Written at the start of the Great War, when his son Borys was at the Western Front, The Shadow-Line is Conrad's supreme effort to open man's eyes to the meaning of war through the stimulus of art. In many ways an autobiographical narrative, this masterpiece of his final period relates the story of a young and inexperienced sea captain whose first command finds him with a ship becalmed in tropical seas and a crew smitten with fever.

A Signature Performance: Kenneth Branagh plays this like a campfire ghost story, told by a haunted, slightly insane Marlow.

A young sea captain discovers a stowaway - and allows him to stay, eventually seeing in him a reflection of himself. Or perhaps that's all there ever was. Wendy Mullen's contralto voice captures the music of the sea; you'll be mesmerized by the telling and the tale. Conrad is at his best, and Mullen's reading captivates.

Joseph Conrad’s multilayered masterpiece tells of one nation's violent revolution and one hero's moral degeneration. Conrad convincingly invents an entire country, Costaguana, and sets it afire as warlords compete for power and a fortune in silver.

Señor Gould, adamant that his silver should not become spoil for his enemies, entrusts it to his faithful longshoreman, Nostromo, a local hero of sorts whom Señor Gould believes to be incorruptible.

From one of the greatest modern writers in world literature comes a magnificent story of love, adventure, and rescue played out against the shimmering South Seas. Alone on a tropical island, a Swedish baron and a beautiful violinist discover the long-lost joys of love. But when two treasure hunters arrive on the beach, the lovers know that evil has invaded their romantic paradise—an evil they are powerless to stop.

In this prequel episode from Philip Pullman's His Dark Materials universe, Lee Scoresby—Texan aeronaut and future friend to Lyra Belacqua—is just 24 years old, and he's recently won his hot-air balloon in a poker game. He finds himself floating North to the windswept Arctic island of Novy Odense, where he and his hare daemon Hester are quickly tangled in a deadly plot involving an oil magnate, a corrupt mayoral candidate, and Lee's longtime nemesis from the Dakota Country, a hired killer with at least twenty murders to his name.

Eleven-year-old George Washington Black—or Wash—a field slave on a Barbados sugar plantation, is initially terrified when he is chosen as the manservant of his master’s brother. To his surprise, however, the eccentric Christopher Wilde turns out to be a naturalist, explorer, inventor, and abolitionist. Soon Wash is initiated into a world where a flying machine can carry a man across the sky, where even a boy born in chains may embrace a life of dignity and meaning, and where two people, separated by an impossible divide, can begin to see each other as human.

Clive Barker has made his mark on modern fiction by exposing all that is surreal and magical in the ordinary world - and exploring the profound and overwhelming terror that results. With its volatile mix of the fantastical and the contemporary, the everyday and the otherworldly, Weaveworld is an epic work of dark fantasy and horror - a tour de force from one of today's most forceful and imaginative artists.

First published by H. G. Wells in 1898, The War of the Worlds is the granddaddy of all alien invasion stories. The novel begins ominously, as the lone voice of a narrator intones, "No one would have believed in the last years of the 19th century that this world was being watched keenly and closely by intelligences greater than man's."

West with the Night is the story of a remarkable woman molded and shaped by many things: the African jungle, a certain dog, horses, airplanes, friendships with white men and black. There is no life, no story quite like it.

Around a low-burning fire in a jungle clearing, a small group of late travelers huddles: a merchant, a Sikh with his son, a farmer. Silently, two men, flanking one of the travelers, crouch forward. A dirty cloth flashes momentarily and jerks around the traveler’s neck. One of the men tugs the cloth, the other forces the traveler’s head over to one side. Thuggee death has struck; Kali is assuaged.

Jessie Bollier often played his fife to earn a few pennies down by the New Orleans docks. One afternoon a sailor asked him to pipe a tune, and that evening Jessie was kidnapped and dumped aboard The Moonlight, a slave ship, where a hateful duty awaited him. He was to play music so the slaves could "dance" to keep their muscles strong, their bodies profitable. Jessie was sickened by the thought of taking part in the business of trading rum and tobacco for blacks and then selling the ones who survived the frightful sea voyage from Africa.

Presented is a two-volume collection of Wells' most celebrated classics of science-fiction and horror: The Time Machine and The Island of Doctor Moreau. This audio-enhanced version - with sound effects and musical soundtrack - combines Wells' groundbreaking exploration of time travel with his "youthful blasphemy" tale of animal and human hybrids.

It begins in the most boring place in the world: Chickentown, U.S.A. There lives Candy Quackenbush, her heart bursting for some clue as to what her future might hold. When the answer comes, it's not one she expects. Out of nowhere comes a wave, and Candy, led by a man called John Mischief (whose brothers live on the horns on his head), leaps into the surging waters and is carried away.

Evan MacIan is a tall, dark-haired, blue-eyed Scottish Highlander and a devout Roman Catholic. James Turnbull is a short, red-haired, gray-eyed Lowlander and a devout but naïve atheist. The two meet when MacIan smashes the window of the street office where Turnbull publishes an atheist journal. This act of rage occurs when MacIan sees posted on the shop's window a sheet that blasphemes the Virgin Mary, presumably implying she was an adulteress who gave birth to an illegitimate Jesus.