Marshall is still trying to put the pieces together after the death of her husband. After she is involved in a terrible accident, her editor sends her to the small, backwards town of Raeford to investigate a clearly ridiculous rumor: that a horse has given birth to a healthy, human baby boy. When Marshall arrives in Raeford, she finds an insular town that is kinder to the horses they are famous for breeding than to their own people. But when two horribly mangled bodies are discovered in a field—one a horse, one a human—she realizes that there might be a real story here.

Since time immemorial, the Haddesley family has tended the cranberry bog. In exchange, the bog sustains them. The staunch seasons of their lives are governed by a strict covenant that is renewed each generation with the ritual sacrifice of their patriarch, and in return, the bog produces a “bog-wife.” Brought to life from vegetation, this woman is meant to carry on the family line. But when the bog fails—or refuses—to honor the bargain, the Haddesleys, a group of discordant siblings still grieving the mother who mysteriously disappeared years earlier, face an unknown future.

Ichorite is progress. More durable and malleable than steel, ichorite is the lifeblood of a dawning industrial revolution. Yann I. Chauncey owns the sole means of manufacturing this valuable metal, but his workers are on strike. They demand Chauncey research the hallucinatory illness befalling them. Marney Honeycutt, a luster-touched child worker, stands proud at the picket line with her best friend and family. That’s when Chauncey sends in the guns.

A sweet sapphic romance takes a deadly dark turn in this sharp-as-a-knife novella with the slow build menace of Angela Carter's The Bloody Chamber—from a New York Times-bestselling author hailed by Chuck Wendig as "a storyteller working at the top of her class."

Muriel McAuley has lived in the Scottish fishing village of Witchaven all her life. She was born there, and she intends to die there. But when an overseas property developer threatens to evict the residents from their homes and raze Witchaven to the ground in the name of progress, all seems lost . . . until the day a mysterious fog bank creeps inland.

Heather, Rachel and Antonia are going to Almanby. Heather needs to find her boyfriend who, like so many, went and never came back. Rachel has a mysterious package to deliver, and her life depends on it. And Antonia — poor, lovestruck Antonia just wants the chance to spend the day with Heather. So off they set through the idyllic yet perilous English countryside, in which nature thrives in abundance and summer lasts forever, and as they travel through ever-shifting geography and encounter strange voices in the fizz of shortwave radio, the harder it becomes to tell friend from foe.

After secrets and betrayal shatter his marriage, Josh Mallory seeks solace on the Pacific Crest Trail, in the mountains of Washington. On the trail, he’s just another hiker. On the trail, he can outrun the memories. When wild animals destroy his food, Josh detours through a small mountain town. Missing hiker posters hang in the windows, and residents won’t look him in the eyes, let alone speak to him or help him. Trapped on a mountain ridge beneath a full moon and desperate for help, Josh moves on, only to encounter a mysterious group who call themselves the Woodkin.

In 1980s Appalachia, sisters Sheila and Angie couldn’t be more different. While their mother works long shifts at the nearby asylum, Sheila cares for their home and keeps to herself, even when enduring relentless bullying. Her fearless younger sister, Angie, is more focused on fighting imaginary zombies and creating tarot-like cards that seem to have minds of their own. When the brutal murder of two female hikers on the nearby Appalachian Trail stuns their small community, the sisters find themselves tangled in a dangerous game of cat and mouse.

A house with history. That's how the estate agent described the old toll house on the edge of the town. For Kelda, it's the perfect rural home for her young son Dylan after a difficult few years. But when Kelda finds a death mask concealed behind one of the walls, everything changes. Inexplicable things happen in the house, Kelda cannot shake the feeling of being watched and Dylan is plagued by nightmares, convinced he can see figures in his room. As Dylan's behaviour becomes increasingly challenging, Kelda seeks answers in the house's mysterious past. But she's running out of time.

Three years ago, Alice spent one night in an abandoned house with her friends, Ila and Hannah. Since then, Alice’s life has spiraled. She lives a haunted existence, selling videos of herself for money, going to parties she hates, drinking herself to sleep.

Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago's lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family's decaying Mexico City estate. Eventually, Monstrilio begins to resemble the Santiago he once was, but his innate impulses—though curbed by his biological and chosen family's communal care—threaten to destroy this fragile second chance at life.

A collection of short stories, The Bloody Chamber and Other Stories was first published in 1979 and awarded the Cheltenham Festival Literary Prize. This Audible exclusive adaptation is narrated by legendary actors, Richard Armitage and Emilia Fox, who take on different chapters of the audiobook. Among these are 'The Bloody Chamber', 'The Courtship of Mr Lyon', 'The Tiger's Bride', 'Puss in Boots', 'The Erl-King', 'The Snow Child', 'The Lady of the House of Love', 'The Werewolf' and 'Wolf-Alice'.

As a child, Natsuki doesn’t fit into her family. Her parents favor her sister, and her best friend is a plush toy hedgehog named Piyyut who has explained to her that he has come from the planet Popinpobopia on a special quest to help her save the Earth.

From her cell in a mysterious convent, a woman writes the story of her life in whatever she can find—discarded ink, dirt, and even her own blood. A lower member of the Sacred Sisterhood, deemed an unworthy, she dreams of ascending to the ranks of the Enlightened at the center of the convent and of pleasing the foreboding Superior Sister. Outside, the world is plagued by catastrophe—cities are submerged underwater, electricity and the internet are nonexistent, and bands of survivors fight and forage in a cruel, barren landscape. Inside, the narrator is controlled, punished, but safe.

Her name was written in the pages of someone else’s story: Lucy Westenra was one of Dracula’s first victims. But her death was only the beginning. Lucy rose from the grave a vampire and has spent her immortal life trying to escape from Dracula’s clutches—and trying to discover who she really is and what she truly wants.

As acting captain of the starship Calypso, Jacklyn Albright is responsible for keeping the last of humanity alive as they limp back to Earth from their forebears’ failed colony on a distant planet. Faced with constant threats of starvation and destruction in the treacherous minefield of interstellar space, Jacklyn's crew has reached their breaking point. As unrest begins to spread throughout the ship’s Wards, a new threat emerges, picking off crew members in grim, bloody fashion.

A sweet sapphic romance takes a deadly dark turn in this sharp-as-a-knife novella with the slow build menace of Angela Carter's The Bloody Chamber—from a New York Times-bestselling author hailed by Chuck Wendig as "a storyteller working at the top of her class."

For graduate student Jeremy Freirs, citified, cynical, yet prone to daydreams, summer is the time to shed a few pounds and finally get some reading done for a course on Gothic literature. He's picked just the right place: the small, secluded village of Gilead, New Jersey, only 90 minutes from Manhattan but, with its antique customs and clannish traditions, seemingly centuries away. For farmers Sarr and Deborah Poroth, young members of Gilead's fundamentalist community, the summer threatens a conflict between their passionate natures and the stern dictates of their faith.

A year ago Sophie Wickham stumbled into the isolated Lancashire village of Withered Hill, naked, alone and with no memory of who she is. Surrounded by a thick ring of woodland, its inhabitants seem to be of another world, drenched in pagan, folklorish traditions. As Sophie struggles to regain the memories of her life from before, she quickly realises she is a prisoner after multiple failed escape attempts. But is it the locals who keep her trapped, with smiles on their faces, or something else, lurking in the woods?

Nellie Gardner is looking for a way out of an abusive marriage when she learns that her long-lost grandfather, August Redfern, has willed her his turpentine estate. She throws everything she can think of in a bag and flees to Georgia with her eleven-year-old son, Max, in tow. It turns out that the "estate" is a decrepit farmhouse on a thousand acres of old (rotting) pine forest, but Nellie is thrilled about the chance for a fresh start for her and Max. So it takes her a while to notice the strange scratching in the walls, the faint whispering at night, how the forest is eerily quiet.

Since time immemorial, the Haddesley family has tended the cranberry bog. In exchange, the bog sustains them. The staunch seasons of their lives are governed by a strict covenant that is renewed each generation with the ritual sacrifice of their patriarch, and in return, the bog produces a “bog-wife.” Brought to life from vegetation, this woman is meant to carry on the family line. But when the bog fails—or refuses—to honor the bargain, the Haddesleys, a group of discordant siblings still grieving the mother who mysteriously disappeared years earlier, face an unknown future.

Tommy Rotten lies immersed in a billowing blanket of fog, wringing his cold hands in elated anticipation. He is optimistic that this year someone will finally come. He fantasizes about the potential candidates that will come tromping through the neighborhood, roaming the night in delightfully hideous homage to serial killers and demons and ghouls - normally inhabitants of their nightmares - but tonight, Halloween, brings them endless delight.

In 1980s Appalachia, sisters Sheila and Angie couldn’t be more different. While their mother works long shifts at the nearby asylum, Sheila cares for their home and keeps to herself, even when enduring relentless bullying. Her fearless younger sister, Angie, is more focused on fighting imaginary zombies and creating tarot-like cards that seem to have minds of their own. When the brutal murder of two female hikers on the nearby Appalachian Trail stuns their small community, the sisters find themselves tangled in a dangerous game of cat and mouse.

Roos Beckman has a spirit companion only she can see. Ruth—strange, corpse-like, and dead for centuries—is the light of Roos' life. That is, until the wealthy young widow Agnes Knoop visits one of Roos' backroom seances, and the two strike up a connection.

Sophia was made for him, her perfect husband. She can feel it in her bones. He is perfect; their home together in Arcadia Gardens is perfect; everything is perfect. It's just that he's away so much - so often. He works so hard. She misses him, and he misses her. He says he does, so it must be true. He is the perfect husband, and everything is perfect.

Children have always disappeared under the right conditions - slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere...else. But magical lands have little need for used-up miracle children. Nancy tumbled once, but now she's back. The things she's experienced...they change a person. The children under Miss West's care understand all too well. And each of them is seeking a way back to their own fantasy world.

The house breathes. The house contains bodies and secrets. The house is visited by ghosts, by angels that line the roof like insects, and by saints that burn the bedsheets with their haloes. It was built by a smalltime hustler as a means of controlling his wife, and even after so many years, their daughter and her granddaughter can't leave. They may be witches or they may just be angry, but when the mysterious disappearance of a young boy draws unwanted attention, the two isolated women, already subj

When Mouse’s dad asks her to clean out her dead grandmother's house, she says yes. After all, how bad could it be? Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more - Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants...until Mouse encounters some of the terrifying things he described for herself.

1983: Three students from a small college embark on a week-long road trip to film a documentary on roadside memorials for their American Studies class. The project starts out as a fun adventure with long stretches of empty road and nightly campfires where they begin to open up with one another. But as they venture deeper into the Appalachian backwoods, the atmosphere begins to darken. They notice more and more of the memorials feature a strange, unsettling symbol hinting at a sinister secret.

Ana and Reid needed a lucky break. The horrifically complicated birth of their first child has left Ana paralyzed, bitter, and struggling: with mobility, with her relationship with Reid, with resentment for her baby. That's about to change with the words any New Yorker would love to hear—affordable housing lottery. They've won an apartment in the Deptford, one of Manhattan's most revered buildings. Reid dismisses disturbing events and Ana’s deep unease and paranoia as the price of living in New York—people are odd—but he can't explain the needle-like bite marks on the baby.