and across continents, to Harvard and to Cambridge University.

Hailed by The New York Times as "a marvel of storytelling", The Things They Carried’s portrayal of the boots-on-the-ground experience of soldiers in the Vietnam War is a landmark in war writing. Now, three-time Emmy Award winner-Bryan Cranston, star of the hit TV series Breaking Bad, delivers an electrifying performance that walks the book’s hallucinatory line between reality and fiction and highlights the emotional power of the spoken word.

Ten-year-old Annemarie Johansen and her best friend Ellen Rosen often think of life before the war. It's now 1943, and their life in Copenhagen is filled with school, food shortages, and the Nazi soldiers marching through town. When the Jews of Denmark are "relocated," Ellen moves in with the Johansens and pretends to be one of the family. Soon Annemarie is asked to go on a dangerous mission to save Ellen's life.

Perfect Mexican daughters do not go away to college. And they do not move out of their parents' house after high school graduation. Perfect Mexican daughters never abandon their family. But Julia is not your perfect Mexican daughter. That was Olga's role. Then a tragic accident on the busiest street in Chicago leaves Olga dead and Julia left behind to reassemble the shattered pieces of her family. And no one seems to acknowledge that Julia is broken, too. Instead, her mother seems to channel her grief into pointing out every possible way Julia has failed.

In this very personal work - adapted from the original number one best seller, which the New York Times calls "as compelling as To Kill a Mockingbird, and in some ways more so" - acclaimed lawyer and social justice advocate Bryan Stevenson offers a glimpse into the lives of the wrongfully imprisoned and his efforts to fight for their freedom.

A fictional portrayal of an aging revolutionary, this novel is a powerful commentary on the nightmare politics of the troubled 20th century. Born in Hungary in 1905, a defector from the Communist Party in 1938, and then arrested in both Spain and France for his political views, Arthur Koestler writes from a wealth of personal experience.