
Henry VIII
Arkangel Shakespeare
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Narrated by:
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Paul Jesson
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Jane Lapotaire
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Timothy West
About this listen
King Henry is married to Katherine of Aragon, but he has been smitten by the charms of the queen's maid of honor, Anne Bullen, and is tempted to divorce his dignified and noble wife.
Meanwhile, the lords of England resent the influence of Henry's trusted advisor, Cardinal Wolsey, who is gradually drawing power into his own hands. As Katherine and Wolsey suffer their tragic falls, new figures rise to fill their places, but they, too, will be brought low by the inexorable sweep of time and fortune.
This colorful history play, possibly written in collaboration with John Fletcher, comes from the very end of Shakespeare's dramatic career.
Paul Jesson plays Henry VIII, and Jane Lapotaire plays Queen Katherine. Timothy West is Cardinal Wolsey.
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Story
Brilliantly manipulative and entirely amoral, the hero-villain Richard is one of Shakespeare's greatest roles. The Yorkists have emerged victorious from the civil wars and Edward IV wears the English crown. But Edward's misshapen brother Richard harbors kingly ambitions and will stop at nothing to achieve the throne. In a fatal battle on Bosworth Field, Richard meets the ghosts of all whom he has murdered and the Earl of Richmond, the future King Henry VII.
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Spectacular acting
- By Claire on 02-27-18
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The Two Gentlemen of Verona
- Arkangel Shakespeare
- By: William Shakespeare
- Narrated by: Michael Maloney, Damian Lewis, Saskia Wickham, and others
- Length: 1 hr and 59 mins
- Original Recording
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Proteus loves Julia in Verona, Valentine loves Silvia in Milan. But when Proteus meets Silvia, he falls for her too, and the heartbroken Julia sets out in pursuit. This delightful and sometimes disquieting early comedy of love lost and found offers lyrical poetry, disguise, clowning, outlaws, and a most unreliable dog.
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For truth hath better deeds than words to grace it
- By Darwin8u on 01-02-17
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Romeo and Juliet
- Arkangel Shakespeare
- By: William Shakespeare
- Narrated by: Joseph Fiennes, Maria Miles, Elizabeth Spriggs
- Length: 3 hrs and 2 mins
- Original Recording
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In the world's most celebrated and lyrical love story, the sublime devotion of two young lovers transcends their earthly fate. The noble Veronese houses of Montague and Capulet are locked in a bitter feud. When Romeo (a Montague) and Juliet (a Capulet) fall in love, they are swept up in a series of violent events and cruel twists of fortune. Despite the passion and innocence of their love, they fall victim to the enmity between their families, and their story ends in tragedy.
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Well played!
- By April M. on 09-01-17
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Julius Caesar: The Arkangel Shakespeare
- By: William Shakespeare
- Narrated by: Michael Feast, John Bowe, Adrian Lester
- Length: 2 hrs and 26 mins
- Original Recording
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At the heart of this tragic history is one of Shakespeare's most noble characters, the statesman Brutus, who is caught in a devastating conflict between private affection and public duty.
Julius Caesar has become the most powerful man in the Rome. Does his power now threaten the very existence of the Republic itself? A conspiracy is hatched, one that will have fatal consequences not only for Caesar and the conspirators but for the future history of the ancient world.
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Riveting!
- By 1624 on 06-15-15
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Titus Andronicus
- Arkangel Shakespeare
- By: William Shakespeare
- Narrated by: David Troughton, Harriet Walter, Paterson Joseph, and others
- Length: 2 hrs and 42 mins
- Original Recording
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The noble Titus returns victorious to Rome bringing Tamora, Queen of the Goths as his captive. When one of Tamora's sons is condemned to die, she vows revenge, and, aided by the villainous Aaron, she exacts a terrible retribution, inaugurating a grim cycle of rape, murder, and cannibalism. This macabre, often brilliant tragedy comes from the earliest stage of Shakespeare's dramatic career.
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My tears are now prevailing orators!
- By Darwin8u on 02-10-17
What listeners say about Henry VIII
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- John Davies
- 04-07-21
An exquisite production of a lesser known play
The production and cast rose to the poetry and made this a splendid listening experience.
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- Anonymous User
- 02-03-20
One of Shakespeare's best histories
A top-notch production of a one of the best Shakespeare histories of an endlessly fascinating era of English. history. One can't help wonder about Shakespeare's Catholic sympathies in an Elizabethan moment.
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- Darwin8u
- 01-04-18
Virtues written in Water
"Men's evil manners live in brass; their virtues we write in water."
- Shakespeare & Fletcher, Henry VIII
What do you get when you co-write a play and the other guy phones-it-in? What do you do when the other guy is William Shakespeare and his phoned-in stuff is still better than most writing you've seen or your own writing? I guess you just do what you do, write your scenes, work hard, and shut up. Here are my three main knocks against this play:
1. Phoned-in by the Bard (see also Cymbeline).
2. Co-written by John Fletcher (see also The Two Noble Kinsmen)
3. Quasi-propaganda crap for the Tudors see also ("Too soon?, Too soon?").
For those interested, according to Erdman and Fogel in 'Evidence for Authorship: Essays on Problems of Attribution,' the breakdown of authorship for this play is the following:
Shakespeare: Act I, scenes i and ii; II,iii and iv; III,ii, lines 1–203 (to exit of King); V,i.
Fletcher: Prologue; I,iii; II,i and ii; III,i, and ii, 203–458 (after exit of King); IV,i and ii; V ii–v; Epilogue.
Anyway, the play is so bad it basically destroyed the Globe Theatre.* I kid, I kid.
Favorite Lines:
"Heat not a furnace for your foe so hot
That it do singe yourself.” (Act 1, Scene 1)
"I have touched the highest point of all my greatness;
And from that full meridian of my glory
I haste now to my setting: I shall fall
Like a bright exhalation in the evening,
And no man see me more.” (Act 3, Scene 2)
"Press not a falling man too far!” (Act 3, Scene 2)
“We all are men, in our own natures frail, and capable of our flesh; few are angels.” (Act 5, Scene 2).
*Technically, it was a canon shot during the play that caught the thatched roof on fire, but give me a bit of poetic license here.
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9 people found this helpful