If you haven’t had the misfortune of dating a George, you know someone who has. He’s a young man brimming with potential but incapable of following through; sweet yet noncommittal to his long-suffering girlfriend; distant from but still reliant on his mother; charmingly funny one minute, sullenly brooding the next. Here, Kate Greathead paints one particular, unforgettable George in a series of droll and surprisingly poignant snapshots of his life over two decades.

Eight translators arrive at a house in a primeval Polish forest on the border of Belarus. It belongs to the world-renowned author Irena Rey, and they are there to translate her magnum opus, Gray Eminence. But within days of their arrival, Irena disappears without a trace. The translators, who hail from eight different countries but share the same reverence for their beloved author, begin to investigate where she may have gone while proceeding with work on her masterpiece.

After abandoning his once-promising career as a journalist in search of a new life in Paris, Mamush meets Hannah—a photographer whose way of seeing the world shows him the possibility of finding not only love but family. Now, five years later, with his marriage to Hannah on the verge of collapse, he returns to the close-knit immigrant Ethiopian community of Washington, DC, that defined his childhood. At its center is Mamush’s stoic, implacable mother, and Samuel, the larger-than-life father figure whose ceaseless charm and humor have always served as a cover for a harder, more troubling truth.

An unexpected tragedy at a community pool. A family’s unrelenting expectation of victory. The desire to gain or lose control; to make time speed up or stop; to be frighteningly, undeniably good at something. Each of the eight teenage girl boxers in this blistering debut novel has her own reasons for the sacrifices she has made to come to Reno, Nevada, to compete to be named the best in the country.

The new book censor hasn't slept soundly in weeks. By day he combs through manuscripts at a government office, looking for anything that would make a book unfit to publish-allusions to queerness, unapproved religions, any mention of life before the Revolution. By night the characters of literary classics crowd his dreams, and pilfered novels pile up in the house he shares with his wife and daughter. As the siren song of forbidden reading continues to beckon, he descends into a netherworld of resistance fighters, undercover booksellers, and outlaw librarians.

In twelve luminous stories set across three centuries, The History of Sound examines the unexpected ways the past returns to us and how love and loss are entwined and transformed over generations. In Ben Shattuck's ingenious collection, each story has a companion story, which contains a revelation about the previous, paired story. Mysteries and murders are revealed, history is refracted, and deep emotional connections are woven through characters and families.

The riotous, raucous, and deeply resonant debut novel from “one of the best story writers in the English language today” (Financial Times), Wild Houses follows two outsiders caught in the crosshairs of a small-town revenge kidnapping gone awry.

The Coin’s narrator is a wealthy Palestinian woman with impeccable style and meticulous hygiene. And yet the ideal self, the ideal life, remains just out of reach: her inheritance is inaccessible, her homeland exists only in her memory, and her attempt to thrive in America seems doomed from the start. In New York, she strives to put down roots. She teaches at a school for underprivileged boys, where her eccentric methods cross boundaries. She befriends a homeless swindler, and the two participate in an intercontinental scheme reselling Birkin bags.

Tara Selter, the heroine of On the Calculation of Volume, has involuntarily stepped off the train of time: in her world, November eighteenth repeats itself endlessly. We meet Tara on her 122nd November 18th: she no longer experiences the changes of days, weeks, months, or seasons. She finds herself in a lonely new reality without being able to explain why: how is it that she wakes every morning into the same day, knowing to the exact second when the blackbird will burst into song and when the rain will begin?

In 1938, a dead whale washes up on the shores of remote Welsh island. For Manod, who has spent her whole life on the island, it feels like both a portent of doom and a symbol of what may lie beyond the island's shores. A young woman living with her father and her sister (to whom she has reluctantly but devotedly become a mother following the death of their own mother years prior), Manod can't shake her welling desire to explore life beyond the beautiful yet blisteringly harsh islands that her hardscrabble family has called home for generations.

When Jane, an aspiring writer, meets filmmaker John Bridges, they both want the same things: to be in love, to live a successful, creative life, and to be happy. When they marry, Jane believes she has found everything she was looking for, including—a few years later—all the attendant joys and labors of motherhood. But it’s not long until Jane finds herself subsumed by John’s ambitions, whims, and ego; in short, she becomes a wife.

A slender novel of epic power and the winner of the Booker Prize 2024, Orbital deftly snapshots one day in the lives of six women and men traveling through space. Selected for one of the last space station missions of its kind before the program is dismantled, these astronauts and cosmonauts—from America, Russia, Italy, Britain, and Japan—have left their lives behind to travel at a speed of over seventeen thousand miles an hour as the earth reels below.

In the acclaimed first novel from short story virtuoso and Pulitzer Prize finalist Kelly Link, three teenagers become pawns in a supernatural power struggle.

The year is 1087, and a pox is sweeping through the Italian city of Bari. When a lowly monk is visited by Saint Nicholas in his dreams, he interprets the vision as a call to serve the sick. But his superiors, and the power brokers they serve, have different plans for the tender-hearted Brother Nicephorus. Enter Tyun, a charismatic treasure hunter renowned for “liberating” holy relics from their tombs. The seven-hundred-year-old bones of Saint Nicholas are rumored to weep a mysterious liquid that can heal the sick, Tyun says.

Miranda July’s second novel confirms the brilliance of her unique approach to fiction. With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life lived as a woman.

An unexpected tragedy at a community pool. A family’s unrelenting expectation of victory. The desire to gain or lose control; to make time speed up or stop; to be frighteningly, undeniably good at something. Each of the eight teenage girl boxers in this blistering debut novel has her own reasons for the sacrifices she has made to come to Reno, Nevada, to compete to be named the best in the country.

The protagonist, Pip, lives with his sister “Mrs Joe Gargery” and her husband, Joe, in a secluded rural village in the marshlands of Kent. Both his parents are dead. Pip has always had a burning desire to become a Gentleman. The story follows how Pip, through circumstances not of his own making, rises to great wealth, becomes part of the London elite and is considered to have “Great Expectations”. However, as the story develops, he betrays or deserts his true friends and becomes eventually humbled by his own arrogance and pride.

One morning in 1519, conquistador Hernán Cortés enters the city of Tenochtitlan – today's Mexico City. Later that day, he will meet the emperor Moctezuma in a collision of two worlds, two empires, two languages, two possible futures.

It’s the summer of 1984 in Swaffham, Massachusetts, when Mel (short for Melanie) meets Sylvia, a tough-as-nails trans woman whose shameless swagger inspires Mel’s dawning self-awareness. But Sylvia’s presence sparks fury among her neighbors and throws Mel into conflict with her mother and best friend. Decades later, in 2019, Max (formerly Mel) is on probation from his teaching job for, ironically, defying speech codes around trans identity. Back in Swaffham, he must navigate life as part of a fractured family and face his own role in the disasters of the past.

In the early 1980s, Giselle Chin, Jackie Ong, and Ellen Ng are three teenagers drawn together by their shared sense of alienation and desire for something different. “Allied in the weirdest parts of themselves,” they envision each other as artistic collaborators and embark on a future defined by freedom and creativity. By the time they are adults, their dreams are murkier.

Saba is just a child when he flees the fighting in the former Soviet Republic of Georgia with his older brother, Sandro, and father, Irakli, for asylum in England. Two decades later, all three men are struggling to make peace with the past, haunted by the places and people they left behind.

Cana, Massachusetts: a utopian vision of 18th-century Puritan New England. To the outside world, Reverend Nathaniel Whitfield and his family stand as godly pillars of their small-town community, drawing Christians from across the New World into their fold. One such Christian, physician Arthur Lyman, discovers in the minister’s words a love so captivating it transcends language. As the bond between these two men grows more and more passionate, their families must contend with a tangled web of secrets, lies, and judgments which threaten to destroy them in this world and the next.

Cast out of the royal court by Eleanor of Aquitaine, deemed too coarse and rough-hewn for marriage or courtly life, seventeen-year-old Marie de France is sent to England to be the new prioress of an impoverished abbey, its nuns on the brink of starvation and beset by disease. At first taken aback by the severity of her new life, Marie finds focus and love in collective life with her singular and mercurial sisters. In this crucible, Marie steadily supplants her desire for family, for her homeland, for the passions of her youth with something new to her.

In this hilariously savage, poignant novel by acclaimed author Katherine Min, a grieving daughter’s revenge on the man who caused her mother’s death sets off a series of unexpected reckonings.

It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper—and cousin by marriage—of a once-famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years. Mrs. Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also sceptical. She suspects her cousin of having no talent; his successful friend, Mr. Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems.

For a long time, Lucy Sante felt unsure of her place. Born in Belgium, the only child of conservative working-class Catholic parents who transplanted their little family to the United States, she felt at home only when she moved to New York City in the early 1970s and found her people among a band of fellow bohemians. Some would die young, from drugs and AIDS, and some would become jarringly famous. Sante flirted with both fates on her way to building an estimable career as a writer. But she still felt like her life was a performance. She was presenting a facade, even to herself.

Father Michael Kavanagh is shocked when he sees a friend from his seminary days named Runner Malloy at the altar of his humble parish in upper Manhattan - a friend who was forced to leave under scandalous circumstances. Compelled to reconsider the past, Father Kavanagh wanders into the medieval haven of the Cloisters and stumbles into a conversation with a lovely and intriguing docent, Rachel Vedette.

More Than I Love My Life is the story of three strong women: Vera, age ninety; her daughter, Nina; and her granddaughter, Gili, who at thirty-nine is a filmmaker and a wary consumer of affection. A bitter secret divides each mother and daughter pair, though Gili—abandoned by Nina when she was just three—has always been close to her grandmother.

This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the audience through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.

More bodies have washed up on the shores of a small island. Another overfilled, ill-equipped, dilapidated ship has sunk under the weight of its too many passengers: Syrians, Ethiopians, Egyptians, Lebanese, Palestinians, all of them desperate to escape untenable lives back in their homelands. But miraculously, someone has survived the passage: nine-year-old Amir, a Syrian boy who is soon rescued by Vänna. Vänna.